{"id":19916,"date":"2022-09-22T12:40:54","date_gmt":"2022-09-22T10:40:54","guid":{"rendered":"https:\/\/www.jes-stuttgart.de\/person\/michaela-brosch\/"},"modified":"2024-10-23T10:42:32","modified_gmt":"2024-10-23T08:42:32","slug":"michaela-brosch","status":"publish","type":"person","link":"https:\/\/www.jes-stuttgart.de\/en\/person\/michaela-brosch\/","title":{"rendered":"Michaela Brosch"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

Education:<\/p>\n\n\n\n

Training as a designer, followed by art studies, artistic photography, costume painting<\/p>\n\n\n\n

Elsewhere:<\/p>\n\n\n\n

Has worked in theatre since 1996. Stage decorator and technician at Altes Schauspielhaus Stuttgart<\/p>\n\n\n\n

Costume painter at Stage Entertainment Stuttgart\/Berlin\/London<\/p>\n\n\n\n

Assistant set designer for sets of the city of Bonn<\/p>\n\n\n\n

Freelance set designer and costume painter for theatre and film<\/p>\n\n\n\n

Set design for Junges Ensemble Stuttgart<\/p>\n\n\n\n

Costume designer for Staatstheater Stuttgart<\/p>\n\n\n\n

Jes and me:<\/p>\n\n\n\n

Started in set design in 2004 before the theatre opened and stayed until 2021.<\/p>\n\n\n\n

Saw and experienced a lot of wonderful things and met great people.<\/p>\n\n\n\n

Connections.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"template":"","position":[162,161],"class_list":["post-19916","person","type-person","status-publish","hentry","position-costume","position-stage-design"],"acf":{"person_sort":"Brosch","relation_posts":[{"ID":5335,"post_author":"2","post_date":"2022-06-29 17:00:58","post_date_gmt":"2022-06-29 15:00:58","post_content":"\n\n\n

\n\n\n
\"\"
Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

Science has worked wonders: genetic research, early diagnosis and strict hygiene laws prevent the outbreak of any disease. In the wake of medical progress, common sense has led to a political system that protects its citizens from physical suffering. The price for safety: control and complete surveillance.

Until recently, the young biologist Mia Holl was an unquestioning part of the system and defended it against her rebellious brother Moritz. But then he was convicted of murdering a woman after a DNA test and killed himself in prison. Mia is thrown off track, doubts her brother's guilt, blames herself, neglects sports and nutritional reports and is targeted by the judicial system. A smoked cigarette is judged as abuse of toxic substances and is seen as endangerment of general welfare. The discussions in court and in the media escalate and Mia becomes the figurehead for the resistance.<\/mark><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Corpus Delicti\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There are scenes with bright light, dim light and darkness. There are sudden changes of light.

- The performance contains loud music, noises and video recordings with sound, some of which are played suddenly.

- There are several screens to the right and left above the stage that show one or more videos at the same time. Sometimes a video is played several times on different screens. In addition, large videos are played on a white surface in the centre of the stage.

- The shots in the videos sometimes change quickly. It looks as if they are flashing.

- There is fog.

- The actors enter and leave the stage via a sliding wall at the back of the room. Their shadows can be seen before they enter the stage. There are several entrances and exits.

- An actress smokes on stage, accompanied by typical cigarette smell.

- The audience should be able to sit quietly throughout the performance so that they can follow the play well. The benches are made of wood.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

Content note<\/strong><\/h2>
\n

Explicit mentions of sexual assault and suicide. Video Clip with blurred torture scene.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 15 and up, grades 10 and up
Duration: 95 minutes, no break
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/AkYbl5ehWEs\n<\/div><\/figure>\n","post_title":"Corpus Delicti","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"corpus-delicti","to_ping":"","pinged":"","post_modified":"2024-07-22 14:26:43","post_modified_gmt":"2024-07-22 12:26:43","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/corpus-delicti\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":5347,"post_author":"2","post_date":"2022-06-29 18:23:29","post_date_gmt":"2022-06-29 16:23:29","post_content":"\n\n\n
<\/div>\n\n\n\n\n\n
\"\"
Photo: Alex Wunsch<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
<\/div>\n\n\n\n

\u201cWelcome to the machine room. We examine feelings here \u2014 that is, we examine them.\u201d
Four people welcome you to their workplace at the beginning of their shift. They let you participate in their tests and experiments, you become a witness to their efforts to measure, compare and describe feelings. Does wanderlust come from far away? Is disappointment greater than homesickness? How much is too much?

A dance, musical and performative approach to what concerns us all, what determines our personal but also social lives so much \u2014 and what nevertheless gets so little space. For all people from the age of 5. Colourful, wild and exciting: UNB\u00c4NDIG is a celebration of great feelings, the encouragement to befriend them, because: \u201cSometimes they come. Most of the time they leave. That\u2019s okay.\u201d

The production was supported by the programme \u201cKunst trotz Abstand\u201d by the Ministry of Science, Research and the Arts.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Notes on accessibility<\/strong><\/h2>
\n

\"Unb\u00e4ndig\" takes place on stage in German sign language. The play is accessible for hearing and deaf children and families. (Deaf includes different identities and lived realities such as deaf, hard of hearing, Ci wearers and later-deaf).

\"Unb\u00e4ndig\" contains integrated interpreting into German sign language. \"Integrated interpreting\" means that the interpreter does not stand at the edge of the stage, but is visible to on stage with the other actors. She translates a large part of the spoken and sung text by other actors. The interpreter also plays a role in the play. She stands on stage in a way that the audience can easily follow the translation and the plot of the play. Individual words and sentences are signed by the other actors. The interpreter and the actors are all hearing.

You can find more information about attending performances with German Sign Language on stage here<\/a><\/strong>.

Concept and interpretation: Hannah H\u00e4berle, Christian Pflugfelder (Consulting)<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Unb\u00e4ndig\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is loud, shrill music and the performance contains live instruments. The instruments are an accordion, a cello, an oboe and drums. There are pulsating sounds.

- There is loud, shrill music and the performance contains live instruments. The instruments are an accordion, a cello, an oboe and drums. There are pulsating sounds.

- There are quick changes between light and darkness. There are also small, colourful columns of light that flash constantly.

- There is fog.

- The actors occasionally wear costumes in which their faces are unrecognisable.

- Sometimes the actors and objects appear suddenly. For example, there are balls that fall out of pipes onto the stage. They do not<\/strong> fall into the audience space.

- The audience is addressed and is allowed to make contact with the actors at specific points.

- Big emotions are shown, which can be transferred onto the audience. Frequent reactions are loud laughter, cheering and screaming.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 5 and up, Kindergarten, Elementary School
Duration: 60 minutes
Price: Children\/Teenagers \u20ac5,50, Adults \u20ac8,00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtube.com\/shorts\/BHsYaQGOvg8?feature=share\n<\/div><\/figure>\n\n\n\n
<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/AZ-FO_qqTkU\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Unb\u00e4ndig","post_excerpt":"Four people greet you at the beginning of your shift at their workplace. They share their experiments with you, you witness their efforts to measure, compare and describe feelings. Does wanderlust come from far away? Is disappointment greater than homesickness? How much is too much?","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"unbaendig","to_ping":"","pinged":"","post_modified":"2024-07-22 14:17:15","post_modified_gmt":"2024-07-22 12:17:15","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/unbaendig\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":23962,"post_author":"13","post_date":"2024-07-18 10:04:34","post_date_gmt":"2024-07-18 08:04:34","post_content":"\n\n\n
<\/div>\n\n\n\n

PREMIERE: 25.01.2025<\/p>\n\n\n\n

<\/div>\n\n\n\n\n\n
\"\"
Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n

Content<\/strong><\/h2>
\n

Life is not fair. Some people are allowed to stay up late, others can already reach the shelf with the sweets. It's usually the majority who decide which game to play. If just a few group members misbehave, is nobody allowed to have ice cream? And of course: Who is allowed to play with which toy?

The list could go on and on, as could the list of attempts to make everyone equal. How do you get someone to be fair and give up something when so many others give up nothing?

To develop the play, author and director Milan Gather and the JES ensemble first go on a research trip to schools and daycare centres to find out: When do we perceive something as unfair? How do we deal with unequal conditions? And how willing are we ourselves to compromise and show solidarity?<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 5 and up, daycare centre and primary school
Duration: approx. 50 minutes
Prices: Children\/young people \u20ac7.00, adults \u20ac14.00
Venue: Theatre hall (capacity 180 seats)<\/p>\n","post_title":"un\/fair","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"un-fair","to_ping":"","pinged":"","post_modified":"2025-01-31 16:36:56","post_modified_gmt":"2025-01-31 15:36:56","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=23962","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":29070,"post_author":"13","post_date":"2025-07-30 10:33:21","post_date_gmt":"2025-07-30 08:33:21","post_content":"\n\n\n

PREMIERE: 28.03.2026<\/p>\n\n\n\n

Content<\/h2>
\n

The door is shut, and all questions remain unanswered. An abandoned stage and many clues behind the door provide a space for wild speculation and hair-raising fantasies about what might have happened before or what could happen next, together with the question of whether whatever happens should be prevented. Puzzles upon puzzles arise for the four performers. This crime-like play is a plea for more mutual trust and playful freedom.Roads, kitchens, forests, playgrounds: dangers for children lurk everywhere, and the potential risk is enormous. Places where children can play unsupervised are becoming fewer and fewer, and children's range of movement is getting smaller and smaller. With both of these factors combined, the opportunity to learn how to deal with dangers in a playful way and to experience self-efficacy is disappearing. But what do children actually do when they play freely and unsupervised? How dangerous is it really? Or: What do adults think children do when they play alone, and what dangers do they imagine?<\/p>\n<\/div><\/div>\n\n\n\n

<\/p>\n","post_title":"Eintritt auf eigene Gefahr","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"eintritt-auf-eigene-gefahr","to_ping":"","pinged":"","post_modified":"2025-09-29 16:22:12","post_modified_gmt":"2025-09-29 14:22:12","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=29070","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}]},"_links":{"self":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/person\/19916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/person"}],"about":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/types\/person"}],"wp:attachment":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/media?parent=19916"}],"wp:term":[{"taxonomy":"position","embeddable":true,"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/position?post=19916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}