{"id":20121,"date":"2023-01-07T13:34:50","date_gmt":"2023-01-07T12:34:50","guid":{"rendered":"https:\/\/www.jes-stuttgart.de\/person\/lin-gennrich\/"},"modified":"2024-10-29T12:47:30","modified_gmt":"2024-10-29T11:47:30","slug":"lin-gennrich","status":"publish","type":"person","link":"https:\/\/www.jes-stuttgart.de\/en\/person\/lin-gennrich\/","title":{"rendered":"Lin Gennrich (none)"},"content":{"rendered":"\n
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Foto: Lin Gennrich<\/figcaption><\/figure>\n\n\n\n

EDUCATION
I was born in Filderstadt in 2004 and grew up in Freiberg am Neckar. I graduated from high school there in spring 2022.<\/p>\n\n\n\n

JES! AND ME
In the 22\/23 season, I completed my FSJ in theatre education at JES. I was part of the clubs \u2018Die Philosoph*innen\u2019 and \u2018Queer*town\u2019, sat in on the production \u2018Warum das Kind in der Polenta kocht\u2019 and organised the open space format EINMISCHEN with other FSJ volunteers.<\/p>\n\n\n\n

From autumn 2023, I will be working at JES as a guest assistant and guest intern on various productions, starting with the solo \u2018All das Sch\u00f6ne\u2019.<\/p>\n\n\n\n

ELSEWHERE<\/p>\n\n\n\n

In summer 2023, I was part of the production \u2018Auerhaus\u2019 at the Wilhelmatheater in Stuttgart as an assistant director, directed by Brigitte Dethier and acting students from the HMDK.<\/p>\n","protected":false},"template":"","position":[179,160],"class_list":["post-20121","person","type-person","status-publish","hentry","position-assistant-director","position-jes-employees"],"acf":{"person_sort":"Gennrich","relation_posts":[{"ID":5349,"post_author":"2","post_date":"2022-06-29 18:32:43","post_date_gmt":"2022-06-29 16:32:43","post_content":"\n\n\n

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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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\"I only know my country by smell. It smells like my mother's food. My father says you remember the smell of your country everywhere, but you only recognise it when you're far away.\"

\"Warum das Kind in der Polenta kocht\" is the story of a young girl growing up between two worlds: the colourfully transfigured homeland of circus and caravan and the harsh reality of being a constant stranger on the road.

An actress and a young girl on stage at JES confront the story of Agalja Veteranyi. Together with director Ye\u015fim Schaub, they search for the multi-layered, <\/em>sometimes contradictory multilayered feeling of being a stranger via the opposing views of the characters, which are repeatedly interrupted by precise imagery, and deal with it impressively.

How is it possible to share the experience of homelessness despite different histories, ages and backgrounds? Especially in times of ongoing wars and refugee movements, Aglaja's search for a place she can finally settle intersects inseparably with the reality that surrounds us.

\u00a9 1999 by DVA Verlag, in the Penguin Random House Verlagsgruppe.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
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Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Warum das Kind in der Polenta kocht\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- A few minutes after the performance begins, the light flickers and several points of light move through the room. The light briefly shines into the auditorium. The effect lasts approx. 15 seconds.

- Use of music and dripping noises.

- Weak light, darkness, rapid light changes and flickering light tubes. Attention: Stroboscope-like effects will be used for a brief moment. Feel free to contact us!

- Feathers and water fall\/drip from the ceiling onto the stage.

- A raw onion is eaten, which produces a strong, typical odor.

- Use of a wind machine to the right of the stage set, causing a curtain to move slightly back and forth.

- On stage, artificial hair hangs around a scaffold, which the players climb up, hang down and disappear into. Sometimes they can only be seen with individual body parts.

- The players show big emotions.

- The players speak to the audience and occasionally play to them.

- In one scene, a player scratches her thigh audibly and quickly for about 10 seconds.

- A player washes her hair with a white, milky liquid.

- In one scene, the two players spit into a bathtub. Later, they show the audience the saliva stains.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>.<\/strong> We will be happy to advise you and work out together how we can help.<\/p>\n<\/div><\/div>\n\n\n\n

Content Notes<\/strong><\/h2>
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This play deals with themes of homelessness and abandonment by parents. Stories from life in a children's home are retold.
In one scene in the play, thoughts of self-harm and suicide are alluded to for a moment.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 12 and up, grades 6\u20139
Duration: approx. 65 minutes
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Upper Foyer (Seating capacity 60)<\/p>\n\n\n\n

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\nhttps:\/\/www.youtube.com\/watch?v=hiKgT1esp3g\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Warum das Kind in der Polenta kocht","post_excerpt":"\u201cWarum das Kind in der Polenta kocht\u201d is the story of a young girl growing up between two worlds: the colourfully transfigured home of the circus and caravans and the harsh reality of being a constant stranger on the road.","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"warum-das-kind-in-der-polenta-kocht-2","to_ping":"","pinged":"","post_modified":"2024-07-22 14:24:27","post_modified_gmt":"2024-07-22 12:24:27","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/warum-das-kind-in-der-polenta-kocht\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12706,"post_author":"13","post_date":"2023-07-24 11:12:43","post_date_gmt":"2023-07-24 09:12:43","post_content":"\n\n\n

Rowohl Theatre Publishers, Duncan Macmillan<\/p>\n\n\n\n

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PREMIERE: February 3, 2024<\/p>\n\n\n\n

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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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1. Lemon ice cream, 2. water fights, 3. staying up later than usual and watching TV, 4. Die Farbe Gelb: the colour yellow... With everything that is beautiful about the world.

The protagonist of this solo piece, which can only be told together with the audience, begins making a list of all things nice in the world for his mother in the hope that this will end her depression and life will go on. In a way, it does. But not everything automatically becomes good. There is always a strange sadness lurking, there are crashes, embarrassing situations and injuries. The list has grown and grown over the years, approaching a million: 999,997. The alphabet, 999,9998. Inappropriate songs in emotional moments, 999,999. Completing a task....

A courageous, life-affirming and thought-provoking play about absent parents, faithful companions and big and small life decisions. The play deals with themes of depression as well as the suicide of the protagonist's mother.

If you or someone close to you is in a crisis, sees no hope and is perhaps thinking about no longer wanting to live, you can find help from the following places:

Arbeitskreis Leben Stuttgart e.V.: 0711 600620  www.ak-leben.de<\/strong><\/a>

Anonymous online counseling by young people for young people:
www.youth-life-line.de<\/strong><\/a>, www.u25-freiburg.de<\/strong><\/a> and  www.nethelp4u.de<\/strong><\/a>

Crisis and emergency service Stuttgart: 0180 511 0 444
Telephone counseling: 0800 111 0 111 or 0800 111 0 222
Police and rescue service: 110 and 112<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
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Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"All das Sch\u00f6ne\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- During the performance, the audience sits in the same room as the actor. The room is separated from a larger room by a curtain made of paper strips.

- The actor plays and speaks in front of, next to and behind the audience. At times, he sits close to the audience.

- The audience sits on benches without backrests during the performance. (You can ask for a chair with a backrest if you need one).

- There is music with a noticeable bass and a quiet, high, continuous tone.

- There is a loud leaf blower. There is wind from the leaf blower. The paper strips are whirled up at that moment.

- There is a movable spotlight that can briefly dazzle the audience.

- The audience and the actor can always see each other.

- The  actor makes direct eye contact with some members of the audience. The actor addresses the audience directly at times. Individual audience members are invited to take on roles or tasks in the play. (You can decline the invitation by shaking your head or denying it. This is not specifically stated in the play).

- The piece can trigger great emotions. The actor also shows strong emotions at times, such as great joy, infatuation, anger and a feeling of confinement.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

Content Note<\/strong><\/h2>
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The play deals with topics such as depression, the suicide of a family member and the death of a pet. It also deals with child neglect and separation.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 14 and up, grades 8 and up
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Rehearsal Stage (Seating capacity 60)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/nMucg71Oqc4\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"All das Sch\u00f6ne","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"__trashed-23","to_ping":"","pinged":"","post_modified":"2024-07-22 14:26:05","post_modified_gmt":"2024-07-22 12:26:05","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12706","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12832,"post_author":"13","post_date":"2023-07-24 11:13:29","post_date_gmt":"2023-07-24 09:13:29","post_content":"\n\n\n

PREMIERE: 24.02.2024<\/p>\n\n\n\n

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Content<\/strong><\/h2>
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For this performance, JES will be loud, colourful, emotional - and embarrassing. Because shame is the theme of the first musical in JES history. With everything that goes with it: emotional songs, a pop band, a large cast, dance choreography and a love story.

Even if it's not talked about much, shame is a defining issue in many people's everyday lives. To find out more about it, we send four young characters to an art museum. Their task, set by the school, is to enter into a dialogue with a work of art. By attempting this (more or less seriously), they not only encounter very different perspectives on ways of life and boundaries of shame. Above all, they are confronted with themselves and then also with the shamefully hidden secrets of their classmates.

In cooperation with the Popakademie Mannheim, which has put together a pop band consisting its students, and the PH Ludwigsburg, whose students are in charge of developing this educational programme.

Supported by Fonds Jupiter Fund of the German Federal Cultural Foundation<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessability<\/strong><\/h2>
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With audio description and tactile tours<\/strong>

With audio description, the stage set, costumes and the visible course of the action are made accessible to people with visual impairments via live description. The explanations and descriptions are spoken live during the performance. The commentaries are received via transmitters with headphones. The audio description will be in german.

The tactile tour takes place in the stage area approximately one hour before the performance begins. Here you can feel parts of the stage set, props and costume pieces. There is a tactile model in which the stage set is modelled. In addition, particularly visual scenes of the production are described.

Tickets are always available for people who require audio description. Even if the performance is sold out in the webshop, you can still reserve tickets by e-mail: ticket@jes-stuttgart.de<\/strong><\/a>.

For better planning, please register for the audio description and\/or the tactile tour. By mail to ticket@jes-stuttgart.de<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
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Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"SHAME \u2013 The Musical\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is live music. A band plays on stage. There are sudden changes in the music.

- There are bright, colourful lights. There are strobe lights. This means there are very fast, bright flashes of light. There are moments when it is partially or completely dark.

- The actors enter and leave the stage through the set. They go to the gallery. The gallery is above the stage and looks like a balcony. The actors disappear and appear through doors at the back of the stage.

- One of the actors enters and leaves the stage through a folding door in the set.

- At one point, an actress walks towards the audience.

- An actress steps out of a painting.

- There are strong feelings of shame and escalating emotions on stage.

- There is fog.

- The audience should be able to sit quietly during the performance in order to follow the play well.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 12 and up, grades 6 and up
Duration: 60 minutes
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Hall (Seating Capacity: 165)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/4qzZA654eWU?si=dDciBCnO--rie33p\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n\n\n\n
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\nhttps:\/\/soundcloud.com\/user-127403425\/hortrailer-shame-the-musical?si=adf36700173c4b78a39161051a25dc0a&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing\n<\/div><\/figure>\n","post_title":"SHAME \u2013 The Musical","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"shame-the-musical","to_ping":"","pinged":"","post_modified":"2024-07-22 14:23:06","post_modified_gmt":"2024-07-22 12:23:06","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12832","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12714,"post_author":"13","post_date":"2023-07-24 11:12:30","post_date_gmt":"2023-07-24 09:12:30","post_content":"\n\n\n

Translated from English by Thomas Bodmer.<\/p>\n\n\n\n

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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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I like standing here, this is my favourite place, the turtle thinks to itself and sniffs at a flower. But what happens when a new friend shows up, but has a bad feeling about the place and would rather stand somewhere else? Do you then leave the place you have come to love? Do you insist that the other person come to me, no matter the cost? Or do we meet in the middle, unfamiliar to both of us?
With just a few words, the Canadian-American animator, illustrator and writer Jon Klassen has created a whole little universe of feelings around friendship in his new picture book \"Out of the Blue\" \/ \"The Rock from the Sky\", full of fears and reservations, suspicions and wishes.

His picture book \"The Rock from the Sky\" is about searching for the right place, also in life, about friendship and destiny: No sooner has the armadillo lured the tortoise away from its favourite spot than a rock falls from the sky right where it was standing. There is not much talk about it, just as there is little dialogue at all, not even with the snake that joins them. But there are plenty of stories between the lines, full of longing, uncertainty and hope.

Patricija Katica Broni\u0107 has developed a playful realisation of the picture book for the stage as her first directorial work at JES.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli \/ <\/strong>
Storyboard<\/strong><\/h2>
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Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Aus heiterem Himmel\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- The audience sits around the performance area. The main performance area is a long wooden footbridge that runs diagonally across the room. There are seat cushions, seating pads and a few wooden benches to sit on. You can choose where you want to sit.

- The audience can see and observe each other.

- The actors sit in the audience multiple times. They make eye contact with the audience. Sometimes they act behind the audience, using the entire room.

- In one scene, a single wooden flower suddenly appears from the bridge. In a later scene, more wooden flowers and plants are unfolded from the bridge.

- There are sound and music recordings, sometimes with a deep, loud bass. In one scene, an actress sings softly. Sometimes nature and animal sounds, such as wind and birdsong, can be heard.

- There are rapid changes of light, flickering and pulsating light as well as coloured light. A disco ball hangs from the ceiling, sometimes creating small spotlights in the room.

- At the end of the piece, it suddenly goes completely dark for a brief moment. This is how the play ends. The light goes back on and the audience is allowed to clap. The actors take a bow.

The following moments in the play can be frightening . These moments can be a little scary:

1) At one end of the bridge, a large, round stage piece hangs from the stage ceiling. It falls down unexpectedly in the first third of the play. The fall is accompanied by a change of light and sound. A loud, crashing noise is played. The actors are startled.

2) A programmed spotlight slowly descends from the ceiling, the light moves through the room and changes colour. The audience can be briefly dazzled. Tense music is played. An actress reacts with fear, screams and hides in the audience.

3) Two actors jump from the bridge into the audience at the same time. Whoever is sitting in that exact spot could be frightened. The action is signalled in advance by the actors' gestures. Speak to our evening staff if you do not want to sit in this spot.

4) At the end of the play, the programmed spotlight appears a second time. It is suddenly and unexpectedly covered by a green cloth that falls from the ceiling.

If you would like more information about the piece, you can take a look at our Visual Story Board<\/strong>. Here you can find out what to expect in the individual scenes. You will receive information on the most important events and scenes in the play as well as the sensory stimuli contained therein. The Visual Story Board, a kind of picture story, is written in simple language in German.

Click here to access the Visual Story Board<\/a><\/strong>.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/h2>
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Your first theatre visit<\/strong>

Are you visiting us for the first time? Is this your first visit to the theatre with your toddler? Or with the daycare center? Here you will find information about your visit to the theatre and about accessibility to the performance \"Aus heiterem Himmel\".

It is important to us to create a relaxed environment and atmosphere. During \"Aus heiterem Himmel\" you can leave the theatre at any time. So if you feel overwhelmed or you need to get something, you can leave the theatre at any time. You can also return at any time.

Want to know more about a visit to JES? You can find our FAQ<\/a><\/strong>s here.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 4 and up, daycare, grades 1-2.
Duration: 45 minutes
Prices: Children\/young adults \u20ac5.50, adults \u20ac8.00
Venue: Upper Foyer (Seating Capacity: 60)<\/p>\n\n\n\n

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\nhttps:\/\/youtu.be\/nDpKyQb3b2s\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Aus heiterem Himmel","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"aus-heiterem-himmel","to_ping":"","pinged":"","post_modified":"2024-07-22 14:16:24","post_modified_gmt":"2024-07-22 12:16:24","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12714","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":23964,"post_author":"13","post_date":"2024-07-18 10:06:04","post_date_gmt":"2024-07-18 08:06:04","post_content":"\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n

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Content<\/strong><\/h2>
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\u2018A good murder, a real murder, a beautiful murder?\u2019

Marie, Louise, Ophelia, Juliet, Desdemona: classical theatre literature is full of female murder victims. Their common cause of death: patriarchal violence. These texts, mostly written by men, centre perpetrators. Following an inner logic of social pressure and emotional despair, their deeds seem inevitable or even romantic. This is a pattern that is still reflected in reporting on gender-based violence today: Violent acts are labelled \u2018family tragedies\u2019, \u2018jealousy dramas\u2019 or \u2018acts of desperation\u2019 instead of calling them by their name: Femicides, murders of women* because of their gender or gender identity.

JES sets out to develop a theatrical counter-narrative. Director Pina Bergemann used to work in play clubs at JES, then made a career as an actress and was most recently seen at the Theaterhaus Jena in the multi-award-winning performance \u2018Die Hundekot-Attacke\u2019. After two solo evenings, which she also helped develop, she is now taking on the role of director.<\/p>\n<\/div><\/div>\n\n\n\n

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Grades 10 and up
Prices: Children\/young people \u20ac7.50, JES-Partner \u20ac6.50
Venue: mobile<\/p>\n","post_title":"F*** you, Woyzeck","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"f-you-woyzeck","to_ping":"","pinged":"","post_modified":"2025-02-13 15:06:35","post_modified_gmt":"2025-02-13 14:06:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=23964","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":28754,"post_author":"13","post_date":"2025-07-30 10:25:20","post_date_gmt":"2025-07-30 08:25:20","post_content":"\n

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A deviced play
in German spoken language and German sign language
with audio description<\/p>\n<\/div>\n\n\n\n

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Photo: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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A crack runs through the stage. Did it just suddenly appear? Or has it always been there? Is it getting bigger? How deep is it, and can we overcome it? One thing is for certain: it\u2019s here now, and it challenges us to deal with the new circumstances. While some mourn the time before the crack emerged, others are already eagerly embracing the opportunities it offers. And what if other things in the space change while we are still getting used to what\u2019s new?<\/p>\n\n\n\n

Director Josie Dale-Jones is developing this play together with the ensemble. With lots of movement, they will jointly explore the themes of fear and change. For this production, the JES ensemble is joined on and above the stage by two aerial acrobats.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/h2>
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\u2022    There are several wheelchair spaces available in the theatre auditorium.<\/p>\n\n\n\n

\u2022    There is also an accessible toilet in front of the JES studios (entrance C, 1st floor), which can be reached via lift.<\/p>\n\n\n\n

\u2022    The nearest disabled parking spaces are located on Eberhardstra\u00dfe, Breite Stra\u00dfe and Christophstra\u00dfe.<\/p>\n\n\n\n

\u2022    We are happy to pick you up at the nearest bus or train stop.<\/p>\n\n\n\n

\u2022    Your assistance dog is welcome.<\/p>\n\n\n\n

\u2022    There is free seating during the performance. Please let us know if you would benefit from early boarding.<\/p>\n\n\n\n

Detailed information on accessibility and inclusion at JES can be found here<\/strong><\/a>!<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

10+, grades 5 and up
Prices: Children\/young people \u20ac7.00, adults \u20ac14.00
Venue: theatre hall (capacity 180 seats)<\/p>\n\n\n\n

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<\/div>\n\n\n\n
\nhttps:\/\/www.youtube.com\/watch?v=z0_0wG32lEg\n<\/div><\/figure>\n","post_title":"WOW?!","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"__trashed-3","to_ping":"","pinged":"","post_modified":"2026-03-26 17:06:04","post_modified_gmt":"2026-03-26 16:06:04","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=28754","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":29070,"post_author":"13","post_date":"2025-07-30 10:33:21","post_date_gmt":"2025-07-30 08:33:21","post_content":"\n\n\n

PREMIERE: 28.03.2026<\/p>\n\n\n\n

Content<\/h2>
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The door is shut, and all questions remain unanswered. An abandoned stage and many clues behind the door provide a space for wild speculation and hair-raising fantasies about what might have happened before or what could happen next, together with the question of whether whatever happens should be prevented. Puzzles upon puzzles arise for the four performers. This crime-like play is a plea for more mutual trust and playful freedom.Roads, kitchens, forests, playgrounds: dangers for children lurk everywhere, and the potential risk is enormous. Places where children can play unsupervised are becoming fewer and fewer, and children's range of movement is getting smaller and smaller. With both of these factors combined, the opportunity to learn how to deal with dangers in a playful way and to experience self-efficacy is disappearing. But what do children actually do when they play freely and unsupervised? How dangerous is it really? Or: What do adults think children do when they play alone, and what dangers do they imagine?<\/p>\n<\/div><\/div>\n\n\n\n

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