{"id":20143,"date":"2022-08-29T15:40:30","date_gmt":"2022-08-29T13:40:30","guid":{"rendered":"https:\/\/www.jes-stuttgart.de\/person\/caro-mendelski\/"},"modified":"2024-10-24T13:00:44","modified_gmt":"2024-10-24T11:00:44","slug":"caro-mendelski","status":"publish","type":"person","link":"https:\/\/www.jes-stuttgart.de\/en\/person\/caro-mendelski\/","title":{"rendered":"Caro Mendelski (she\/her)"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

Caro Mendelski was born in Stuttgart in 1988. After graduating in Literature, Art and Media Studies with a minor in Sociology at the University of Konstanz, she completed a BA in Speech Arts and an MA in Media Speaking at the State University of Music and Performing Arts Stuttgart. Since then, she has worked as a voice-over artist for various radio and TV formats (including arte, SWR, ARD), dubbing and live audio description.<\/p>\n\n\n\n

She writes dubbing scripts and directs radio plays (including the interactive radio play \u2018Die sch\u00f6nen Lauen\u2019). She also works as a performer and develops her own artistic stage works. With the performance \u2018A Body of one’s own\u2019, which she developed herself, she was invited to the Rampe Theatre and to various festivals. She has appeared on stage at Staatstheater Stuttgart, Volksb\u00fchne Berlin (P14), Theater Konstanz and as a guest for various collectives in the independent scene. She has worked together with Ren\u00e9 Pollesch (\u2018Was h\u00e4lt uns zusammen wie der Ball die Spieler einer Fu\u00dfballmannschaft\u2019 & \u2018Du hast mir die Pfanne versaut, du Spiegelei des Terrors\u2019), SHE SHE POP (\u2018Oratorium\u2019 & \u2018Wir sind der Protagonist\u2019), Showcaste Beat Le Mot (\u2018Zack fertig!\u2019), Volker L\u00f6sch (\u2018Cocka Hola Company\u2019) and Schorsch Kamerun (\u2018Sommernachtstraum im Cyber Valley\u2019). As part of her final thesis at HMDK Stuttgart, she developed the radio plays \u2018Herzst\u00fcck\u2019 (2017) and \u2018Der erste fiese Typ\u2019 (2019). She has been working as a lecturer at HMDK drama school since 2018.<\/p>\n\n\n\n

<\/p>\n","protected":false},"template":"","position":[278,261,164,158],"class_list":["post-20143","person","type-person","status-publish","hentry","position-live-speaker-audio-description","position-audio-description","position-acting","position-guest"],"acf":{"person_sort":"Mendelski","relation_posts":[{"ID":5335,"post_author":"2","post_date":"2022-06-29 17:00:58","post_date_gmt":"2022-06-29 15:00:58","post_content":"\n\n\n

\n\n\n
\"\"
Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

Science has worked wonders: genetic research, early diagnosis and strict hygiene laws prevent the outbreak of any disease. In the wake of medical progress, common sense has led to a political system that protects its citizens from physical suffering. The price for safety: control and complete surveillance.

Until recently, the young biologist Mia Holl was an unquestioning part of the system and defended it against her rebellious brother Moritz. But then he was convicted of murdering a woman after a DNA test and killed himself in prison. Mia is thrown off track, doubts her brother's guilt, blames herself, neglects sports and nutritional reports and is targeted by the judicial system. A smoked cigarette is judged as abuse of toxic substances and is seen as endangerment of general welfare. The discussions in court and in the media escalate and Mia becomes the figurehead for the resistance.<\/mark><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Corpus Delicti\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There are scenes with bright light, dim light and darkness. There are sudden changes of light.

- The performance contains loud music, noises and video recordings with sound, some of which are played suddenly.

- There are several screens to the right and left above the stage that show one or more videos at the same time. Sometimes a video is played several times on different screens. In addition, large videos are played on a white surface in the centre of the stage.

- The shots in the videos sometimes change quickly. It looks as if they are flashing.

- There is fog.

- The actors enter and leave the stage via a sliding wall at the back of the room. Their shadows can be seen before they enter the stage. There are several entrances and exits.

- An actress smokes on stage, accompanied by typical cigarette smell.

- The audience should be able to sit quietly throughout the performance so that they can follow the play well. The benches are made of wood.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

Content note<\/strong><\/h2>
\n

Explicit mentions of sexual assault and suicide. Video Clip with blurred torture scene.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 15 and up, grades 10 and up
Duration: 95 minutes, no break
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/AkYbl5ehWEs\n<\/div><\/figure>\n","post_title":"Corpus Delicti","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"corpus-delicti","to_ping":"","pinged":"","post_modified":"2024-07-22 14:26:43","post_modified_gmt":"2024-07-22 12:26:43","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/corpus-delicti\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":17105,"post_author":"2","post_date":"2022-06-29 17:33:41","post_date_gmt":"2022-06-29 15:33:41","post_content":"\n\n\n
<\/div>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

They agreed on one thing from the beginning: they would definitely find something better than death. But what did the donkey, the dog, the cat and the rooster actually find after they chased the robbers out of their hut? Just a protective roof over their heads? Or a new home? Or community? How do you live together when you are so different and have different needs?

Because music almost always helps, the four \"city music animals\" take Donkey by their word and grab microphones and instruments. The stories are their own, but what kind of music is appropriate? And does it rather take a good choreography, a fresh band name or simply lots of practice to actually make a name for oneself?

The JES Ensemble tells the Brothers Grimm fairy tale from a special perspective, with lots of live music.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/h2>
\n

In the audio description<\/strong> the stage set, the costumes and the visible course of the action are described for people with visual impairments. The descriptions are spoken live during the performance and can be heard by the audience via transmitters with headphones.

For people with visual impairments, we regularly offer screenings with tactile guidance and audio description <\/strong>an.

The tactile tour<\/strong> takes place in the stage area approximately one hour before the performance begins. Here you can feel parts of the stage set, props and costume pieces. The actors introduce themselves and describe themselves. In addition, particularly visual scenes of the production are described.

A number of tickets is available for people who require audio description. Even if the performance is sold out in the webshop, you can still reserve tickets by e-mail: ticket@jes-stuttgart.de<\/strong><\/a>

For better planning, please register for the audio description and\/or tactile tour. <\/strong>By mail to ticket@jes-stuttgart.d<\/strong>e<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Die Bremer Stadtmusiktiere\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- At the beginning of the performance, the actors suddenly appear, shouting loudly.

- The actors stand on raised platforms and on a suspended ladder.
- Music with amplified instruments (guitar, bass, drums, keyboard and microphone) and everyday objects such as pots and tin cans.

- Short flickering of neon tubes as well as weak light, darkness and rapid light changes.

- At some points, the actors wear masks and helmets that cover their faces for a brief moment.

- Use of fog and shadow theater towards the end of the performance.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We will be happy to advise you and work out together how we can help you.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 6 and up, Daycare, grades 1\u20134
Duration: 70 minutes
Prices: Children\/young people \u20ac5.50, adults \u20ac8.00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/soundcloud.com\/user-127403425\/die-bremer-stadtmusiktiere-hortrailer?si=0aa6cd74dbed4be38b28341dbbaaa2ff&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing\n<\/div><\/figure>\n\n\n\n
<\/div>\n\n\n\n
\nhttps:\/\/www.youtube.com\/watch?v=VuubzS7BH0A\n<\/div><\/figure>\n","post_title":"Die Bremer Stadtmusiktiere","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"die-bremer-stadtmusiktiere-2","to_ping":"","pinged":"","post_modified":"2024-07-22 14:18:31","post_modified_gmt":"2024-07-22 12:18:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/die-bremer-stadtmusiktiere\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12832,"post_author":"13","post_date":"2023-07-24 11:13:29","post_date_gmt":"2023-07-24 09:13:29","post_content":"\n\n\n

PREMIERE: 24.02.2024<\/p>\n\n\n\n

<\/div>\n\n\n\n\n\n
\"\"<\/figure>\n\n\n\n\n\n
\"\"<\/figure>\n\n\n\n\n\n
\"\"<\/figure>\n\n\n\n\n\n
\"\"<\/figure>\n\n\n\n\n\n
\"\"<\/figure>\n\n\n\n\n\n
\"\"<\/figure>\n\n\n\n\n\n
\"\"<\/figure>\n\n\n\n\n\n
\"\"<\/figure>\n\n\n\n\n\n
\"\"<\/figure>\n\n\n\n\n\n
<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

For this performance, JES will be loud, colourful, emotional - and embarrassing. Because shame is the theme of the first musical in JES history. With everything that goes with it: emotional songs, a pop band, a large cast, dance choreography and a love story.

Even if it's not talked about much, shame is a defining issue in many people's everyday lives. To find out more about it, we send four young characters to an art museum. Their task, set by the school, is to enter into a dialogue with a work of art. By attempting this (more or less seriously), they not only encounter very different perspectives on ways of life and boundaries of shame. Above all, they are confronted with themselves and then also with the shamefully hidden secrets of their classmates.

In cooperation with the Popakademie Mannheim, which has put together a pop band consisting its students, and the PH Ludwigsburg, whose students are in charge of developing this educational programme.

Supported by Fonds Jupiter Fund of the German Federal Cultural Foundation<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessability<\/strong><\/h2>
\n

With audio description and tactile tours<\/strong>

With audio description, the stage set, costumes and the visible course of the action are made accessible to people with visual impairments via live description. The explanations and descriptions are spoken live during the performance. The commentaries are received via transmitters with headphones. The audio description will be in german.

The tactile tour takes place in the stage area approximately one hour before the performance begins. Here you can feel parts of the stage set, props and costume pieces. There is a tactile model in which the stage set is modelled. In addition, particularly visual scenes of the production are described.

Tickets are always available for people who require audio description. Even if the performance is sold out in the webshop, you can still reserve tickets by e-mail: ticket@jes-stuttgart.de<\/strong><\/a>.

For better planning, please register for the audio description and\/or the tactile tour. By mail to ticket@jes-stuttgart.de<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"SHAME \u2013 The Musical\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is live music. A band plays on stage. There are sudden changes in the music.

- There are bright, colourful lights. There are strobe lights. This means there are very fast, bright flashes of light. There are moments when it is partially or completely dark.

- The actors enter and leave the stage through the set. They go to the gallery. The gallery is above the stage and looks like a balcony. The actors disappear and appear through doors at the back of the stage.

- One of the actors enters and leaves the stage through a folding door in the set.

- At one point, an actress walks towards the audience.

- An actress steps out of a painting.

- There are strong feelings of shame and escalating emotions on stage.

- There is fog.

- The audience should be able to sit quietly during the performance in order to follow the play well.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Ages 12 and up, grades 6 and up
Duration: 60 minutes
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Hall (Seating Capacity: 165)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/4qzZA654eWU?si=dDciBCnO--rie33p\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n\n\n\n
<\/div>\n\n\n\n
\nhttps:\/\/soundcloud.com\/user-127403425\/hortrailer-shame-the-musical?si=adf36700173c4b78a39161051a25dc0a&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing\n<\/div><\/figure>\n","post_title":"SHAME \u2013 The Musical","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"shame-the-musical","to_ping":"","pinged":"","post_modified":"2024-07-22 14:23:06","post_modified_gmt":"2024-07-22 12:23:06","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12832","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":23951,"post_author":"13","post_date":"2024-07-18 10:04:53","post_date_gmt":"2024-07-18 08:04:53","post_content":"\n\n\n
<\/div>\n\n\n\n

Premiere: 09.11.2024<\/p>\n\n\n\n

<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

In the Happy Land, nothing is as it used to be: people are unhappy, they are sad, they are in a bad mood and only care about themselves. Is it because the bird of hope that gives everyone comfort and confidence with its song has disappeared? Jabu, the prince, sets off to find the bird despite his fears and doubts. Fortunately, he gets help from Alva, the lighthouse keeper's daughter, who at least knows how to steer a ship. Together, the two set off on their adventure - accompanied by an invigorating melody.

Together with musicians H\u00eaja Netirk and Carlos Rico, JES develops a light and sensual musical narrative about big questions: How do we want to live together? Do people lose their humanity when they no longer feel confident? Which melody gives you hope?

Performance rights B\u00fchnenverlag Weitendorf, Hamburg<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/strong><\/h2>
\n

In the audio description<\/strong> the stage set, the costumes and the visible course of the action are described for people with visual impairments. The descriptions are spoken live during the performance and can be heard by the audience via transmitters with headphones.

For people with visual impairments, we regularly offer screenings with tactile guidance and audio description <\/strong>an.

The tactile tour<\/strong> takes place in the stage area approximately one hour before the performance begins. Here you can feel parts of the stage set, props and costume pieces. The actors introduce themselves and describe themselves. In addition, particularly visual scenes of the production are described.

A number of tickets is available for people who require audio description. Even if the performance is sold out in the webshop, you can still reserve tickets by e-mail: ticket@jes-stuttgart.de<\/strong><\/a>

For better planning, please register for the audio description and\/or tactile tour. <\/strong>By mail to ticket@jes-stuttgart.de<\/strong><\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 8 and up, grades 3-6
Venue: theatre hall (capacity 180 seats)
Duration: 80 minutes
With audio description and tactile guidance<\/p>\n","post_title":"Der Hoffnungsvogel","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"der-hoffnungsvogel","to_ping":"","pinged":"","post_modified":"2025-01-31 16:27:14","post_modified_gmt":"2025-01-31 15:27:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=23951","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}]},"_links":{"self":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/person\/20143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/person"}],"about":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/types\/person"}],"wp:attachment":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/media?parent=20143"}],"wp:term":[{"taxonomy":"position","embeddable":true,"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/position?post=20143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}