{"id":24598,"date":"2024-07-17T15:57:33","date_gmt":"2024-07-17T13:57:33","guid":{"rendered":"https:\/\/www.jes-stuttgart.de\/person\/carmen-yasemin-ipek\/"},"modified":"2025-02-13T14:50:21","modified_gmt":"2025-02-13T13:50:21","slug":"carmen-yasemin-ipek","status":"publish","type":"person","link":"https:\/\/www.jes-stuttgart.de\/en\/person\/carmen-yasemin-ipek\/","title":{"rendered":"Carmen Yasemin Ipek (she\/her)"},"content":{"rendered":"\n
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Foto: Sarah Domandl<\/p>\n\n\n\n

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Carmen Yasemin Ipek, born and raised in Munich, gained her first theatre experience in the youth clubs of the\u00a0M\u00fcnchner Volkstheater and the Residenztheater. She studied acting at the Rostock University of Music and Theatre, where she graduated in 2018. She moved to Berlin as a freelance actress and realised her first film projects. She has performed at Rostocker Volkstheater and Mecklenburgisches Staatstheater, Akademie der K\u00fcnste in Ludwigsburg, Bayerische Theaterakademie and worked with the Tacheles & Tarantismus collective in Heilbronn. From 2020 to 2023 she was an ensemble member at Junges Nationaltheater Mannheim. She returned to Munich as a freelance actress and voice-over artist in September 2023 and continues to make guest appearances at Nationaltheater Mannheim as well as the opera, sometimes as a presenter. In autumn 2024, she will make her first guest appearance at Junges Ensemble Stuttgart. Carmen has been a volunteer member of the Queer Film Festival Munich team since 2023 to support the queer community and curate great, important films.<\/p>\n\n\n\n

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<\/a><\/p>\n","protected":false},"template":"","position":[164],"class_list":["post-24598","person","type-person","status-publish","hentry","position-acting"],"acf":{"person_sort":"Ipek","relation_posts":[{"ID":23951,"post_author":"13","post_date":"2024-07-18 10:04:53","post_date_gmt":"2024-07-18 08:04:53","post_content":"\n\n\n

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Premiere: 09.11.2024<\/p>\n\n\n\n

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Content<\/strong><\/h2>
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In the Happy Land, nothing is as it used to be: people are unhappy, they are sad, they are in a bad mood and only care about themselves. Is it because the bird of hope that gives everyone comfort and confidence with its song has disappeared? Jabu, the prince, sets off to find the bird despite his fears and doubts. Fortunately, he gets help from Alva, the lighthouse keeper's daughter, who at least knows how to steer a ship. Together, the two set off on their adventure - accompanied by an invigorating melody.

Together with musicians H\u00eaja Netirk and Carlos Rico, JES develops a light and sensual musical narrative about big questions: How do we want to live together? Do people lose their humanity when they no longer feel confident? Which melody gives you hope?

Performance rights B\u00fchnenverlag Weitendorf, Hamburg<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/strong><\/h2>
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In the audio description<\/strong> the stage set, the costumes and the visible course of the action are described for people with visual impairments. The descriptions are spoken live during the performance and can be heard by the audience via transmitters with headphones.

For people with visual impairments, we regularly offer screenings with tactile guidance and audio description <\/strong>an.

The tactile tour<\/strong> takes place in the stage area approximately one hour before the performance begins. Here you can feel parts of the stage set, props and costume pieces. The actors introduce themselves and describe themselves. In addition, particularly visual scenes of the production are described.

A number of tickets is available for people who require audio description. Even if the performance is sold out in the webshop, you can still reserve tickets by e-mail: ticket@jes-stuttgart.de<\/strong><\/a>

For better planning, please register for the audio description and\/or tactile tour. <\/strong>By mail to ticket@jes-stuttgart.de<\/strong><\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 8 and up, grades 3-6
Venue: theatre hall (capacity 180 seats)
Duration: 80 minutes
With audio description and tactile guidance<\/p>\n","post_title":"Der Hoffnungsvogel","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"der-hoffnungsvogel","to_ping":"","pinged":"","post_modified":"2025-01-31 16:27:14","post_modified_gmt":"2025-01-31 15:27:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=23951","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":23964,"post_author":"13","post_date":"2024-07-18 10:06:04","post_date_gmt":"2024-07-18 08:06:04","post_content":"\n\n\n

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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n

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Content<\/strong><\/h2>
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\u2018A good murder, a real murder, a beautiful murder?\u2019

Marie, Louise, Ophelia, Juliet, Desdemona: classical theatre literature is full of female murder victims. Their common cause of death: patriarchal violence. These texts, mostly written by men, centre perpetrators. Following an inner logic of social pressure and emotional despair, their deeds seem inevitable or even romantic. This is a pattern that is still reflected in reporting on gender-based violence today: Violent acts are labelled \u2018family tragedies\u2019, \u2018jealousy dramas\u2019 or \u2018acts of desperation\u2019 instead of calling them by their name: Femicides, murders of women* because of their gender or gender identity.

JES sets out to develop a theatrical counter-narrative. Director Pina Bergemann used to work in play clubs at JES, then made a career as an actress and was most recently seen at the Theaterhaus Jena in the multi-award-winning performance \u2018Die Hundekot-Attacke\u2019. After two solo evenings, which she also helped develop, she is now taking on the role of director.<\/p>\n<\/div><\/div>\n\n\n\n

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Grades 10 and up
Prices: Children\/young people \u20ac7.50, JES-Partner \u20ac6.50
Venue: mobile<\/p>\n","post_title":"F*** you, Woyzeck","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"f-you-woyzeck","to_ping":"","pinged":"","post_modified":"2025-02-13 15:06:35","post_modified_gmt":"2025-02-13 14:06:35","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=23964","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}]},"_links":{"self":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/person\/24598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/person"}],"about":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/types\/person"}],"wp:attachment":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/media?parent=24598"}],"wp:term":[{"taxonomy":"position","embeddable":true,"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/position?post=24598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}