{"id":5245,"date":"2022-06-30T10:37:36","date_gmt":"2022-06-30T08:37:36","guid":{"rendered":"https:\/\/www.jes-stuttgart.de\/person\/brigitte-dethier\/"},"modified":"2024-10-23T14:54:49","modified_gmt":"2024-10-23T12:54:49","slug":"brigitte-dethier","status":"publish","type":"person","link":"https:\/\/www.jes-stuttgart.de\/en\/person\/brigitte-dethier\/","title":{"rendered":"Brigitte Dethier (she\/her)"},"content":{"rendered":"\n\n\n
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Brigitte Dethier was and artistic director and director at the Junges Ensemble Stuttgart from 2002 to 2022 as well as artistic director of the festival \u201cBright view\u201d. She has also been active in international associations and organizations for the promotion of professional children\u2019s and youth theater for years, for example as the first chairwoman of the German ASSITEJ. In 2014, she was awarded the Order of Merit of the State of Baden-W\u00fcrttemberg for the foundation and successful work at JES.<\/p>\n\n\n\n

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In 2009, together with the Belgian choreographer Ives Thuwis-De Leeuw, she received the German Theatre Prize DER FAUST for her production \u201cNoch 5 Minuten\u201d. As a lecturer for acting, directing and theatre management she works at universities in Stuttgart, Hamburg and Munich.<\/p>\n","protected":false},"template":"","position":[],"class_list":["post-5245","person","type-person","status-publish","hentry"],"acf":{"person_sort":"Dethier","relation_posts":[{"ID":5344,"post_author":"2","post_date":"2022-06-29 17:51:03","post_date_gmt":"2022-06-29 15:51:03","post_content":"\n\n\n

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Photo: Alex Wunsch<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Alex Wunsch<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Alex Wunsch<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Alex Wunsch<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Alex Wunsch<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Alex Wunsch<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Alex Wunsch<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Alex Wunsch<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Alex Wunsch<\/figcaption><\/figure>\n\n\n\n\n\n
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Actually, everything was as it always was. Balthasar spent almost every afternoon with his grandmother Monika, until his parents stopped immersing themselves in work and came to pick him up. But this time they were going to go away on a work trip, so this time Balthasar would spend the night with Grandma Monika ecause Balthasar is with his grandmother so often, he also knows her little secret: her forgetfulness and the trouble she has finding the right words, not only when doing crossword puzzles together.

On this evening, however, Balthasar notices that his grandmother's memories and connections suddenly disappear from her mind more and more often. What happens when she forgets herself at some point? Who, then, was Grandma Monika? Together, grandmother and grandson set off in search of her memories and biographical traces. The kitchen becomes the parcourse of a long and eventful life.<\/p>\n\n\n\n

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Winner of the Marburg Children's and Youth Theatre Prize 2022 as part of the KUSS Festival and the KinderSt\u00fcckePreis of the 47th M\u00fclheim Theatre Days.<\/p>\n\n\n\n

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Ages 8 and up, grades 3\u20136
Duration: 60 minutes
Prices: Children\/young adults \u20ac5.50, adults \u20ac8.00 <\/p>\n\n\n\n

Notes on sensory stimuli<\/h2>
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The following stimuli appear in places<\/strong> in the production:

- Use of loud music, an electric guitar, microphones and kitchen appliances used as musical instruments.
- Rapid light changes, colorful and dim light and a lamp that flickers. In one scene, circles of light move across the stage.
- A curtain of balls hangs around the stage, making noises and glittering in the light.
- At one moment, rose petals are thrown into the air.
- An actress shows great emotion and throws a cup on the floor in one scene. The cup breaks.
- The audience sits on wooden benches throughout the performance and should keep quiet.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>.
We will be happy to advise you and work out together how we can help.<\/p>\n<\/div><\/div>\n\n\n\n

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\nhttps:\/\/youtu.be\/5cB2NKXYcPM\n<\/div><\/figure>\n","post_title":"Grandma Monika \u2013 what happened?","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"oma-monika-ua","to_ping":"","pinged":"","post_modified":"2024-04-17 13:45:12","post_modified_gmt":"2024-04-17 11:45:12","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/oma-monika-ua\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":5335,"post_author":"2","post_date":"2022-06-29 17:00:58","post_date_gmt":"2022-06-29 15:00:58","post_content":"\n\n\n
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\"\"
Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n<\/div>\n\n\n\n
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Content<\/strong><\/h2>
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Science has worked wonders: genetic research, early diagnosis and strict hygiene laws prevent the outbreak of any disease. In the wake of medical progress, common sense has led to a political system that protects its citizens from physical suffering. The price for safety: control and complete surveillance.

Until recently, the young biologist Mia Holl was an unquestioning part of the system and defended it against her rebellious brother Moritz. But then he was convicted of murdering a woman after a DNA test and killed himself in prison. Mia is thrown off track, doubts her brother's guilt, blames herself, neglects sports and nutritional reports and is targeted by the judicial system. A smoked cigarette is judged as abuse of toxic substances and is seen as endangerment of general welfare. The discussions in court and in the media escalate and Mia becomes the figurehead for the resistance.<\/mark><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Corpus Delicti\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There are scenes with bright light, dim light and darkness. There are sudden changes of light.

- The performance contains loud music, noises and video recordings with sound, some of which are played suddenly.

- There are several screens to the right and left above the stage that show one or more videos at the same time. Sometimes a video is played several times on different screens. In addition, large videos are played on a white surface in the centre of the stage.

- The shots in the videos sometimes change quickly. It looks as if they are flashing.

- There is fog.

- The actors enter and leave the stage via a sliding wall at the back of the room. Their shadows can be seen before they enter the stage. There are several entrances and exits.

- An actress smokes on stage, accompanied by typical cigarette smell.

- The audience should be able to sit quietly throughout the performance so that they can follow the play well. The benches are made of wood.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

Content note<\/strong><\/h2>
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Explicit mentions of sexual assault and suicide. Video Clip with blurred torture scene.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 15 and up, grades 10 and up
Duration: 95 minutes, no break
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

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