{"id":5258,"date":"2022-07-20T20:14:34","date_gmt":"2022-07-20T18:14:34","guid":{"rendered":"https:\/\/www.jes-stuttgart.de\/person\/lena-hinz\/"},"modified":"2024-10-23T15:33:22","modified_gmt":"2024-10-23T13:33:22","slug":"lena-hinz","status":"publish","type":"person","link":"https:\/\/www.jes-stuttgart.de\/en\/person\/lena-hinz\/","title":{"rendered":"Lena Hinz"},"content":{"rendered":"\n\n\n

Born in Haan in 1981, Lena Hinz grew up in Wuppertal. She studied stage and costume design at the \u2018Academie voor Beeldende Kunsten Maastricht\u2019 (Netherlands) and at the \u2018National Academy of Arts Sofia\u2019 (Bulgaria) from 2004 to 2008.<\/p>\n\n\n\n

Following her studies, she worked as a prop designer at RO Theatre in Rotterdam (Netherlands). At the same time, she worked on several independent dance and drama productions, including at Theaterschool Amsterdam, Frascati WG and RO Theatre.<\/p>\n\n\n\n

From 2009 to 2011 she was an assistant set designer at Junges Schauspielhaus in Hamburg. Since 2011 she has been working as a freelance stage and costume designer throughout Germany, including at Junges Ensemble Stuttgart, Junges Schauspielhaus Hamburg, Moks Theatre Bremen and Grips Theatre Berlin.<\/p>\n\n\n\n

<\/p>\n\n\n\n



www.lenahinz.de<\/a><\/p>\n","protected":false},"template":"","position":[162,161,158],"class_list":["post-5258","person","type-person","status-publish","hentry","position-costume","position-stage-design","position-guest"],"acf":{"person_sort":"Hinz","relation_posts":[{"ID":5670,"post_author":"4","post_date":"2022-09-15 14:49:20","post_date_gmt":"2022-09-15 12:49:20","post_content":"\n\n\n

In the summer of 2022, the Children\u2019s Employment Agency will open at Torstra\u00dfe 15 (Phase 1). We place, accompany and professionalise the employees \u2014 the participating children \u2014 of the agency. We offer mediation services between potential clients and our experts. The experts are children between the ages of seven and twelve who work on, prepare, carry out and document the work assignments.

In a second step, we develop questions regarding the concept of work as a type of service and the construct of a capitalist society based on the children's insights and experiences in the work assignments.

In phase 2, the office becomes a counselling centre for work, the children's employment agency. Working adults arrange counselling sessions and question their everyday working life and their attitude towards work together with the experts.

The project seeks to shake up basic assumptions about children, their abilities and places of action in the city of Stuttgart. The agency is a place where negotiation processes, participation and critical practice are practised and realised. Here, social orders and structural hierarchies are experienced, questioned and, in the best case scenario, lead to a process of re-articulation.

More information and dates for counselling sessions at www.kinderarbeitsagentur.de<\/a>

With: Carlotta, Isabell, Josefine, Lisa, Mats, Michael and Valentin<\/p>\n\n\n\n

<\/div>\n\n\n\n

The project is funded as part of the project \u201cWeiterkommen!\u201d of the Centre for Cultural Participation Baden-W\u00fcrttemberg and is part of the Festival of the KulturRegion Stuttgart.<\/p>\n","post_title":"Kinderarbeitsagentur (Children\u2019s Employment Agency)","post_excerpt":"In the CHILDREN\u2019S EMPLOYMENT AGENCY, children work and investigate the construct of work. Work assignments are planned, carried out and evaluated. From autumn onwards, counselling sessions for people in employment will be held at the agency.","post_status":"draft","comment_status":"open","ping_status":"open","post_password":"","post_name":"","to_ping":"","pinged":"","post_modified":"2022-09-15 14:34:46","post_modified_gmt":"0000-00-00 00:00:00","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=5670","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":5347,"post_author":"2","post_date":"2022-06-29 18:23:29","post_date_gmt":"2022-06-29 16:23:29","post_content":"\n\n\n

<\/div>\n\n\n\n\n\n
\"\"
Photo: Alex Wunsch<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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\u201cWelcome to the machine room. We examine feelings here \u2014 that is, we examine them.\u201d
Four people welcome you to their workplace at the beginning of their shift. They let you participate in their tests and experiments, you become a witness to their efforts to measure, compare and describe feelings. Does wanderlust come from far away? Is disappointment greater than homesickness? How much is too much?

A dance, musical and performative approach to what concerns us all, what determines our personal but also social lives so much \u2014 and what nevertheless gets so little space. For all people from the age of 5. Colourful, wild and exciting: UNB\u00c4NDIG is a celebration of great feelings, the encouragement to befriend them, because: \u201cSometimes they come. Most of the time they leave. That\u2019s okay.\u201d

The production was supported by the programme \u201cKunst trotz Abstand\u201d by the Ministry of Science, Research and the Arts.<\/p>\n\n\n\n

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Notes on accessibility<\/strong><\/h2>
\n

\"Unb\u00e4ndig\" takes place on stage in German sign language. The play is accessible for hearing and deaf children and families. (Deaf includes different identities and lived realities such as deaf, hard of hearing, Ci wearers and later-deaf).

\"Unb\u00e4ndig\" contains integrated interpreting into German sign language. \"Integrated interpreting\" means that the interpreter does not stand at the edge of the stage, but is visible to on stage with the other actors. She translates a large part of the spoken and sung text by other actors. The interpreter also plays a role in the play. She stands on stage in a way that the audience can easily follow the translation and the plot of the play. Individual words and sentences are signed by the other actors. The interpreter and the actors are all hearing.

You can find more information about attending performances with German Sign Language on stage here<\/a><\/strong>.

Concept and interpretation: Hannah H\u00e4berle, Christian Pflugfelder (Consulting)<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Unb\u00e4ndig\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is loud, shrill music and the performance contains live instruments. The instruments are an accordion, a cello, an oboe and drums. There are pulsating sounds.

- There is loud, shrill music and the performance contains live instruments. The instruments are an accordion, a cello, an oboe and drums. There are pulsating sounds.

- There are quick changes between light and darkness. There are also small, colourful columns of light that flash constantly.

- There is fog.

- The actors occasionally wear costumes in which their faces are unrecognisable.

- Sometimes the actors and objects appear suddenly. For example, there are balls that fall out of pipes onto the stage. They do not<\/strong> fall into the audience space.

- The audience is addressed and is allowed to make contact with the actors at specific points.

- Big emotions are shown, which can be transferred onto the audience. Frequent reactions are loud laughter, cheering and screaming.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 5 and up, Kindergarten, Elementary School
Duration: 60 minutes
Price: Children\/Teenagers \u20ac5,50, Adults \u20ac8,00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtube.com\/shorts\/BHsYaQGOvg8?feature=share\n<\/div><\/figure>\n\n\n\n
<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/AZ-FO_qqTkU\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Unb\u00e4ndig","post_excerpt":"Four people greet you at the beginning of your shift at their workplace. They share their experiments with you, you witness their efforts to measure, compare and describe feelings. Does wanderlust come from far away? Is disappointment greater than homesickness? How much is too much?","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"unbaendig","to_ping":"","pinged":"","post_modified":"2024-07-22 14:17:15","post_modified_gmt":"2024-07-22 12:17:15","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/unbaendig\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12706,"post_author":"13","post_date":"2023-07-24 11:12:43","post_date_gmt":"2023-07-24 09:12:43","post_content":"\n\n\n

Rowohl Theatre Publishers, Duncan Macmillan<\/p>\n\n\n\n

<\/div>\n\n\n\n

PREMIERE: February 3, 2024<\/p>\n\n\n\n

<\/div>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

1. Lemon ice cream, 2. water fights, 3. staying up later than usual and watching TV, 4. Die Farbe Gelb: the colour yellow... With everything that is beautiful about the world.

The protagonist of this solo piece, which can only be told together with the audience, begins making a list of all things nice in the world for his mother in the hope that this will end her depression and life will go on. In a way, it does. But not everything automatically becomes good. There is always a strange sadness lurking, there are crashes, embarrassing situations and injuries. The list has grown and grown over the years, approaching a million: 999,997. The alphabet, 999,9998. Inappropriate songs in emotional moments, 999,999. Completing a task....

A courageous, life-affirming and thought-provoking play about absent parents, faithful companions and big and small life decisions. The play deals with themes of depression as well as the suicide of the protagonist's mother.

If you or someone close to you is in a crisis, sees no hope and is perhaps thinking about no longer wanting to live, you can find help from the following places:

Arbeitskreis Leben Stuttgart e.V.: 0711 600620  www.ak-leben.de<\/strong><\/a>

Anonymous online counseling by young people for young people:
www.youth-life-line.de<\/strong><\/a>, www.u25-freiburg.de<\/strong><\/a> and  www.nethelp4u.de<\/strong><\/a>

Crisis and emergency service Stuttgart: 0180 511 0 444
Telephone counseling: 0800 111 0 111 or 0800 111 0 222
Police and rescue service: 110 and 112<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"All das Sch\u00f6ne\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- During the performance, the audience sits in the same room as the actor. The room is separated from a larger room by a curtain made of paper strips.

- The actor plays and speaks in front of, next to and behind the audience. At times, he sits close to the audience.

- The audience sits on benches without backrests during the performance. (You can ask for a chair with a backrest if you need one).

- There is music with a noticeable bass and a quiet, high, continuous tone.

- There is a loud leaf blower. There is wind from the leaf blower. The paper strips are whirled up at that moment.

- There is a movable spotlight that can briefly dazzle the audience.

- The audience and the actor can always see each other.

- The  actor makes direct eye contact with some members of the audience. The actor addresses the audience directly at times. Individual audience members are invited to take on roles or tasks in the play. (You can decline the invitation by shaking your head or denying it. This is not specifically stated in the play).

- The piece can trigger great emotions. The actor also shows strong emotions at times, such as great joy, infatuation, anger and a feeling of confinement.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

Content Note<\/strong><\/h2>
\n

The play deals with topics such as depression, the suicide of a family member and the death of a pet. It also deals with child neglect and separation.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 14 and up, grades 8 and up
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Rehearsal Stage (Seating capacity 60)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/nMucg71Oqc4\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"All das Sch\u00f6ne","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"__trashed-23","to_ping":"","pinged":"","post_modified":"2024-07-22 14:26:05","post_modified_gmt":"2024-07-22 12:26:05","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12706","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12698,"post_author":"13","post_date":"2023-07-24 11:12:05","post_date_gmt":"2023-07-24 09:12:05","post_content":"\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

The world is filled to the brim with people and animals, small comedies and great tragedies: from the grey of a concrete cube, a lively, colourful city gradually unfolds with gardens and a library, building sites and blue lights, real and fantastic everyday heroes, a goalkeeper who writes, an autograph hunter, a mayor and an astonished fairy. In keeping with the hustle and bustle, there is a confusing mix of different languages in the air, Portuguese and German, both spoken and signed.

Everything somehow happens at the same time, is interwoven, wants to be discovered, processed and spun further until, in interaction with the others, a completely unique hidden object world is created. And out of the interpersonal encounters and the coexistence of different attitudes and ways of life, confidence grows in the midst of the confusion.

Many thanks to Hannah H\u00e4berle<\/a> and Ralf Wiebel for the DGS interpretation during the rehearsals.

*Deaf* includes different identities and life realities such as deaf, hard of hearing, CI-wearing and later deaf.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/h2>
\n

With German Sign Language on stage<\/strong><\/strong><\/h2>
\n

\"Unsere neue gro\u00dfe Welt\" takes place on stage in German sign language. The play is accessible for hearing and deaf children and families. (Deaf includes different identities and lived realities such as deaf, hard of hearing, Ci wearers and later-deaf).

In \"Unsere neue gro\u00dfe Welt\", a deaf* actor and two hearing actors are on stage. The deaf* actor speaks German sign language. The two hearing actors speak German and Portuguese. The hearing actors also sign individual words and parts of sentences. This makes it possible to understand what they are saying in context.

You can find more information about attending performances with German Sign Language on stage here<\/a><\/strong>.<\/em><\/p>\n<\/div><\/div>\n\n\n\n

<\/p>\n\n\n\n

Your first theatre visit<\/strong><\/h2>
\n

Are you visiting us for the first time? Is this your first visit to the theatre with your toddler? Or with the daycare center? Here you will find information about your visit to the theatre and about accessibility to the performance \"Unsere neue gro\u00dfe Welt\".

It is important to us to create a relaxed environment and atmosphere. During \"Unsere neue gro\u00dfe Welt\" you can leave the theatre at any time. So if you feel overwhelmed or you need to get something, you can leave the theatre at any time. You can also return at any time.

Want to know more about a visit to JES? You can find our FAQ page here<\/a><\/strong>.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Unsere neue gro\u00dfe Welt\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is soft, recorded music. At one point, music comes from a small music box on the stage.

- There are video recordings on stage.

- There is a large, grey cube on the stage. The actors unfold the cube and dismantle the walls. Each wall of the cube looks different.

- There are many large and small objects. For example, a rubbish bin, small figurines and a human-sized carrot. The objects are carried, pushed and placed on the stage by the actors. Some objects appear suddenly.

- The actors often disappear behind the cube and then reappear. They often have new costumes when they reappear.

- At the beginning of the play, the audience is asked to take off their shoes.

- At the end of the play, the audience is invited onto the stage. They are allowed to take a closer look at all the objects and play with them briefly.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 2 and up, Daycare
Duration: 40 minutes
Prices: Children\/young adults \u20ac3.00, adults \u20ac5.00
Venue: Upper Foyer (Seating Capacity: 50)<\/p>\n\n\n\n

<\/div>\n\n\n\n
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