{"id":5260,"date":"2022-07-20T20:19:21","date_gmt":"2022-07-20T18:19:21","guid":{"rendered":"https:\/\/www.jes-stuttgart.de\/person\/anne-hoelck\/"},"modified":"2024-10-23T15:31:12","modified_gmt":"2024-10-23T13:31:12","slug":"anne-hoelck","status":"publish","type":"person","link":"https:\/\/www.jes-stuttgart.de\/en\/person\/anne-hoelck\/","title":{"rendered":"Anne Hoelck (she\/her)"},"content":{"rendered":"\n\n\n
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Anne H\u00f6lck has been a freelance set designer since 2002. Her work has been shown in theatres in Germany, France and Switzerland. She lives and works in Berlin. During her studies of fine arts, art and educational sciences at HdK Berlin, she worked as an assistant set designer for several theatre productions, including at Deutsches Theater Berlin and Schauspielhaus Hamburg. She then began her 3-year stage and costume design assistantship at Schaub\u00fchne Berlin in 1999. Since then, she has worked as a stage and costume designer on productions for various theatres for contemporary and classical plays. She has collaborated with director Gian Manuel Rau and his Compagnie Camastral for many years for productions at Th\u00e9\u00e2tre Vidy Lausanne, Com\u00e9die Fran\u00e7aise Paris and Com\u00e9die de Gen\u00e8ve, among others. Since 2017, she has been working with director Grete Pagan on plays for children and young people, including at Junges National Theater Mannheim, W\u00fcrttembergische Landesb\u00fchne Esslingen and Schauburg Munich. In addition to her theatre work, she is a board member of Meinblau Projektraum Berlin and has been realising curatorial concepts, artistic and scenographic works for exhibition projects in the research field of human-animal studies since 2014.<\/p>\n\n\n\n

Website<\/p>\n\n\n\n

www.hoelcka.de<\/a><\/p>\n","protected":false},"template":"","position":[162,161,158],"class_list":["post-5260","person","type-person","status-publish","hentry","position-costume","position-stage-design","position-guest"],"acf":{"person_sort":"Hoelck","relation_posts":[{"ID":5337,"post_author":"2","post_date":"2022-06-29 17:14:59","post_date_gmt":"2022-06-29 15:14:59","post_content":"\n\n\n

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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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Raising your voice, making it heard What happens when this basic right is suddenly lost? Two actors have founded a state to defy a monstrous danger and invite children to become its first citizens.

Together they dive into an adventure of intergalactic proportions, playfully testing social coexistence and determining who decides, and thus take on the small issue of saving the world.

Playfully and embedded in an exciting story, the children experience the encouraging feeling that they are a serious part of society.That it is worthwhile to raise one's own voice - and to fight for this fundamental right.

This play can also be booked on-site for classrooms. The performance venue is the school gymnasium. Information in German can be found HERE<\/a>.<\/mark><\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
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Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Die Bademattenrepublik\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- The performance contains loud music and pulsating, technical noises, some of which occur suddenly.

- Distorted voices are played as sound recordings.

- There is a flashing signal light that briefly generates loud noises.

- The audience is on stage with the actors and is actively involved in the play. The audience is asked to change their position in the room and take on small roles and tasks. The audience is asked to answer questions.

- At one point in the play, some audience members are asked to make loud noises with objects.

- At one point in the play, the audience is asked to shout something out loud. It gets very loud in the room for about a minute.

- The audience sits on bath mats on the floor. Sometimes the audience is asked to stand.

- The actors move quickly around the room and walk through the audience. Sometimes they stand elevated on a windowsill or a platform.

- The actors show big emotions. For example, they are excited, desperate or happy. Sometimes they speak very quickly and frantically.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 8 and up, Grades 3\u20134.
Duration: approx. 70 minutes
Prices: Children\/young adults \u20ac5.50, adults \u20ac8.00
Seating capacity: 50

Mobile Performances: Prices: 10.00 \u20ac per student<\/p>\n\n\n\n

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\nhttps:\/\/www.youtube.com\/watch?v=rP3y8ehn3as\n<\/div><\/figure>\n","post_title":"Die Bademattenrepublik","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"die-bademattenrepublik","to_ping":"","pinged":"","post_modified":"2024-07-22 14:21:16","post_modified_gmt":"2024-07-22 12:21:16","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/die-bademattenrepublik\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":18684,"post_author":"3","post_date":"2024-04-04 17:29:10","post_date_gmt":"2024-04-04 15:29:10","post_content":"\n\n\n
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\"\"
Foto:Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto:Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto:Andreas Etter<\/figcaption><\/figure>\n\n\n<\/div>\n\n\n\n
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Traust du dich das? \u2013 fragen sich Ang\u00e9lica, Lola, Maxi, Estelle, Stefan und Jule. Die sechs fordern sich auf der JES-B\u00fchne selbst und gegenseitig heraus: Maxi und Ang\u00e9lica testen, wie weit sie gehen k\u00f6nnen. Estelle singt: \u201eMein Leben ist ein zu gro\u00dfes Risiko, deswegen bleibe ich hier f\u00fcr immer so\u201c \u2013 ist sich aber sicher, dass das doch auch irgendwie anders gehen muss. Stefan versucht zu fliegen, Jule sich fallen zu lassen und Lola erz\u00e4hlt vielleicht von ihren Narben.
Alle sechs stellen sich ihren Herausforderungen, W\u00fcnschen und \u00c4ngsten, versuchen nochmal und nochmal anders und wollen wissen: Wo sind Grenzen, wie k\u00f6nnen sie gefunden, gewahrt, gesetzt oder gesprengt werden?

\u201eAus der Kurve fliegen\u201c macht Mut, sich zu vertrauen und gemeinsam das Leben trotz, aber auch wegen seiner Unsicherheiten zu feiern. Mit wummernden B\u00e4ssen, Elementen aus Breaking und zeitgen\u00f6ssischem Tanz l\u00e4dt \u201eAus der Kurve fliegen\u201c zum Eintauchen ein, zum \u00c4ngste \u00fcberwinden und Sehns\u00fcchte ausgraben.<\/p>\n\n\n\n

JES-Intendantin Grete Pagan ist f\u00fcr den Theaterpreis FAUST 2023 in der Kategorie \u201eTheater f\u00fcr junges Publikum\u201c mit dem Urbanen Tanztheater \u201eAus der Kurve fliegen\u201c nominiert<\/p>\n\n\n\n

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Zug\u00e4nglichkeit<\/strong><\/h2>
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Mit Deutscher Geb\u00e4rdensprache auf der B\u00fchne<\/strong><\/p>\n\n\n\n

Die Vorstellung von \u201eAus der Kurve fliegen\u201c findet mit Deutscher Geb\u00e4rdensprache auf der B\u00fchne statt. Das St\u00fcck ist zug\u00e4nglich f\u00fcr h\u00f6rende und Taube Kinder und Familien. (Taub schlie\u00dft verschiedene Identit\u00e4ten und Lebensrealit\u00e4ten wie geh\u00f6rlos, schwerh\u00f6rig, CI-tragend sowie sp\u00e4tertaubt ein.)<\/p>\n\n\n\n

In diesem St\u00fcck gibt es eine integrierte Verdolmetschung in Deutsche Geb\u00e4rdensprache. \u201eIntegrierte Verdolmetschung\u201c bedeutet, dass die Dolmetscherin nicht am B\u00fchnenrand steht, sondern mit den anderen Spielerinnen auf der B\u00fchne. Sie \u00fcbersetzt einen Gro\u00dfteil gesprochenen und gesungenen Textes der anderen Spielerinnen. Sie au\u00dferdem selbst eine Rolle im St\u00fcck. Sie steht dabei immer so auf der B\u00fchne, dass die Zuschauenden der \u00dcbersetzung und der Handlung im St\u00fcck gut folgen k\u00f6nnen. Einzelne W\u00f6rter und S\u00e4tze werden au\u00dferdem von den anderen Spielerinnen selbst geb\u00e4rdet. Die Spielerinnen und die Dolmetscherin sind alle h\u00f6rend.<\/p>\n\n\n\n

Wir haben immer Tickets f\u00fcr Taube Menschen. Auch wenn bei der Vorstellung \u201eausverkauft\u201c steht, kannst du uns schreiben und Tickets bestellen.
<\/p>\n\n\n\n

Bei Fragen zur Zug\u00e4nglichkeit meldet euch gerne bei:
Iolanda Carrozzo<\/strong><\/a> 
+49 (0)711 218 480 15
iolanda.carrozzo@jes-stuttgart.de<\/strong><\/a><\/p>\n<\/div><\/div>\n\n\n\n

Infos zu sensorischen Reizen<\/strong><\/h2>
\n

Sinneseindr\u00fccke wie helles Licht, laute Ger\u00e4usche oder pl\u00f6tzliche Ereignisse k\u00f6nnen f\u00fcr manche Menschen aufregend oder \u00fcberfordernd sein. Deswegen findest du hier sensorische Reize, die in \u201eAus der Kurve fliegen\u201c stellenweise vorkommen.<\/p>\n\n\n\n

Vielleicht sind sie gut zu wissen f\u00fcr dich oder jemanden, der mit dir die Vorstellung besucht.<\/p>\n\n\n\n

\u2013 Einsatz von lauter Musik mit viel Bass und lauten Ger\u00e4uschen sowie Instrumenten (E-Bass, E-Gitarre, Ukulele).<\/p>\n\n\n\n

\u2013 Schwaches Licht sowie schnelle Lichtwechsel.<\/p>\n\n\n\n

\u2013 An der B\u00fchnenr\u00fcckseite ist ein flatternder Vorhang angebracht, hinter dem die Spieler*innen verschwinden und wieder auftauchen.<\/p>\n\n\n\n

\u2013 Die Spieler*innen lassen sich fallen, k\u00e4mpfen spielerisch miteinander, machen gef\u00e4hrliche Stunts und klettern ein Seil mehrere Meter nach oben.<\/p>\n\n\n\n

\u2013 Stellenweise machen die Spieler*innen verschiedene Dinge gleichzeitig. Manchmal sprechen die Spieler*innen Texte gleichzeitig oder durcheinander.<\/p>\n\n\n\n

Wenn du Bedenken oder Fragen hast, melde dich unter ticket@jes-stuttgart.de<\/strong><\/a>.<\/strong> Wir beraten dich gerne und \u00fcberlegen gemeinsam, wie wir weiterhelfen k\u00f6nnen.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ab 10 Jahren
Dauer 60 Minuten
Preise: Kinder\/Jugendliche 7,00 \u20ac, Erwachsene 14,00 \u20ac
Spielort: Theatersaal<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/txb6V4rWhrU\n<\/div><\/figure>\n","post_title":"Aus der Kurve fliegen - Host performance","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"aus-der-kurve-fliegen-host-performance","to_ping":"","pinged":"","post_modified":"2024-04-25 14:10:50","post_modified_gmt":"2024-04-25 12:10:50","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=18684","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":23951,"post_author":"13","post_date":"2024-07-18 10:04:53","post_date_gmt":"2024-07-18 08:04:53","post_content":"\n\n\n
<\/div>\n\n\n\n

Premiere: 09.11.2024<\/p>\n\n\n\n

<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

In the Happy Land, nothing is as it used to be: people are unhappy, they are sad, they are in a bad mood and only care about themselves. Is it because the bird of hope that gives everyone comfort and confidence with its song has disappeared? Jabu, the prince, sets off to find the bird despite his fears and doubts. Fortunately, he gets help from Alva, the lighthouse keeper's daughter, who at least knows how to steer a ship. Together, the two set off on their adventure - accompanied by an invigorating melody.

Together with musicians H\u00eaja Netirk and Carlos Rico, JES develops a light and sensual musical narrative about big questions: How do we want to live together? Do people lose their humanity when they no longer feel confident? Which melody gives you hope?

Performance rights B\u00fchnenverlag Weitendorf, Hamburg<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/strong><\/h2>
\n

In the audio description<\/strong> the stage set, the costumes and the visible course of the action are described for people with visual impairments. The descriptions are spoken live during the performance and can be heard by the audience via transmitters with headphones.

For people with visual impairments, we regularly offer screenings with tactile guidance and audio description <\/strong>an.

The tactile tour<\/strong> takes place in the stage area approximately one hour before the performance begins. Here you can feel parts of the stage set, props and costume pieces. The actors introduce themselves and describe themselves. In addition, particularly visual scenes of the production are described.

A number of tickets is available for people who require audio description. Even if the performance is sold out in the webshop, you can still reserve tickets by e-mail: ticket@jes-stuttgart.de<\/strong><\/a>

For better planning, please register for the audio description and\/or tactile tour. <\/strong>By mail to ticket@jes-stuttgart.de<\/strong><\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 8 and up, grades 3-6
Venue: theatre hall (capacity 180 seats)
Duration: 80 minutes
With audio description and tactile guidance<\/p>\n","post_title":"Der Hoffnungsvogel","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"der-hoffnungsvogel","to_ping":"","pinged":"","post_modified":"2025-01-31 16:27:14","post_modified_gmt":"2025-01-31 15:27:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=23951","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}]},"_links":{"self":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/person\/5260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/person"}],"about":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/types\/person"}],"wp:attachment":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/media?parent=5260"}],"wp:term":[{"taxonomy":"position","embeddable":true,"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/position?post=5260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}