{"id":5275,"date":"2022-07-20T20:50:16","date_gmt":"2022-07-20T18:50:16","guid":{"rendered":"https:\/\/www.jes-stuttgart.de\/person\/lee-muelders\/"},"modified":"2026-01-19T14:05:28","modified_gmt":"2026-01-19T13:05:28","slug":"lee-muelders","status":"publish","type":"person","link":"https:\/\/www.jes-stuttgart.de\/en\/person\/lee-muelders\/","title":{"rendered":"Lee M\u00fclders"},"content":{"rendered":"\n
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Foto: Levi Hammes<\/figcaption><\/figure>\n\n\n\n

Education<\/p>\n\n\n\n

I was born in Wuppertal in 2003 and grew up in Stuttgart. I graduated from high school in Stuttgart in spring 2021.<\/p>\n\n\n\n

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JES! And Me<\/p>\n\n\n\n

JES has been a part of my life since I was eight years old. As a child and teenager, I participated in numerous play clubs and was part of the productions \u201cR.E.S.P.E.C.T.\u201d from 2017 to 2019 and \u201cIdentity\u201d from 2019 to 2020.
In autumn 2021, I did my first assistant directing at JES for the production \u201cArchive der K\u00f6rper\u201d and have been permanently engaged as an assistant director since the 2022\/23 season, starting with the production \u201cHier ist noch alles m\u00f6glich\u201d.<\/p>\n\n\n\n

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Photo: Verena Ecker<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Verena Ecker<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Verena Ecker<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Verena Ecker<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Verena Ecker<\/figcaption><\/figure>\n\n\n\n\n\n
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They are supposed to be best friends. For four years they experienced and did everything together, even had the same schoolbag. But now everything is different: the way to school is longer, the building is much bigger, teachers and classmates are new, students on the playground are no longer all smaller, but all bigger again. And challenges grow with the number of different subjects.

Soon they notice that they hardly have the same interests anymore. More and more often, they don't understand each other, with arguments building over time between the two friends \u2013 that is, if they are still friends at all. They don\u2019t talk much anymore That\u2019s difficult enough as it is, but then there\u2019s the school trip that is set to last several days. Here, they can no longer avoid each other. Rather reluctantly, they have to set off together, on an unexpectedly adventurous forest excursion.

With theatre at school the classroom becomes the stage: with our two new ensemble members Estelle and Lola we are developing a mobile play about friendship and the challenges of a new beginning at the intersection between primary and secondary school.<\/p>\n\n\n\n

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More information can be found here<\/a><\/strong>.<\/mark><\/p>\n\n\n\n

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Grades 4-5
Duration: 45 minutes
Price: \u20ac7.50 per student<\/p>\n\n\n\n

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Notes on sensory stimuli<\/h2>
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The following sensory stimuli appear in places<\/strong> in the production:

- At the beginning of the play, the actors run into the room quickly and without announcement.
- The actors sit down on the tables between the pupils. They run over the tables and crawl under them. They run through the whole classroom.
- The actors disguise their voices and play different roles.
- The pupils are played directly.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>.
We will be happy to advise you and work out together how we can help.<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\nhttps:\/\/www.youtube.com\/watch?v=pGs0RuSTV48\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n\n\n\n
<\/div>\n","post_title":"Klassenfahrt","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ein-neues-klassenzimmerstueck","to_ping":"","pinged":"","post_modified":"2024-04-16 19:12:29","post_modified_gmt":"2024-04-16 17:12:29","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/ein-neues-klassenzimmerstueck\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":5343,"post_author":"2","post_date":"2022-06-29 17:46:00","post_date_gmt":"2022-06-29 15:46:00","post_content":"\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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Five strangers meet in a laundrette. Where they are coming from or what they are looking for remains uncertain at first. The only vague promise hangs as a neon sign above the entrance that reads \"Wash your troubles away.\"

Alternating between waiting and running, with and against each other, above and straight through, this dance theatre piece by choreographer Beatrix Simk\u00f3 examines moments of being overwhelmed and the unity of the community. The ensemble uses the laundrette as a playground for encounters and negotiations. They climb on washing machines, step over benches and move through the space on rollerskates. They want to know why the world sometimes feels so heavy and whether there is a world behind the washing machine drum.

A performance with few words about being alone, staying together and enduring uncertainty - mixed with a touch of magic and a big secret.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
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Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Nach dem Ende von allem\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is bright and colourful light and dim light and darkness.

- There is a lot of electronic music with low sounds. Sometimes the music is loud and very fast.

- The actors climb over the stage set and hide behind it.

- The actors often make different movements at the same time.

- One actor enters and leaves the stage through the audience entrance.

- An actor skates onto the stage.

- The actors enter and leave the stage behind the set and through a washing machine drum

- There is a section where the players move very quickly and run across the stage.

- At one point there are strong emotions. For example, the actors are desperate, excited and overwhelmed

- The audience should be able to sit quietly throughout to be able to follow what is happening on stage. The benches are made of wood.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 8 and up, Grades 3 and up
Duration: approx. 45 minutes
Prices: Children\/young adults \u20ac5.50, adults \u20ac8.00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

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\nhttps:\/\/www.youtube.com\/watch?v=7V35CxIIwXM\n<\/div><\/figure>\n","post_title":"Nach dem Ende von allem","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"mentsvar-zuflucht-ua","to_ping":"","pinged":"","post_modified":"2024-07-22 14:21:31","post_modified_gmt":"2024-07-22 12:21:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/mentsvar-zuflucht-ua\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":5349,"post_author":"2","post_date":"2022-06-29 18:32:43","post_date_gmt":"2022-06-29 16:32:43","post_content":"\n\n\n
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\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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\"I only know my country by smell. It smells like my mother's food. My father says you remember the smell of your country everywhere, but you only recognise it when you're far away.\"

\"Warum das Kind in der Polenta kocht\" is the story of a young girl growing up between two worlds: the colourfully transfigured homeland of circus and caravan and the harsh reality of being a constant stranger on the road.

An actress and a young girl on stage at JES confront the story of Agalja Veteranyi. Together with director Ye\u015fim Schaub, they search for the multi-layered, <\/em>sometimes contradictory multilayered feeling of being a stranger via the opposing views of the characters, which are repeatedly interrupted by precise imagery, and deal with it impressively.

How is it possible to share the experience of homelessness despite different histories, ages and backgrounds? Especially in times of ongoing wars and refugee movements, Aglaja's search for a place she can finally settle intersects inseparably with the reality that surrounds us.

\u00a9 1999 by DVA Verlag, in the Penguin Random House Verlagsgruppe.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Warum das Kind in der Polenta kocht\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- A few minutes after the performance begins, the light flickers and several points of light move through the room. The light briefly shines into the auditorium. The effect lasts approx. 15 seconds.

- Use of music and dripping noises.

- Weak light, darkness, rapid light changes and flickering light tubes. Attention: Stroboscope-like effects will be used for a brief moment. Feel free to contact us!

- Feathers and water fall\/drip from the ceiling onto the stage.

- A raw onion is eaten, which produces a strong, typical odor.

- Use of a wind machine to the right of the stage set, causing a curtain to move slightly back and forth.

- On stage, artificial hair hangs around a scaffold, which the players climb up, hang down and disappear into. Sometimes they can only be seen with individual body parts.

- The players show big emotions.

- The players speak to the audience and occasionally play to them.

- In one scene, a player scratches her thigh audibly and quickly for about 10 seconds.

- A player washes her hair with a white, milky liquid.

- In one scene, the two players spit into a bathtub. Later, they show the audience the saliva stains.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>.<\/strong> We will be happy to advise you and work out together how we can help.<\/p>\n<\/div><\/div>\n\n\n\n

Content Notes<\/strong><\/h2>
\n

This play deals with themes of homelessness and abandonment by parents. Stories from life in a children's home are retold.
In one scene in the play, thoughts of self-harm and suicide are alluded to for a moment.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 12 and up, grades 6\u20139
Duration: approx. 65 minutes
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Upper Foyer (Seating capacity 60)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/www.youtube.com\/watch?v=hiKgT1esp3g\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Warum das Kind in der Polenta kocht","post_excerpt":"\u201cWarum das Kind in der Polenta kocht\u201d is the story of a young girl growing up between two worlds: the colourfully transfigured home of the circus and caravans and the harsh reality of being a constant stranger on the road.","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"warum-das-kind-in-der-polenta-kocht-2","to_ping":"","pinged":"","post_modified":"2024-07-22 14:24:27","post_modified_gmt":"2024-07-22 12:24:27","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/warum-das-kind-in-der-polenta-kocht\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":17105,"post_author":"2","post_date":"2022-06-29 17:33:41","post_date_gmt":"2022-06-29 15:33:41","post_content":"\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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They agreed on one thing from the beginning: they would definitely find something better than death. But what did the donkey, the dog, the cat and the rooster actually find after they chased the robbers out of their hut? Just a protective roof over their heads? Or a new home? Or community? How do you live together when you are so different and have different needs?

Because music almost always helps, the four \"city music animals\" take Donkey by their word and grab microphones and instruments. The stories are their own, but what kind of music is appropriate? And does it rather take a good choreography, a fresh band name or simply lots of practice to actually make a name for oneself?

The JES Ensemble tells the Brothers Grimm fairy tale from a special perspective, with lots of live music.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/h2>
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In the audio description<\/strong> the stage set, the costumes and the visible course of the action are described for people with visual impairments. The descriptions are spoken live during the performance and can be heard by the audience via transmitters with headphones.

For people with visual impairments, we regularly offer screenings with tactile guidance and audio description <\/strong>an.

The tactile tour<\/strong> takes place in the stage area approximately one hour before the performance begins. Here you can feel parts of the stage set, props and costume pieces. The actors introduce themselves and describe themselves. In addition, particularly visual scenes of the production are described.

A number of tickets is available for people who require audio description. Even if the performance is sold out in the webshop, you can still reserve tickets by e-mail: ticket@jes-stuttgart.de<\/strong><\/a>

For better planning, please register for the audio description and\/or tactile tour. <\/strong>By mail to ticket@jes-stuttgart.d<\/strong>e<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
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Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Die Bremer Stadtmusiktiere\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- At the beginning of the performance, the actors suddenly appear, shouting loudly.

- The actors stand on raised platforms and on a suspended ladder.
- Music with amplified instruments (guitar, bass, drums, keyboard and microphone) and everyday objects such as pots and tin cans.

- Short flickering of neon tubes as well as weak light, darkness and rapid light changes.

- At some points, the actors wear masks and helmets that cover their faces for a brief moment.

- Use of fog and shadow theater towards the end of the performance.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We will be happy to advise you and work out together how we can help you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 6 and up, Daycare, grades 1\u20134
Duration: 70 minutes
Prices: Children\/young people \u20ac5.50, adults \u20ac8.00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

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\nhttps:\/\/soundcloud.com\/user-127403425\/die-bremer-stadtmusiktiere-hortrailer?si=0aa6cd74dbed4be38b28341dbbaaa2ff&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing\n<\/div><\/figure>\n\n\n\n
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\nhttps:\/\/www.youtube.com\/watch?v=VuubzS7BH0A\n<\/div><\/figure>\n","post_title":"Die Bremer Stadtmusiktiere","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"die-bremer-stadtmusiktiere-2","to_ping":"","pinged":"","post_modified":"2024-07-22 14:18:31","post_modified_gmt":"2024-07-22 12:18:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/die-bremer-stadtmusiktiere\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12702,"post_author":"13","post_date":"2023-07-24 11:12:19","post_date_gmt":"2023-07-24 09:12:19","post_content":"\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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Hero has been waiting for a long time. A really long time. For an adventure, for an exciting journey full of challenges, dangers and dragons! Then he finally gets a call that changes everything. Hero is suddenly in a land that has fallen out of balance: Exclamation Face has stolen Questionhead's hat. Since then, no one has been able to ask questions anymore and everything is in chaos. Together with Sidekick, Hero sets out to find the hat - but not everything works out the way Hero had always imagined an adventure would...

With \"Land behind the Curtain\", JES invites you to immerse yourself: Into an imaginative world full of surprises and funny twists, but also full of dangers and doubts that have to be overcome. We ask ourselves the big questions of all fantasy tales:

What is worth fighting for? Does it even make sense to fight? Is there no other way? And does one person always have to save the world alone, or does it not take at least two, or even many more?<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
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Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Land behind the Curtain\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- Loud music and individual sounds as well as quivering noises.

- Use of colorful, moving lights, bright light and a signal light.

- Low light and darkness as well as rapid light changes.

- Use of fog.

- Stage elements are shifted and suddenly appear and disappear.

- The actors play several characters and often change their costumes.

- The actors show great emotion.

If you would like more information about the piece, you can take a look at our Visual Story Board<\/strong> . Here you can find out what to expect in the individual scenes. You will receive information about the most important events and scenes in the play as well as the sensory stimuli it contains. The Visual Story Board, a kind of picture story, is written in German simple language.

Download Visual Story Board PDF<\/a><\/strong>

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 11 and up, grades 5\u20138
Duration: approx. 80 minutes (without a break)
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Hall (Seating Capacity: 165)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/T3f7EMx50_s\n<\/div><\/figure>\n","post_title":"Land behind the Curtain","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"land-behind-the-curtain","to_ping":"","pinged":"","post_modified":"2024-12-09 12:49:00","post_modified_gmt":"2024-12-09 11:49:00","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12702","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":16244,"post_author":"5","post_date":"2024-01-04 12:30:45","post_date_gmt":"2024-01-04 11:30:45","post_content":"\n\n\n
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Spielclub-Pr\u00e4sentation

\"Wer nie w\u00fctend ist, akzeptiert die Welt, wie sie ist. Die Folge von unterdr\u00fcckter Wut ist Stillstand.\" \u2013 Ciani-Sophia Hoeder

Wie f\u00fchlt sich meine Wut an? Wo sp\u00fcre ich sie in meinem K\u00f6rper? Warum sch\u00e4me ich mich manchmal f\u00fcr meine Wut? Und warum d\u00fcrfen Jungs w\u00fctend sein, M\u00e4dchen aber nicht? Warum bin ich manchmal traurig, wenn ich eigentlich w\u00fctend sein sollte und kann Wut eigentlich auch ein sch\u00f6nes Gef\u00fchl sein?

Wut empfinden wir oft als negativ, st\u00f6rend, unangebracht. Gemeinsam wollen wir der eigenen Wut auf die Spur gehen, ihre Urspr\u00fcnge ergr\u00fcnden, sie kennenlernen, anerkennen und herausfinden, wie wir sie am besten rauslassen und benutzen k\u00f6nnen. Denn auch wenn die Wut zerst\u00f6rerische Elemente mit sich bringt, kann sie uns helfen, Ungerechtigkeiten aufzudecken und zu ver\u00e4ndern: beautiful destruction.

In den letzten Wochen haben wir uns im Rahmen von mehrt\u00e4gigen Workshops intensiv mit diesem Thema auseinander gesetzt und pr\u00e4sentieren nun unsere Ergebnisse in Form einer einmaligen Ausstellung.


Mit: Estelle<\/strong><\/a> & Lee<\/strong><\/a><\/p>\n\n\n\n

<\/div>\n","post_title":"Beautiful Destruction","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"beautiful-destruction","to_ping":"","pinged":"","post_modified":"2024-01-05 11:02:22","post_modified_gmt":"2024-01-05 10:02:22","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=16244","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12832,"post_author":"13","post_date":"2023-07-24 11:13:29","post_date_gmt":"2023-07-24 09:13:29","post_content":"\n\n\n

PREMIERE: 24.02.2024<\/p>\n\n\n\n

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Content<\/strong><\/h2>
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For this performance, JES will be loud, colourful, emotional - and embarrassing. Because shame is the theme of the first musical in JES history. With everything that goes with it: emotional songs, a pop band, a large cast, dance choreography and a love story.

Even if it's not talked about much, shame is a defining issue in many people's everyday lives. To find out more about it, we send four young characters to an art museum. Their task, set by the school, is to enter into a dialogue with a work of art. By attempting this (more or less seriously), they not only encounter very different perspectives on ways of life and boundaries of shame. Above all, they are confronted with themselves and then also with the shamefully hidden secrets of their classmates.

In cooperation with the Popakademie Mannheim, which has put together a pop band consisting its students, and the PH Ludwigsburg, whose students are in charge of developing this educational programme.

Supported by Fonds Jupiter Fund of the German Federal Cultural Foundation<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessability<\/strong><\/h2>
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With audio description and tactile tours<\/strong>

With audio description, the stage set, costumes and the visible course of the action are made accessible to people with visual impairments via live description. The explanations and descriptions are spoken live during the performance. The commentaries are received via transmitters with headphones. The audio description will be in german.

The tactile tour takes place in the stage area approximately one hour before the performance begins. Here you can feel parts of the stage set, props and costume pieces. There is a tactile model in which the stage set is modelled. In addition, particularly visual scenes of the production are described.

Tickets are always available for people who require audio description. Even if the performance is sold out in the webshop, you can still reserve tickets by e-mail: ticket@jes-stuttgart.de<\/strong><\/a>.

For better planning, please register for the audio description and\/or the tactile tour. By mail to ticket@jes-stuttgart.de<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"SHAME \u2013 The Musical\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is live music. A band plays on stage. There are sudden changes in the music.

- There are bright, colourful lights. There are strobe lights. This means there are very fast, bright flashes of light. There are moments when it is partially or completely dark.

- The actors enter and leave the stage through the set. They go to the gallery. The gallery is above the stage and looks like a balcony. The actors disappear and appear through doors at the back of the stage.

- One of the actors enters and leaves the stage through a folding door in the set.

- At one point, an actress walks towards the audience.

- An actress steps out of a painting.

- There are strong feelings of shame and escalating emotions on stage.

- There is fog.

- The audience should be able to sit quietly during the performance in order to follow the play well.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 12 and up, grades 6 and up
Duration: 60 minutes
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Hall (Seating Capacity: 165)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/4qzZA654eWU?si=dDciBCnO--rie33p\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n\n\n\n
<\/div>\n\n\n\n
\nhttps:\/\/soundcloud.com\/user-127403425\/hortrailer-shame-the-musical?si=adf36700173c4b78a39161051a25dc0a&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing\n<\/div><\/figure>\n","post_title":"SHAME \u2013 The Musical","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"shame-the-musical","to_ping":"","pinged":"","post_modified":"2024-07-22 14:23:06","post_modified_gmt":"2024-07-22 12:23:06","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12832","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":17818,"post_author":"11","post_date":"2024-03-07 15:41:14","post_date_gmt":"2024-03-07 14:41:14","post_content":"\n\n\n
<\/div>\n\n\n\n\n\n
\"\"
Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
<\/div>\n\n\n\n

Infos zum St\u00fcck<\/strong><\/h2>
\n

Eine junge Frau als Nachtw\u00e4chterin in einer Verpackungsfabrik, die kurz davor steht, endg\u00fcltig stillgelegt zu werden. Eine r\u00e4tselhaft-morbide Umwelt. Dazu ein Nachtw\u00e4chterkollege, der einst einen Mann vom Himmel hat fallen sehen. Die Frau ist auf der Suche nach einem Wolf, der gesichtet worden ist, aber mehr noch auf der Suche nach sich selbst und nach einer Geschichte, von der sie Teil werden k\u00f6nnte. Die bilderstarke Vermessung einer (Innen-)Welt, zwischen utopischen M\u00f6glichkeiten und wachsender Selbstisolation.

\u201eHier ist noch alles m\u00f6glich\u201c ist der mehrfach ausgezeichnete Deb\u00fctroman der Schweizer Literatin Gianna Molinari. Ihn hat sich Julia Skof als Vorlage ausgesucht f\u00fcr ihre erste Regiearbeit am JES. Sie untersucht in ihren Inszenierungen die Entstehung von Bildern \u2014 von fremden, unbekannten, aber auch denen, die wir sehen, und \u00fcber die wir sprechen, ebenso wie denen, die wir uns einbilden. Welche Grenzziehungen t\u00e4tigen wir, um das zu bewahren, woran wir glauben? 

Julia Skof studierte Philosophie und Soziologie an der Universit\u00e4t Basel und Regie an der Z\u00fcrcher Hochschule der K\u00fcnste. Ihre Abschlussarbeit \u201eAntigone\u201c wurde an das K\u00f6rber Studio f\u00fcr Junge Regie ans Thalia Theater in Hamburg eingeladen und erreichte die Shortlist.

F\u00fcr Schulklassen und Kurse empfehlen wir eine Vorbereitung oder eine kurze Einf\u00fchrung vor der Vorstellung.<\/p>\n\n\n\n

Das St\u00fcck basiert auf dem Roman \u201eHier ist noch alles m\u00f6glich\u201c von Gianna Molinari, der 2018 im Aufbau Verlag erschien und im Buchhandel erh\u00e4ltlich ist.
\u00a9 Aufbau Verlage GmbH & Co. KG, Berlin 2018<\/p>\n\n\n\n

<\/div>\n\n\n\n

Eine Kritik zum St\u00fcck
von Luk Bornhak<\/strong><\/h2>
\n

Eine Frau h\u00e4ngt in der Luft, was hat das zu bedeuten?<\/strong>

Am 15.10.2022 hat das Theaterst\u00fcck \u201cHier ist noch alles m\u00f6glich\u201c seine Premiere im JES gefeiert.

Ein St\u00fcck, welches Kopf und Geist auf Trapp h\u00e4lt.
Eine Geschichte, die vielleicht eine Vision erz\u00e4hlt, aber vielleicht auch nicht?
Eine Geschichte, die viele Interpretationsm\u00f6glichkeiten offen h\u00e4lt.

Als ich in den kleinen Theatersaal gegangen bin, prasselten viele verschiedene Eindr\u00fccke auf mich ein.
Ein B\u00fchnenbild, das bereits die ganze Aufmerksamkeit auf sich zieht und eine Frau, die in der Luft h\u00e4ngt.

Was hat das zu bedeuten?
Das war die erste Frage, die mir in den Kopf kam.

Ein Theaterst\u00fcck nach einem Roman, der auf die B\u00fchne gebracht und sehr gut gespielt wurde und eine Geschichte erz\u00e4hlt, die sehr viele unterschiedliche Themen behandelt.

Ein bisschen Politik, ein bisschen Spannung und ein bisschen Nichtwissen, wo man hingeh\u00f6rt.

Ein Wolf, den man nicht so richtig zuordnen kann, Tonaufnahmen, die einen zwingen, sich auf das Organ Ohr zu konzentrieren und pl\u00f6tzlich muss man sich wieder auf die Augen konzentrieren.

Das ganze St\u00fcck war mitrei\u00dfend und sehr toll gespielt.

Die Autorin, die auch anwesend war, kam mit einem breiten Grinsen aus dem Saal und war sehr begeistert!

Zur Person:
<\/strong>Hey, ich bin Luk und 18 Jahre alt.
Ich hatte die Ehre, mir das St\u00fcck \u201eHier ist noch alles m\u00f6glich\u201d anschauen zu d\u00fcrfen.
Seit 2019 bin ich Aktivist f\u00fcr die Belange von Menschen mit Behinderungen und bin auf Instagram unter dem Namen @all_inklusiv<\/a> <\/strong>zu finden.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

In Einfacher Sprache<\/strong><\/h2>
\n

In dem St\u00fcck geht es um eine junge Frau, die als Nachtw\u00e4chterin in einer Verpackungsfabrik arbeitet. Das hei\u00dft, sie passt nachts auf die Fabrik auf. Die Fabrik soll bald f\u00fcr immer geschlossen werden. In der Welt in dem St\u00fcck gibt es viele R\u00e4tsel. Die Welt zerf\u00e4llt.

Die junge Frau hat einen Kollegen. Er hat einmal einen Mann vom Himmel fallen sehen. Die junge Frau ist auf der Suche nach einem Wolf. Der Wolf wurde von anderen in der N\u00e4he der Fabrik gesehen. Die junge Frau sucht auch nach sich selbst. Und die junge Frau sucht nach einer Geschichte, von der sie Teil werden k\u00f6nnte.

In dem St\u00fcck gibt es viele Situationen, die die Innenwelt der jungen Frau zeigen und untersuchen. Da sieht man traumhafte M\u00f6glichkeiten, was in der Zukunft passieren k\u00f6nnte. Aber man sieht auch immer mehr die Einsamkeit, die die junge Frau sich freiwillig ausgesucht hat. \u201eHier ist noch alles m\u00f6glich\u201c ist der erste Roman der Schweizer Autorin Gianna Molinari. Der Roman hat mehrere Preise gewonnen. Die Regisseurin Julia Skof hat den Roman als Vorlage f\u00fcr ihre erste Theaterarbeit am JES ausgesucht. Julia Skof untersucht in dem St\u00fcck, wie Bilder entstehen. Sie untersucht fremde und unbekannte Bilder. Und Bilder, die wir sehen, \u00fcber die wir sprechen. Und sie untersucht Bilder, die wir uns einbilden. Wo ziehen wir eine Grenze, wenn wir etwas bewahren wollen, woran wir glauben?

Julia Skof studierte Philosophie und Soziologie an der Universit\u00e4t Basel. Und sie studierte Regie an der Z\u00fcrcher Hochschule der K\u00fcnste. Ihre Abschlussarbeit \u201eAntigone\u201c hat eine Einladung an das K\u00f6rber Studio f\u00fcr Junge Regie in Hamburg bekommen. Das K\u00f6rber Studio ist ein Festival f\u00fcr junge Theatermacher*innen. \u201eAntigone\u201c war auf der \u201eShortlist\u201c. Das sind die besten drei Inszenierungen.

F\u00fcr Schulklassen und Kurse empfehlen wir eine Vorbereitung oder eine kurze Einf\u00fchrung vor der Vorstellung.<\/p>\n<\/div><\/div>\n\n\n\n

Infos zu sensorischen Reizen<\/strong><\/strong><\/h2>
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Sinneseindr\u00fccke wie helles Licht, laute Ger\u00e4usche oder pl\u00f6tzliche Ereignisse k\u00f6nnen f\u00fcr manche Menschen aufregend oder \u00fcberfordernd sein. Deswegen findest du hier sensorische Reize, die in \u201eHier ist noch alles m\u00f6glich\u201c stellenweise vorkommen. Vielleicht sind sie gut zu wissen f\u00fcr dich oder jemanden, der mit dir die Vorstellung besucht.

- Zu Beginn des St\u00fcckes schwebt eine Schauspielerin an einem Klettergurt befestigt in der Luft.

- Es gibt blendende Lichter und Taschenlampen, schwaches Licht und Dunkelheit.

- Es werden Videos auf die hintere Wand der B\u00fchne projiziert. Manchmal ist das Video auch auf den Gesichtern der Schauspieler*innen zu sehen.

- Es gibt eingespielte Musik und Tonaufnahmen.

- Die Schauspieler*innen verschwinden hinter einer Rampe auf der B\u00fchne und kommen pl\u00f6tzlich wieder hervor. Teilweise treten sie in neuen Kost\u00fcmen auf.

- Die Schauspieler*innen zeigen gro\u00dfe Gef\u00fchle: Sie schreien und rufen laut und unerwartet.

- Ein Schauspieler spricht an einer Stelle im St\u00fcck eine Person im Publikum direkt an.

- Es gibt eine Per\u00fccke, die an ein totes Tier erinnert.

- Es gibt Salzpulver auf der B\u00fchne.

- Die Zuschauer*innen sollten immer ruhig sitzen, um dem St\u00fcck gut folgen zu k\u00f6nnen. Die Sitzb\u00e4nke bestehen aus Holz.<\/p>\n<\/div><\/div>\n\n\n\n

Content Notes<\/strong><\/h2>
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In dem St\u00fcck geht es unter anderem um das Thema Tod. Ein Todesfall wird genau erz\u00e4hlt.<\/p>\n<\/div><\/div>\n\n\n\n

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Ab 14 Jahren, ab Klasse 8
Dauer: ca. 70 Minuten
Preise: Kinder\/Jugendliche 7,00 \u20ac, Erwachsene 12,00 \u20ac
Spielort: Oberes Foyer (Kapazit\u00e4t 55 Pl\u00e4tze)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/OY0uTDCF7pY?si=1eihBdVpbcjzbgip\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Hier ist noch alles m\u00f6glich","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hier-ist-noch-alles-moeglich","to_ping":"","pinged":"","post_modified":"2024-05-28 16:04:38","post_modified_gmt":"2024-05-28 14:04:38","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=17818","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12718,"post_author":"13","post_date":"2023-07-24 11:13:11","post_date_gmt":"2023-07-24 09:13:11","post_content":"\n\n\n
<\/div>\n\n\n\n

PREMIERE: May 11, 2024<\/p>\n\n\n\n

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\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
\n

Jojo has been sentenced by juvenile court. The punishment: painting walls in an old age home. Jojo ends up in Leo's room in a bad mood, who doesn't utter a word \u2013 until it turns out that Jojo isn't actually guilty. Leo begins to talk about himself and admits that he is only keeping quiet so that the nurses will leave him alone. And it turns out: he used to be a boxing legend! Jojo tells Leo about friends who are not really friends at all and about the major insecurities regarding his future. Expectations begin to crumble on both sides and conversations about being excluded, about trust and the courage to take responsibility for one another develop. A friendship develops that challenges Leo and Jojo to jump over their shadows.

\u201eDas Herz eines Boxers\u201c by Lutz H\u00fcbner, Hartmann & Stauffacher Verlag, Cologne.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Das Herz eines Boxers\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is bright and colourful light, rapid light changes, weak light and complete darkness. There is a moment when several spotlights with red light change rapidly. This creates a flickering effect.

- Loud music is played. At one point, sombre electronic music is played.

- There is an oversized rocking chair on the stage on which the actors sit. Sometimes they rock back and forth or jump down.

- The actors show big emotions such as despair, anger and joy.

- At one point, an actor falls from a small stepladder onto the floor.

- At one point, an actor takes a sip of tea. The person spits the tea straight back out in a fountain.

- At one point, an actor suddenly hits a picture on a pillar. The middle of the picture falls down and lands on the floor with a loud crash.

- From the second half of the play onwards, an actor has a painted black eye.

- In one scene, a knife falls out of an actor's pocket. Later, the person holds it in their hand and looks at it for a long time.

- In one scene, an actor enters the stage in a full-body clown costume. The person is wearing a face mask. The face is unrecognisable for a few minutes.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

Content Note<\/strong><\/h2>
\n

The play deals with sensitive topics such as ageism and racism. There are moments in which violence is described. Offensive language is also used in places. In one scene in the play, thoughts of suicide are hinted at.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 12 and up, grades 7 an up
Dauer: ca. 80 Minuten
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Upper Foyer (Seating capacity 60)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/ujvqjA0KTgQ\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Das Herz eines Boxers","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"das-herz-eines-boxers","to_ping":"","pinged":"","post_modified":"2024-07-22 14:25:04","post_modified_gmt":"2024-07-22 12:25:04","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12718","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":5712,"post_author":"4","post_date":"2022-09-15 15:36:32","post_date_gmt":"2022-09-15 13:36:32","post_content":"\n\n\n
<\/div>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n
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Foto:Andreas Etter<\/figcaption><\/figure>\n\n\n\n
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Foto:Andreas Etter<\/figcaption><\/figure>\n\n\n\n
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Foto:Andreas Etter<\/figcaption><\/figure>\n\n\n\n
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Foto:Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n

Premiere: Saturday 15th October 2022, 19:00 PM

A young woman as a night guard in a packaging factory that is about to be shut down for good. The remaining staff has shrunk to a few men: the strangely apathetic owner, the night guard\u2019s colleague Clemens, Lose, who once saw a man fall from the sky and the cook who thinks he has discovered a wolf on the premises. Night after night, the young woman makes her rounds in these surroundings, as enigmatic as they are morbid, in search of the wolf, but even more so in search of herself. What is the core that needs to be discovered and protected?

\u201cHier ist noch alles m\u00f6glich\u201d is the multi-award-winning debut novel by Swiss writer Gianna Molinari. Julia Skof has chosen it as the basis for her first directing work at JES. In her productions, she examines the creation of images \u2013 those we see and talk about, as well as those in our heads.

Julia Skof studied philosophy and sociology at the University of Basel and directing at the Zurich University of the Arts. Her final project Antigone was invited to the K\u00f6rber Studio for Young Directors at the Thalia Theatre in Hamburg and reached the shortlist.<\/p>\n\n\n\n

<\/div>\n\n\n\n

14+, Grades 8 and up
Price: Children\/Teenagers 5,50 \u20ac, Adults 7,00 \u20ac <\/p>\n","post_title":"Hier ist noch alles m\u00f6glich","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"hier-ist-noch-alles-moglich-everything-is-still-possible-here","to_ping":"","pinged":"","post_modified":"2024-05-28 18:28:53","post_modified_gmt":"2024-05-28 16:28:53","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=5712","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":23960,"post_author":"13","post_date":"2024-07-18 14:04:08","post_date_gmt":"2024-07-18 12:04:08","post_content":"\n\n\n

<\/div>\n\n\n\n

PREMIERE: 23.05.2025<\/p>\n\n\n\n

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Content<\/strong><\/h2>
\n

Kim de l'Horizon's multi-award-winning debut novel is the starting point for this theatre piece. \u2018Blutbuch\u2019 is a collection of memories of things that seemed important to our ancestors, an honest struggle with a binary present and a tender dream of a place where everything could be different. This JES production invites you into a garden. The kind of garden we dream of: a place where we actually meet, where we can listen to each other honestly, argue relentlessly and rewrite stories.

The novel serves as a source of inspiration, a collection of texts and a centre for our own search about imprinting, anger, queerness and family.

schaefersphilippen\u2122, Theater und Medien GbR, K\u00f6ln.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

15+, grades 10 and up
Prices: Children\/young people \u20ac7.00, adults \u20ac14.00
Venue: Rehearsal stage (capacity 60 seats)<\/p>\n\n\n\n

<\/p>\n","post_title":"Blutbuch","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"blutbuch","to_ping":"","pinged":"","post_modified":"2025-02-21 11:34:46","post_modified_gmt":"2025-02-21 10:34:46","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=23960","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":23951,"post_author":"13","post_date":"2024-07-18 10:04:53","post_date_gmt":"2024-07-18 08:04:53","post_content":"\n\n\n

<\/div>\n\n\n\n

Premiere: 09.11.2024<\/p>\n\n\n\n

<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

In the Happy Land, nothing is as it used to be: people are unhappy, they are sad, they are in a bad mood and only care about themselves. Is it because the bird of hope that gives everyone comfort and confidence with its song has disappeared? Jabu, the prince, sets off to find the bird despite his fears and doubts. Fortunately, he gets help from Alva, the lighthouse keeper's daughter, who at least knows how to steer a ship. Together, the two set off on their adventure - accompanied by an invigorating melody.

Together with musicians H\u00eaja Netirk and Carlos Rico, JES develops a light and sensual musical narrative about big questions: How do we want to live together? Do people lose their humanity when they no longer feel confident? Which melody gives you hope?

Performance rights B\u00fchnenverlag Weitendorf, Hamburg<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/strong><\/h2>
\n

In the audio description<\/strong> the stage set, the costumes and the visible course of the action are described for people with visual impairments. The descriptions are spoken live during the performance and can be heard by the audience via transmitters with headphones.

For people with visual impairments, we regularly offer screenings with tactile guidance and audio description <\/strong>an.

The tactile tour<\/strong> takes place in the stage area approximately one hour before the performance begins. Here you can feel parts of the stage set, props and costume pieces. The actors introduce themselves and describe themselves. In addition, particularly visual scenes of the production are described.

A number of tickets is available for people who require audio description. Even if the performance is sold out in the webshop, you can still reserve tickets by e-mail: ticket@jes-stuttgart.de<\/strong><\/a>

For better planning, please register for the audio description and\/or tactile tour. <\/strong>By mail to ticket@jes-stuttgart.de<\/strong><\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 8 and up, grades 3-6
Venue: theatre hall (capacity 180 seats)
Duration: 80 minutes
With audio description and tactile guidance<\/p>\n","post_title":"Der Hoffnungsvogel","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"der-hoffnungsvogel","to_ping":"","pinged":"","post_modified":"2025-01-31 16:27:14","post_modified_gmt":"2025-01-31 15:27:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=23951","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":23962,"post_author":"13","post_date":"2024-07-18 10:04:34","post_date_gmt":"2024-07-18 08:04:34","post_content":"\n\n\n

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PREMIERE: 25.01.2025<\/p>\n\n\n\n

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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n

Content<\/strong><\/h2>
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Life is not fair. Some people are allowed to stay up late, others can already reach the shelf with the sweets. It's usually the majority who decide which game to play. If just a few group members misbehave, is nobody allowed to have ice cream? And of course: Who is allowed to play with which toy?

The list could go on and on, as could the list of attempts to make everyone equal. How do you get someone to be fair and give up something when so many others give up nothing?

To develop the play, author and director Milan Gather and the JES ensemble first go on a research trip to schools and daycare centres to find out: When do we perceive something as unfair? How do we deal with unequal conditions? And how willing are we ourselves to compromise and show solidarity?<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 5 and up, daycare centre and primary school
Duration: approx. 50 minutes
Prices: Children\/young people \u20ac7.00, adults \u20ac14.00
Venue: Theatre hall (capacity 180 seats)<\/p>\n","post_title":"un\/fair","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"un-fair","to_ping":"","pinged":"","post_modified":"2025-01-31 16:36:56","post_modified_gmt":"2025-01-31 15:36:56","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=23962","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}]},"_links":{"self":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/person\/5275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/person"}],"about":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/types\/person"}],"wp:attachment":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/media?parent=5275"}],"wp:term":[{"taxonomy":"position","embeddable":true,"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/position?post=5275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}