{"id":5276,"date":"2022-07-07T16:18:11","date_gmt":"2022-07-07T14:18:11","guid":{"rendered":"https:\/\/www.jes-stuttgart.de\/person\/sezin-onay\/"},"modified":"2026-03-11T15:42:36","modified_gmt":"2026-03-11T14:42:36","slug":"sezin-onay","status":"publish","type":"person","link":"https:\/\/www.jes-stuttgart.de\/en\/person\/sezin-onay\/","title":{"rendered":"Sezin Onay (she\/her)"},"content":{"rendered":"\n
\"\"
Foto: Jan Merkle<\/figcaption><\/figure>\n\n\n\n

Education<\/p>\n\n\n\n

I was born in Goslar in 1988. After leaving school, I studied drama and German language and literature at Leibniz University in Hanover and attended seminars at the Braunschweig University of Art and the University of Hildesheim.<\/p>\n\n\n\n

Elsewhere<\/p>\n\n\n\n

From the beginning of my studies, I was involved in various projects with the youth devision of Theater Hannover. I performed in multiple productions, including by the directors Nurkan Erpulat and Marco \u0160torman and the theatre and performance collective \u2018andcompany&Co\u2019. I worked as an intern in theatre education under the direction of Barbara Kantel and developed my own theatre performances together with people from different backgrounds within the transcultural, intergenerational theatre group \u2018T\u00fcrkisch-Deutsches-Theater\u2019 (TDT) at Theaterhaus Hildesheim. Both during and after my studies, I worked as a freelance theatre educator and led theatre projects with children and young people at Junges Schauspiel Hannover, in youth centres, child and youth counselling centres and associations for intercultural communication, migration and refugee work.<\/p>\n\n\n\n

JES! and me<\/p>\n\n\n\n

Since the 2016\/2017 season, I have been working as a theatre educator at Junges Ensemble Stuttgart. Among other things, I work in the daycare centre language promotion project and am responsible for the clubs \u2018Club K\u00fclt\u00fcr\u2019 and \u2018Queertown\u2019.<\/p>\n\n\n\n

CONTACT<\/p>\n\n\n\n

Sezin.onay@jes-stuttgart.de<\/a><\/p>\n","protected":false},"template":"","position":[],"class_list":["post-5276","person","type-person","status-publish","hentry"],"acf":{"person_sort":"Onay","person_pronoun":"","relation_posts":[{"ID":5337,"post_author":"2","post_date":"2022-06-29 17:14:59","post_date_gmt":"2022-06-29 15:14:59","post_content":"\n\n\n

<\/div>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

Raising your voice, making it heard What happens when this basic right is suddenly lost? Two actors have founded a state to defy a monstrous danger and invite children to become its first citizens.

Together they dive into an adventure of intergalactic proportions, playfully testing social coexistence and determining who decides, and thus take on the small issue of saving the world.

Playfully and embedded in an exciting story, the children experience the encouraging feeling that they are a serious part of society.That it is worthwhile to raise one's own voice - and to fight for this fundamental right.

This play can also be booked on-site for classrooms. The performance venue is the school gymnasium. Information in German can be found HERE<\/a>.<\/mark><\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Die Bademattenrepublik\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- The performance contains loud music and pulsating, technical noises, some of which occur suddenly.

- Distorted voices are played as sound recordings.

- There is a flashing signal light that briefly generates loud noises.

- The audience is on stage with the actors and is actively involved in the play. The audience is asked to change their position in the room and take on small roles and tasks. The audience is asked to answer questions.

- At one point in the play, some audience members are asked to make loud noises with objects.

- At one point in the play, the audience is asked to shout something out loud. It gets very loud in the room for about a minute.

- The audience sits on bath mats on the floor. Sometimes the audience is asked to stand.

- The actors move quickly around the room and walk through the audience. Sometimes they stand elevated on a windowsill or a platform.

- The actors show big emotions. For example, they are excited, desperate or happy. Sometimes they speak very quickly and frantically.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 8 and up, Grades 3\u20134.
Duration: approx. 70 minutes
Prices: Children\/young adults \u20ac5.50, adults \u20ac8.00
Seating capacity: 50

Mobile Performances: Prices: 10.00 \u20ac per student<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/www.youtube.com\/watch?v=rP3y8ehn3as\n<\/div><\/figure>\n","post_title":"Die Bademattenrepublik","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"die-bademattenrepublik","to_ping":"","pinged":"","post_modified":"2024-07-22 14:21:16","post_modified_gmt":"2024-07-22 12:21:16","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/die-bademattenrepublik\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":5349,"post_author":"2","post_date":"2022-06-29 18:32:43","post_date_gmt":"2022-06-29 16:32:43","post_content":"\n\n\n
<\/div>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

\"I only know my country by smell. It smells like my mother's food. My father says you remember the smell of your country everywhere, but you only recognise it when you're far away.\"

\"Warum das Kind in der Polenta kocht\" is the story of a young girl growing up between two worlds: the colourfully transfigured homeland of circus and caravan and the harsh reality of being a constant stranger on the road.

An actress and a young girl on stage at JES confront the story of Agalja Veteranyi. Together with director Ye\u015fim Schaub, they search for the multi-layered, <\/em>sometimes contradictory multilayered feeling of being a stranger via the opposing views of the characters, which are repeatedly interrupted by precise imagery, and deal with it impressively.

How is it possible to share the experience of homelessness despite different histories, ages and backgrounds? Especially in times of ongoing wars and refugee movements, Aglaja's search for a place she can finally settle intersects inseparably with the reality that surrounds us.

\u00a9 1999 by DVA Verlag, in the Penguin Random House Verlagsgruppe.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Warum das Kind in der Polenta kocht\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- A few minutes after the performance begins, the light flickers and several points of light move through the room. The light briefly shines into the auditorium. The effect lasts approx. 15 seconds.

- Use of music and dripping noises.

- Weak light, darkness, rapid light changes and flickering light tubes. Attention: Stroboscope-like effects will be used for a brief moment. Feel free to contact us!

- Feathers and water fall\/drip from the ceiling onto the stage.

- A raw onion is eaten, which produces a strong, typical odor.

- Use of a wind machine to the right of the stage set, causing a curtain to move slightly back and forth.

- On stage, artificial hair hangs around a scaffold, which the players climb up, hang down and disappear into. Sometimes they can only be seen with individual body parts.

- The players show big emotions.

- The players speak to the audience and occasionally play to them.

- In one scene, a player scratches her thigh audibly and quickly for about 10 seconds.

- A player washes her hair with a white, milky liquid.

- In one scene, the two players spit into a bathtub. Later, they show the audience the saliva stains.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>.<\/strong> We will be happy to advise you and work out together how we can help.<\/p>\n<\/div><\/div>\n\n\n\n

Content Notes<\/strong><\/h2>
\n

This play deals with themes of homelessness and abandonment by parents. Stories from life in a children's home are retold.
In one scene in the play, thoughts of self-harm and suicide are alluded to for a moment.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 12 and up, grades 6\u20139
Duration: approx. 65 minutes
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Upper Foyer (Seating capacity 60)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/www.youtube.com\/watch?v=hiKgT1esp3g\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Warum das Kind in der Polenta kocht","post_excerpt":"\u201cWarum das Kind in der Polenta kocht\u201d is the story of a young girl growing up between two worlds: the colourfully transfigured home of the circus and caravans and the harsh reality of being a constant stranger on the road.","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"warum-das-kind-in-der-polenta-kocht-2","to_ping":"","pinged":"","post_modified":"2024-07-22 14:24:27","post_modified_gmt":"2024-07-22 12:24:27","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/warum-das-kind-in-der-polenta-kocht\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":5347,"post_author":"2","post_date":"2022-06-29 18:23:29","post_date_gmt":"2022-06-29 16:23:29","post_content":"\n\n\n
<\/div>\n\n\n\n\n\n
\"\"
Photo: Alex Wunsch<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
<\/div>\n\n\n\n

\u201cWelcome to the machine room. We examine feelings here \u2014 that is, we examine them.\u201d
Four people welcome you to their workplace at the beginning of their shift. They let you participate in their tests and experiments, you become a witness to their efforts to measure, compare and describe feelings. Does wanderlust come from far away? Is disappointment greater than homesickness? How much is too much?

A dance, musical and performative approach to what concerns us all, what determines our personal but also social lives so much \u2014 and what nevertheless gets so little space. For all people from the age of 5. Colourful, wild and exciting: UNB\u00c4NDIG is a celebration of great feelings, the encouragement to befriend them, because: \u201cSometimes they come. Most of the time they leave. That\u2019s okay.\u201d

The production was supported by the programme \u201cKunst trotz Abstand\u201d by the Ministry of Science, Research and the Arts.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Notes on accessibility<\/strong><\/h2>
\n

\"Unb\u00e4ndig\" takes place on stage in German sign language. The play is accessible for hearing and deaf children and families. (Deaf includes different identities and lived realities such as deaf, hard of hearing, Ci wearers and later-deaf).

\"Unb\u00e4ndig\" contains integrated interpreting into German sign language. \"Integrated interpreting\" means that the interpreter does not stand at the edge of the stage, but is visible to on stage with the other actors. She translates a large part of the spoken and sung text by other actors. The interpreter also plays a role in the play. She stands on stage in a way that the audience can easily follow the translation and the plot of the play. Individual words and sentences are signed by the other actors. The interpreter and the actors are all hearing.

You can find more information about attending performances with German Sign Language on stage here<\/a><\/strong>.

Concept and interpretation: Hannah H\u00e4berle, Christian Pflugfelder (Consulting)<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Unb\u00e4ndig\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is loud, shrill music and the performance contains live instruments. The instruments are an accordion, a cello, an oboe and drums. There are pulsating sounds.

- There is loud, shrill music and the performance contains live instruments. The instruments are an accordion, a cello, an oboe and drums. There are pulsating sounds.

- There are quick changes between light and darkness. There are also small, colourful columns of light that flash constantly.

- There is fog.

- The actors occasionally wear costumes in which their faces are unrecognisable.

- Sometimes the actors and objects appear suddenly. For example, there are balls that fall out of pipes onto the stage. They do not<\/strong> fall into the audience space.

- The audience is addressed and is allowed to make contact with the actors at specific points.

- Big emotions are shown, which can be transferred onto the audience. Frequent reactions are loud laughter, cheering and screaming.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 5 and up, Kindergarten, Elementary School
Duration: 60 minutes
Price: Children\/Teenagers \u20ac5,50, Adults \u20ac8,00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtube.com\/shorts\/BHsYaQGOvg8?feature=share\n<\/div><\/figure>\n\n\n\n
<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/AZ-FO_qqTkU\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Unb\u00e4ndig","post_excerpt":"Four people greet you at the beginning of your shift at their workplace. They share their experiments with you, you witness their efforts to measure, compare and describe feelings. Does wanderlust come from far away? Is disappointment greater than homesickness? How much is too much?","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"unbaendig","to_ping":"","pinged":"","post_modified":"2024-07-22 14:17:15","post_modified_gmt":"2024-07-22 12:17:15","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/unbaendig\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":18684,"post_author":"3","post_date":"2024-04-04 17:29:10","post_date_gmt":"2024-04-04 15:29:10","post_content":"\n\n\n
\n\n\n
\"\"
Foto:Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto:Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto:Andreas Etter<\/figcaption><\/figure>\n\n\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Traust du dich das? \u2013 fragen sich Ang\u00e9lica, Lola, Maxi, Estelle, Stefan und Jule. Die sechs fordern sich auf der JES-B\u00fchne selbst und gegenseitig heraus: Maxi und Ang\u00e9lica testen, wie weit sie gehen k\u00f6nnen. Estelle singt: \u201eMein Leben ist ein zu gro\u00dfes Risiko, deswegen bleibe ich hier f\u00fcr immer so\u201c \u2013 ist sich aber sicher, dass das doch auch irgendwie anders gehen muss. Stefan versucht zu fliegen, Jule sich fallen zu lassen und Lola erz\u00e4hlt vielleicht von ihren Narben.
Alle sechs stellen sich ihren Herausforderungen, W\u00fcnschen und \u00c4ngsten, versuchen nochmal und nochmal anders und wollen wissen: Wo sind Grenzen, wie k\u00f6nnen sie gefunden, gewahrt, gesetzt oder gesprengt werden?

\u201eAus der Kurve fliegen\u201c macht Mut, sich zu vertrauen und gemeinsam das Leben trotz, aber auch wegen seiner Unsicherheiten zu feiern. Mit wummernden B\u00e4ssen, Elementen aus Breaking und zeitgen\u00f6ssischem Tanz l\u00e4dt \u201eAus der Kurve fliegen\u201c zum Eintauchen ein, zum \u00c4ngste \u00fcberwinden und Sehns\u00fcchte ausgraben.<\/p>\n\n\n\n

JES-Intendantin Grete Pagan ist f\u00fcr den Theaterpreis FAUST 2023 in der Kategorie \u201eTheater f\u00fcr junges Publikum\u201c mit dem Urbanen Tanztheater \u201eAus der Kurve fliegen\u201c nominiert<\/p>\n\n\n\n

<\/div>\n\n\n\n

Zug\u00e4nglichkeit<\/strong><\/h2>
\n

Mit Deutscher Geb\u00e4rdensprache auf der B\u00fchne<\/strong><\/p>\n\n\n\n

Die Vorstellung von \u201eAus der Kurve fliegen\u201c findet mit Deutscher Geb\u00e4rdensprache auf der B\u00fchne statt. Das St\u00fcck ist zug\u00e4nglich f\u00fcr h\u00f6rende und Taube Kinder und Familien. (Taub schlie\u00dft verschiedene Identit\u00e4ten und Lebensrealit\u00e4ten wie geh\u00f6rlos, schwerh\u00f6rig, CI-tragend sowie sp\u00e4tertaubt ein.)<\/p>\n\n\n\n

In diesem St\u00fcck gibt es eine integrierte Verdolmetschung in Deutsche Geb\u00e4rdensprache. \u201eIntegrierte Verdolmetschung\u201c bedeutet, dass die Dolmetscherin nicht am B\u00fchnenrand steht, sondern mit den anderen Spielerinnen auf der B\u00fchne. Sie \u00fcbersetzt einen Gro\u00dfteil gesprochenen und gesungenen Textes der anderen Spielerinnen. Sie au\u00dferdem selbst eine Rolle im St\u00fcck. Sie steht dabei immer so auf der B\u00fchne, dass die Zuschauenden der \u00dcbersetzung und der Handlung im St\u00fcck gut folgen k\u00f6nnen. Einzelne W\u00f6rter und S\u00e4tze werden au\u00dferdem von den anderen Spielerinnen selbst geb\u00e4rdet. Die Spielerinnen und die Dolmetscherin sind alle h\u00f6rend.<\/p>\n\n\n\n

Wir haben immer Tickets f\u00fcr Taube Menschen. Auch wenn bei der Vorstellung \u201eausverkauft\u201c steht, kannst du uns schreiben und Tickets bestellen.
<\/p>\n\n\n\n

Bei Fragen zur Zug\u00e4nglichkeit meldet euch gerne bei:
Iolanda Carrozzo<\/strong><\/a> 
+49 (0)711 218 480 15
iolanda.carrozzo@jes-stuttgart.de<\/strong><\/a><\/p>\n<\/div><\/div>\n\n\n\n

Infos zu sensorischen Reizen<\/strong><\/h2>
\n

Sinneseindr\u00fccke wie helles Licht, laute Ger\u00e4usche oder pl\u00f6tzliche Ereignisse k\u00f6nnen f\u00fcr manche Menschen aufregend oder \u00fcberfordernd sein. Deswegen findest du hier sensorische Reize, die in \u201eAus der Kurve fliegen\u201c stellenweise vorkommen.<\/p>\n\n\n\n

Vielleicht sind sie gut zu wissen f\u00fcr dich oder jemanden, der mit dir die Vorstellung besucht.<\/p>\n\n\n\n

\u2013 Einsatz von lauter Musik mit viel Bass und lauten Ger\u00e4uschen sowie Instrumenten (E-Bass, E-Gitarre, Ukulele).<\/p>\n\n\n\n

\u2013 Schwaches Licht sowie schnelle Lichtwechsel.<\/p>\n\n\n\n

\u2013 An der B\u00fchnenr\u00fcckseite ist ein flatternder Vorhang angebracht, hinter dem die Spieler*innen verschwinden und wieder auftauchen.<\/p>\n\n\n\n

\u2013 Die Spieler*innen lassen sich fallen, k\u00e4mpfen spielerisch miteinander, machen gef\u00e4hrliche Stunts und klettern ein Seil mehrere Meter nach oben.<\/p>\n\n\n\n

\u2013 Stellenweise machen die Spieler*innen verschiedene Dinge gleichzeitig. Manchmal sprechen die Spieler*innen Texte gleichzeitig oder durcheinander.<\/p>\n\n\n\n

Wenn du Bedenken oder Fragen hast, melde dich unter ticket@jes-stuttgart.de<\/strong><\/a>.<\/strong> Wir beraten dich gerne und \u00fcberlegen gemeinsam, wie wir weiterhelfen k\u00f6nnen.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ab 10 Jahren
Dauer 60 Minuten
Preise: Kinder\/Jugendliche 7,00 \u20ac, Erwachsene 14,00 \u20ac
Spielort: Theatersaal<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/txb6V4rWhrU\n<\/div><\/figure>\n","post_title":"Aus der Kurve fliegen - Host performance","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"aus-der-kurve-fliegen-host-performance","to_ping":"","pinged":"","post_modified":"2024-04-25 14:10:50","post_modified_gmt":"2024-04-25 12:10:50","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=18684","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12718,"post_author":"13","post_date":"2023-07-24 11:13:11","post_date_gmt":"2023-07-24 09:13:11","post_content":"\n\n\n
<\/div>\n\n\n\n

PREMIERE: May 11, 2024<\/p>\n\n\n\n

<\/div>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

Jojo has been sentenced by juvenile court. The punishment: painting walls in an old age home. Jojo ends up in Leo's room in a bad mood, who doesn't utter a word \u2013 until it turns out that Jojo isn't actually guilty. Leo begins to talk about himself and admits that he is only keeping quiet so that the nurses will leave him alone. And it turns out: he used to be a boxing legend! Jojo tells Leo about friends who are not really friends at all and about the major insecurities regarding his future. Expectations begin to crumble on both sides and conversations about being excluded, about trust and the courage to take responsibility for one another develop. A friendship develops that challenges Leo and Jojo to jump over their shadows.

\u201eDas Herz eines Boxers\u201c by Lutz H\u00fcbner, Hartmann & Stauffacher Verlag, Cologne.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Das Herz eines Boxers\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is bright and colourful light, rapid light changes, weak light and complete darkness. There is a moment when several spotlights with red light change rapidly. This creates a flickering effect.

- Loud music is played. At one point, sombre electronic music is played.

- There is an oversized rocking chair on the stage on which the actors sit. Sometimes they rock back and forth or jump down.

- The actors show big emotions such as despair, anger and joy.

- At one point, an actor falls from a small stepladder onto the floor.

- At one point, an actor takes a sip of tea. The person spits the tea straight back out in a fountain.

- At one point, an actor suddenly hits a picture on a pillar. The middle of the picture falls down and lands on the floor with a loud crash.

- From the second half of the play onwards, an actor has a painted black eye.

- In one scene, a knife falls out of an actor's pocket. Later, the person holds it in their hand and looks at it for a long time.

- In one scene, an actor enters the stage in a full-body clown costume. The person is wearing a face mask. The face is unrecognisable for a few minutes.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

Content Note<\/strong><\/h2>
\n

The play deals with sensitive topics such as ageism and racism. There are moments in which violence is described. Offensive language is also used in places. In one scene in the play, thoughts of suicide are hinted at.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 12 and up, grades 7 an up
Dauer: ca. 80 Minuten
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Upper Foyer (Seating capacity 60)<\/p>\n\n\n\n

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\nhttps:\/\/youtu.be\/ujvqjA0KTgQ\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Das Herz eines Boxers","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"das-herz-eines-boxers","to_ping":"","pinged":"","post_modified":"2024-07-22 14:25:04","post_modified_gmt":"2024-07-22 12:25:04","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12718","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":21342,"post_author":"5","post_date":"2024-04-22 14:11:14","post_date_gmt":"2024-04-22 12:11:14","post_content":"\n
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Foto: Ace Riebenstahl<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Ace Riebenstahl<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Ace Riebenstahl<\/figcaption><\/figure>\n\n\n\n\n\n
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\"Vor langer, langer Zeit lebte eine Frau, ihr Name war Boudica. Das bin ich. Ich hatte einen Mann. Er war der K\u00f6nig eines Stammes. Des Stammes der Icini. Eines Tages starb er. Er hinterlie\u00df die eine H\u00e4lfte seines Verm\u00f6gens Nero, dem Kaiser, und die andere seinen T\u00f6chtern. Meinen T\u00f6chtern. Ich glaube, an den Rest will ich mich nicht mehr erinnern.\"<\/p>\n\n\n\n

Boudica war eine K\u00f6nigin, eine Kriegerin, eine brutale M\u00f6derin. In England ist sie Symbol f\u00fcr den Kampf f\u00fcr Freiheit und Gerechtigkeit. Aber es scheint komplizierter als das. Wir fragen uns: Kann eine Person gut sein und gleichzeitig B\u00f6ses tun? Ist Rache jemals gerechtfertigt? Welches Geheimnis \u00fcber mich solltest du niemals wissen? Und wer bin ich, \u00fcber dich zu urteilen?

13 junge Erwachsene stellen sich der gro\u00dfen Frage, was gut und b\u00f6se ist und landen in der komplizierten Grauzone zwischendrin.<\/p>\n\n\n\n

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Leitung: Josie Dale-Jones<\/a>, Frederic Lilje<\/a>, Sezin Onay<\/a>
Assistenz: Ace Riebenstahl
Mit: Ezgi Ak\u015fener, Gustavo Duarte, Sean Friedrich, Charls F\u00fcrni\u00df, Jonas Gerlich, Lucia Hecht, Hannah Henle, Carolina Martens, Birte Peter, Mara Probst, Sophia Teklap<\/p>\n\n\n\n

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ab 16 Jahren
Vorstellungen am 30. und 31. Mai, jeweils 19:00 Uhr
Spielort: Theatersaal (Kapazit\u00e4t 180 Pl\u00e4tze)<\/p>\n\n\n\n

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\nhttps:\/\/youtu.be\/grWdVtc0qa8\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n\n\n\n
<\/div>\n","post_title":"about good and bad, but probably mostly about the complicated mess in between","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"about-good-and-bad-but-probably-mostly-about-the-complicated-mess-in-between","to_ping":"","pinged":"","post_modified":"2024-10-01 09:46:16","post_modified_gmt":"2024-10-01 07:46:16","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=21342","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":23948,"post_author":"13","post_date":"2024-07-18 10:05:16","post_date_gmt":"2024-07-18 08:05:16","post_content":"\n\n\n
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PREMIERE: 03.05.2025<\/p>\n\n\n\n

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Content<\/strong><\/h2>
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\u2018Maybe djinns are this: Trruths that are always there, that are always in the room, whether you like it or not, but that you don't put into words in the hope that they will leave you alone.\u2019 Four siblings travel from Germany to Turkey for their father's funeral. They do not travel together, but set out on their respective journeys alone. They have been fundamentally different in this family for a long time, perhaps they always have been. At the very least, they have all taken a different direction in their lives, with different attitudes, desires and fears. During the course of their journeys, their pasts, their childhood and youth emerge and the path to their identities becomes visible.

\u2018Djinns\u2019 is about what it is like to lose one's father and the connection to one's origins. A group of young people from Stuttgart will take to the stage at JES and invite us into a space of remembrance, mourning and empowerment with \u2018Djinns\u2019. Their own post-migrant realities will become part of the production. For the second time, we are working together with Ye\u015fim Nela Keim Schaub (director of \u2018Warum das Kind in der Polenta kocht\u2019).

Performance rights: Fatma Aydemir, Dschinns \u00a9 2022 Carl Hanser Verlag GmbH & Co. KG, M\u00fcnchen
Stage adaption by Ye\u015fim Nela Keim Schaub, Alina Tammaro und Ensemble<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 14 and up \/ grades 8 and up
Venue: Upper foyer (capacity 80 seats)<\/p>\n\n\n\n

<\/p>\n","post_title":"Dschinns","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"dschinns","to_ping":"","pinged":"","post_modified":"2025-02-21 11:36:10","post_modified_gmt":"2025-02-21 10:36:10","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=23948","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}]},"_links":{"self":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/person\/5276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/person"}],"about":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/types\/person"}],"wp:attachment":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/media?parent=5276"}],"wp:term":[{"taxonomy":"position","embeddable":true,"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/position?post=5276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}