{"id":5277,"date":"2022-07-20T20:54:48","date_gmt":"2022-07-20T18:54:48","guid":{"rendered":"https:\/\/www.jes-stuttgart.de\/person\/david-pagan\/"},"modified":"2022-08-18T15:39:57","modified_gmt":"2022-08-18T13:39:57","slug":"david-pagan","status":"publish","type":"person","link":"https:\/\/www.jes-stuttgart.de\/en\/person\/david-pagan\/","title":{"rendered":"David Pagan"},"content":{"rendered":"\n\n\n
<\/div>\n\n\n\n

David Pagan, born in 1979 on the border between Scotland and England, studied acting\/music in London and has been living in Germany since 2008. He first worked as a performer and musical director for NIE theatre. He currently performs and composes mainly in theatres in Germany and Europe for young audiences.<\/p>\n","protected":false},"template":"","position":[272,180,169,164,158],"class_list":["post-5277","person","type-person","status-publish","hentry","position-production","position-composition","position-music","position-acting","position-guest"],"acf":{"person_sort":"Pagan ","relation_posts":[{"ID":5337,"post_author":"2","post_date":"2022-06-29 17:14:59","post_date_gmt":"2022-06-29 15:14:59","post_content":"\n\n\n

<\/div>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

Raising your voice, making it heard What happens when this basic right is suddenly lost? Two actors have founded a state to defy a monstrous danger and invite children to become its first citizens.

Together they dive into an adventure of intergalactic proportions, playfully testing social coexistence and determining who decides, and thus take on the small issue of saving the world.

Playfully and embedded in an exciting story, the children experience the encouraging feeling that they are a serious part of society.That it is worthwhile to raise one's own voice - and to fight for this fundamental right.

This play can also be booked on-site for classrooms. The performance venue is the school gymnasium. Information in German can be found HERE<\/a>.<\/mark><\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Die Bademattenrepublik\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- The performance contains loud music and pulsating, technical noises, some of which occur suddenly.

- Distorted voices are played as sound recordings.

- There is a flashing signal light that briefly generates loud noises.

- The audience is on stage with the actors and is actively involved in the play. The audience is asked to change their position in the room and take on small roles and tasks. The audience is asked to answer questions.

- At one point in the play, some audience members are asked to make loud noises with objects.

- At one point in the play, the audience is asked to shout something out loud. It gets very loud in the room for about a minute.

- The audience sits on bath mats on the floor. Sometimes the audience is asked to stand.

- The actors move quickly around the room and walk through the audience. Sometimes they stand elevated on a windowsill or a platform.

- The actors show big emotions. For example, they are excited, desperate or happy. Sometimes they speak very quickly and frantically.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 8 and up, Grades 3\u20134.
Duration: approx. 70 minutes
Prices: Children\/young adults \u20ac5.50, adults \u20ac8.00
Seating capacity: 50

Mobile Performances: Prices: 10.00 \u20ac per student<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/www.youtube.com\/watch?v=rP3y8ehn3as\n<\/div><\/figure>\n","post_title":"Die Bademattenrepublik","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"die-bademattenrepublik","to_ping":"","pinged":"","post_modified":"2024-07-22 14:21:16","post_modified_gmt":"2024-07-22 12:21:16","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/die-bademattenrepublik\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":17097,"post_author":"2","post_date":"2022-06-29 17:41:17","post_date_gmt":"2022-06-29 15:41:17","post_content":"\n
<\/div>\n\n\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

One minute everything was calm, the next it's there: chaos. It lurks in moments when your way of dealing with something and my way of dealing with it collide. And it\u2019s also where the unexpected happens, for which I am so unprepared.

In a dance piece for audience members aged 2 and over, Lola and Selina go in search of ways to find their way in turbulent situations. In the process, it is not always easy to understand oneself or the other person: Why do you cause such chaos in me? How can I make you understand what this is doing to me? And how can we get through such a turbulent moment together? The two try out how they can tame the chaos on stage, they make plans and thwart them, dive into wild playfulness and deep contemplation, they tumble, rumble and roar through all the colours of chaos.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Leichte Turbulenzen\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- Use of recorded music and live instruments (accordion and ukulele) as well as several metronomes that tick in different rhythms. Metal buckets that produce sounds.

- Large stage elements that are moved.

- Colorful clothes that fly through the air and suddenly appear.

- A fluttering curtain at the back of the stage.

- The dancers hang in the air, stand on an elevated position and swing around a pole.

- The dancers talk to the audience at the beginning and at the end.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>.<\/strong> We will be happy to advise you and work out together how we can help.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/h2>
\n

Are you visiting us for the first time? Is this your first visit to the theatre with your toddler? Or with the daycare center? Here you will find information about your visit to the theatre and about accessibility to the performance \"Leichte Turbulenzen\".

It is important to us to create a relaxed environment and atmosphere. During \"Leichte Turbulenzen\" you can leave the theatre at any time. So if you feel overwhelmed or you need to get something, you can leave the theatre at any time. You can also return at any time.

Want to know more about a visit to JES? You can find our FAQ<\/a><\/strong>s here.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 2 and up, Daycare
Duration: 35 minutes
Prices: Children\/young adults \u20ac3.00, adults \u20ac5.00
Venue: Upper Foyer (Seating Capacity: 70)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/www.youtube.com\/watch?v=BJZ_UzJ5YFc\n<\/div><\/figure>\n","post_title":"Leichte Turbulenzen","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"leichte-turbulenzen-light-turbulances","to_ping":"","pinged":"","post_modified":"2024-09-23 12:12:36","post_modified_gmt":"2024-09-23 10:12:36","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/leichte-turbulenzen-light-turbulances\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":5347,"post_author":"2","post_date":"2022-06-29 18:23:29","post_date_gmt":"2022-06-29 16:23:29","post_content":"\n\n\n
<\/div>\n\n\n\n\n\n
\"\"
Photo: Alex Wunsch<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
<\/div>\n\n\n\n

\u201cWelcome to the machine room. We examine feelings here \u2014 that is, we examine them.\u201d
Four people welcome you to their workplace at the beginning of their shift. They let you participate in their tests and experiments, you become a witness to their efforts to measure, compare and describe feelings. Does wanderlust come from far away? Is disappointment greater than homesickness? How much is too much?

A dance, musical and performative approach to what concerns us all, what determines our personal but also social lives so much \u2014 and what nevertheless gets so little space. For all people from the age of 5. Colourful, wild and exciting: UNB\u00c4NDIG is a celebration of great feelings, the encouragement to befriend them, because: \u201cSometimes they come. Most of the time they leave. That\u2019s okay.\u201d

The production was supported by the programme \u201cKunst trotz Abstand\u201d by the Ministry of Science, Research and the Arts.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Notes on accessibility<\/strong><\/h2>
\n

\"Unb\u00e4ndig\" takes place on stage in German sign language. The play is accessible for hearing and deaf children and families. (Deaf includes different identities and lived realities such as deaf, hard of hearing, Ci wearers and later-deaf).

\"Unb\u00e4ndig\" contains integrated interpreting into German sign language. \"Integrated interpreting\" means that the interpreter does not stand at the edge of the stage, but is visible to on stage with the other actors. She translates a large part of the spoken and sung text by other actors. The interpreter also plays a role in the play. She stands on stage in a way that the audience can easily follow the translation and the plot of the play. Individual words and sentences are signed by the other actors. The interpreter and the actors are all hearing.

You can find more information about attending performances with German Sign Language on stage here<\/a><\/strong>.

Concept and interpretation: Hannah H\u00e4berle, Christian Pflugfelder (Consulting)<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Unb\u00e4ndig\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is loud, shrill music and the performance contains live instruments. The instruments are an accordion, a cello, an oboe and drums. There are pulsating sounds.

- There is loud, shrill music and the performance contains live instruments. The instruments are an accordion, a cello, an oboe and drums. There are pulsating sounds.

- There are quick changes between light and darkness. There are also small, colourful columns of light that flash constantly.

- There is fog.

- The actors occasionally wear costumes in which their faces are unrecognisable.

- Sometimes the actors and objects appear suddenly. For example, there are balls that fall out of pipes onto the stage. They do not<\/strong> fall into the audience space.

- The audience is addressed and is allowed to make contact with the actors at specific points.

- Big emotions are shown, which can be transferred onto the audience. Frequent reactions are loud laughter, cheering and screaming.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 5 and up, Kindergarten, Elementary School
Duration: 60 minutes
Price: Children\/Teenagers \u20ac5,50, Adults \u20ac8,00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtube.com\/shorts\/BHsYaQGOvg8?feature=share\n<\/div><\/figure>\n\n\n\n
<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/AZ-FO_qqTkU\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Unb\u00e4ndig","post_excerpt":"Four people greet you at the beginning of your shift at their workplace. They share their experiments with you, you witness their efforts to measure, compare and describe feelings. Does wanderlust come from far away? Is disappointment greater than homesickness? How much is too much?","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"unbaendig","to_ping":"","pinged":"","post_modified":"2024-07-22 14:17:15","post_modified_gmt":"2024-07-22 12:17:15","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/unbaendig\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":16413,"post_author":"5","post_date":"2024-01-12 14:00:16","post_date_gmt":"2024-01-12 13:00:16","post_content":"\n\n\n
<\/div>\n\n\n\n

Erhaltet noch vor der Premiere Einblicke in unsere Neuproduktionen. Besucht kostenlos die Hauptprobe, die in der Regel zwei Tage vor der Premiere stattfindet. <\/p>\n\n\n\n

Der Besuch der Hauptprobe ist kostenfrei.<\/p>\n\n\n\n

<\/div>\n\n\n\n

SHAME - The Musical<\/a> PREMIERE: 24. Februar 2024<\/p>\n\n\n\n

<\/div>\n\n\n\n

Es wird laut im JES, bunt, gef\u00fchlvoll \u2013 und peinlich. Denn Scham ist das Thema des ersten Musicals der JES-Geschichte. Mit allem, was dazu geh\u00f6rt: gef\u00fchlvollen Songs, einer Pop-Band, einer gro\u00dfen Besetzung und Tanzchoreografien.

Auch wenn wenig dr\u00fcber gesprochen wird, ist Scham ein pr\u00e4gendes Thema im Alltag vieler (junger) Menschen. Wie beeinflusst das gesellschaftliche Konstrukt von Scham unsere Pers\u00f6nlichkeitsentwicklung? Welche Auswirkungen hat Scham auf den Umgang mit K\u00f6rper und Sexualit\u00e4t?

Um das herauszufinden, schicken wir vier junge Figuren in ein KI*-gesteuertes Museum. Ihre von der Schule hinterlegte Aufgabe ist, mit einem Kunstwerk in Dialog zu treten. Indem sie dies (mehr oder weniger ernsthaft) versuchen, begegnen sie nicht nur sehr unterschiedlichen Sichtweisen auf Lebensformen und Schamgrenzen. Sie werden vor allem mit sich selbst konfrontiert und dann auch noch mit den schamhaft verborgenen Geheimnissen ihrer Mitsch\u00fcler*innen. Schwierig genug, aber noch einigerma\u00dfen zu bew\u00e4ltigen, solange es im gesch\u00fctzten Rahmen ausgetestet und ausgelebt wird. Aber dann droht die Ver\u00f6ffentlichung der eigentlich privaten Erkenntnisse durch eine interaktive Video-Installation.

In Kooperation mit der Popakademie Mannheim, die aus ihren Studierenden eine Pop-Band zusammengestellt hat, und der PH Ludwigsburg, deren Studierende das Vermittlungsprogramm entwickeln.

Gef\u00f6rdert werden St\u00fcckauftrag, Komposition und Inszenierung durch den Fonds Jupiter der Kulturstiftung des Bundes.

*KI: K\u00fcnstliche Intelligenz<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n

Zug\u00e4nglichkeit f\u00fcr Menschen mit Sehbehinderung<\/h2>
\n

F\u00fcr Menschen mit Sehbehinderung bieten wir bei \"SHAME - The Musical\" regelm\u00e4\u00dfig Vorstellungstermine mit Tastf\u00fchrung und Audiosdeskription <\/strong>an.

Etwa eine Stunde vor Vorstellungsbeginn findet die Tastf\u00fchrung<\/strong> im B\u00fchnenraum statt. Hier k\u00f6nnen Teile des B\u00fchnenbildes, Requisiten und Kost\u00fcmteile ertastet werden. Die Schauspieler*innen stellen sich vor und beschreiben sich. Au\u00dferdem werden besonders visuelle Szenen der Inszenierung beschrieben.

Bei der Audiodeskription<\/strong> werden u.a. das B\u00fchnenbild, die Kost\u00fcme und der sichtbare Handlungsverlauf f\u00fcr Menschen mit Sehbehinderung per Live-Beschreibung zug\u00e4nglich. Die Erl\u00e4uterungen und Beschreibungen werden w\u00e4hrend der Vorstellung live gesprochen. Die Kommentare werden \u00fcber Sender mit Kopfh\u00f6rern empfangen.

Vorstellungstermine mit Audiodeskription:
Freitag, 01.03.24 \u2013 11:00 Uhr
Samstag, 02.03.24 \u2013 19:00 Uhr<\/strong>

F\u00fcr Menschen, die Audiodeskription ben\u00f6tigen, werden immer Karten bereit gehalten. Auch wenn die Vorstellung im Webshop ausverkauft ist, k\u00f6nnt ihr Karten per E-Mail reservieren: ticket@jes-stuttgart.de<\/strong><\/a>

Zur besseren Planung bitten wir um Anmeldung f\u00fcr die Audiodeskription und\/oder die Tastf\u00fchrung<\/strong>. Per Mail an ticket@jes-stuttgart.de<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n","post_title":"Probelauf: SHAME - The Musical","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"probelauf-shame-the-musical","to_ping":"","pinged":"","post_modified":"2024-02-19 11:35:25","post_modified_gmt":"2024-02-19 10:35:25","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=16413","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":18684,"post_author":"3","post_date":"2024-04-04 17:29:10","post_date_gmt":"2024-04-04 15:29:10","post_content":"\n\n\n
\n\n\n
\"\"
Foto:Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto:Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto:Andreas Etter<\/figcaption><\/figure>\n\n\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Traust du dich das? \u2013 fragen sich Ang\u00e9lica, Lola, Maxi, Estelle, Stefan und Jule. Die sechs fordern sich auf der JES-B\u00fchne selbst und gegenseitig heraus: Maxi und Ang\u00e9lica testen, wie weit sie gehen k\u00f6nnen. Estelle singt: \u201eMein Leben ist ein zu gro\u00dfes Risiko, deswegen bleibe ich hier f\u00fcr immer so\u201c \u2013 ist sich aber sicher, dass das doch auch irgendwie anders gehen muss. Stefan versucht zu fliegen, Jule sich fallen zu lassen und Lola erz\u00e4hlt vielleicht von ihren Narben.
Alle sechs stellen sich ihren Herausforderungen, W\u00fcnschen und \u00c4ngsten, versuchen nochmal und nochmal anders und wollen wissen: Wo sind Grenzen, wie k\u00f6nnen sie gefunden, gewahrt, gesetzt oder gesprengt werden?

\u201eAus der Kurve fliegen\u201c macht Mut, sich zu vertrauen und gemeinsam das Leben trotz, aber auch wegen seiner Unsicherheiten zu feiern. Mit wummernden B\u00e4ssen, Elementen aus Breaking und zeitgen\u00f6ssischem Tanz l\u00e4dt \u201eAus der Kurve fliegen\u201c zum Eintauchen ein, zum \u00c4ngste \u00fcberwinden und Sehns\u00fcchte ausgraben.<\/p>\n\n\n\n

JES-Intendantin Grete Pagan ist f\u00fcr den Theaterpreis FAUST 2023 in der Kategorie \u201eTheater f\u00fcr junges Publikum\u201c mit dem Urbanen Tanztheater \u201eAus der Kurve fliegen\u201c nominiert<\/p>\n\n\n\n

<\/div>\n\n\n\n

Zug\u00e4nglichkeit<\/strong><\/h2>
\n

Mit Deutscher Geb\u00e4rdensprache auf der B\u00fchne<\/strong><\/p>\n\n\n\n

Die Vorstellung von \u201eAus der Kurve fliegen\u201c findet mit Deutscher Geb\u00e4rdensprache auf der B\u00fchne statt. Das St\u00fcck ist zug\u00e4nglich f\u00fcr h\u00f6rende und Taube Kinder und Familien. (Taub schlie\u00dft verschiedene Identit\u00e4ten und Lebensrealit\u00e4ten wie geh\u00f6rlos, schwerh\u00f6rig, CI-tragend sowie sp\u00e4tertaubt ein.)<\/p>\n\n\n\n

In diesem St\u00fcck gibt es eine integrierte Verdolmetschung in Deutsche Geb\u00e4rdensprache. \u201eIntegrierte Verdolmetschung\u201c bedeutet, dass die Dolmetscherin nicht am B\u00fchnenrand steht, sondern mit den anderen Spielerinnen auf der B\u00fchne. Sie \u00fcbersetzt einen Gro\u00dfteil gesprochenen und gesungenen Textes der anderen Spielerinnen. Sie au\u00dferdem selbst eine Rolle im St\u00fcck. Sie steht dabei immer so auf der B\u00fchne, dass die Zuschauenden der \u00dcbersetzung und der Handlung im St\u00fcck gut folgen k\u00f6nnen. Einzelne W\u00f6rter und S\u00e4tze werden au\u00dferdem von den anderen Spielerinnen selbst geb\u00e4rdet. Die Spielerinnen und die Dolmetscherin sind alle h\u00f6rend.<\/p>\n\n\n\n

Wir haben immer Tickets f\u00fcr Taube Menschen. Auch wenn bei der Vorstellung \u201eausverkauft\u201c steht, kannst du uns schreiben und Tickets bestellen.
<\/p>\n\n\n\n

Bei Fragen zur Zug\u00e4nglichkeit meldet euch gerne bei:
Iolanda Carrozzo<\/strong><\/a> 
+49 (0)711 218 480 15
iolanda.carrozzo@jes-stuttgart.de<\/strong><\/a><\/p>\n<\/div><\/div>\n\n\n\n

Infos zu sensorischen Reizen<\/strong><\/h2>
\n

Sinneseindr\u00fccke wie helles Licht, laute Ger\u00e4usche oder pl\u00f6tzliche Ereignisse k\u00f6nnen f\u00fcr manche Menschen aufregend oder \u00fcberfordernd sein. Deswegen findest du hier sensorische Reize, die in \u201eAus der Kurve fliegen\u201c stellenweise vorkommen.<\/p>\n\n\n\n

Vielleicht sind sie gut zu wissen f\u00fcr dich oder jemanden, der mit dir die Vorstellung besucht.<\/p>\n\n\n\n

\u2013 Einsatz von lauter Musik mit viel Bass und lauten Ger\u00e4uschen sowie Instrumenten (E-Bass, E-Gitarre, Ukulele).<\/p>\n\n\n\n

\u2013 Schwaches Licht sowie schnelle Lichtwechsel.<\/p>\n\n\n\n

\u2013 An der B\u00fchnenr\u00fcckseite ist ein flatternder Vorhang angebracht, hinter dem die Spieler*innen verschwinden und wieder auftauchen.<\/p>\n\n\n\n

\u2013 Die Spieler*innen lassen sich fallen, k\u00e4mpfen spielerisch miteinander, machen gef\u00e4hrliche Stunts und klettern ein Seil mehrere Meter nach oben.<\/p>\n\n\n\n

\u2013 Stellenweise machen die Spieler*innen verschiedene Dinge gleichzeitig. Manchmal sprechen die Spieler*innen Texte gleichzeitig oder durcheinander.<\/p>\n\n\n\n

Wenn du Bedenken oder Fragen hast, melde dich unter ticket@jes-stuttgart.de<\/strong><\/a>.<\/strong> Wir beraten dich gerne und \u00fcberlegen gemeinsam, wie wir weiterhelfen k\u00f6nnen.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ab 10 Jahren
Dauer 60 Minuten
Preise: Kinder\/Jugendliche 7,00 \u20ac, Erwachsene 14,00 \u20ac
Spielort: Theatersaal<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/txb6V4rWhrU\n<\/div><\/figure>\n","post_title":"Aus der Kurve fliegen - Host performance","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"aus-der-kurve-fliegen-host-performance","to_ping":"","pinged":"","post_modified":"2024-04-25 14:10:50","post_modified_gmt":"2024-04-25 12:10:50","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=18684","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}]},"_links":{"self":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/person\/5277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/person"}],"about":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/types\/person"}],"wp:attachment":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/media?parent=5277"}],"wp:term":[{"taxonomy":"position","embeddable":true,"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/position?post=5277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}