{"id":5278,"date":"2022-07-07T16:00:47","date_gmt":"2022-07-07T14:00:47","guid":{"rendered":"https:\/\/www.jes-stuttgart.de\/person\/grete-pagan\/"},"modified":"2022-08-18T15:41:26","modified_gmt":"2022-08-18T13:41:26","slug":"grete-pagan","status":"publish","type":"person","link":"https:\/\/www.jes-stuttgart.de\/en\/person\/grete-pagan\/","title":{"rendered":"Grete Pagan"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

Education<\/p>\n\n\n\n

After graduating from school and a year of various internships, I was an assistant director at JES from 2004 to 2007, after which I studied acting direction at Theaterakademie Hamburg. In 2018 I completed further education in theatre and music management at the Ludwig-Maximilians-University in Munich.<\/p>\n\n\n\n

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Elsewhere<\/p>\n\n\n\n

I have been working as a freelance director in theatre for young audiences since 2010. In addition to JES, I have directed at Staatstheater Mainz, GRIPS Theater Berlin, moks junges theatre Bremen, jungen LTT T\u00fcbingen, and at Schauburg Munich, among others. Since 2010 I have also been working as a translator of theatre texts from English into German. Since summer 2019, I have been a member of the board of trustees of the Landesverband der Kunstschulen Baden-W\u00fcrttemberg (State Association of Art Schools Baden-W\u00fcrttemberg).<\/p>\n\n\n\n

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JES! And ME<\/p>\n\n\n\n

As a freelance director, I have staged \u201cDie besten Beerdigungen der Welt\u201d, \u201cDie Abenteuer des starken Wanja\u201d, \u201cUnsere gro\u00dfe Welt\u201d, \u201cDie Bademattenrepublik\u201d and \u201cUnb\u00e4ndig\u201d at JES. From 2014 to 2022 I was also one of the organisational and production managers of Bright View. I have been the artistic director of JES since the 2022\/23 season.<\/p>\n\n\n\n

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CONTACT<\/p>\n\n\n\n

intendanz@jes-stuttgart.de<\/a><\/p>\n","protected":false},"template":"","position":[272,181,160,11],"class_list":["post-5278","person","type-person","status-publish","hentry","position-production","position-theatre-director","position-jes-employees","position-inszenierung"],"acf":{"person_sort":"Pagan","relation_posts":[{"ID":5337,"post_author":"2","post_date":"2022-06-29 17:14:59","post_date_gmt":"2022-06-29 15:14:59","post_content":"\n\n\n

<\/div>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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Raising your voice, making it heard What happens when this basic right is suddenly lost? Two actors have founded a state to defy a monstrous danger and invite children to become its first citizens.

Together they dive into an adventure of intergalactic proportions, playfully testing social coexistence and determining who decides, and thus take on the small issue of saving the world.

Playfully and embedded in an exciting story, the children experience the encouraging feeling that they are a serious part of society.That it is worthwhile to raise one's own voice - and to fight for this fundamental right.

This play can also be booked on-site for classrooms. The performance venue is the school gymnasium. Information in German can be found HERE<\/a>.<\/mark><\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
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Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Die Bademattenrepublik\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- The performance contains loud music and pulsating, technical noises, some of which occur suddenly.

- Distorted voices are played as sound recordings.

- There is a flashing signal light that briefly generates loud noises.

- The audience is on stage with the actors and is actively involved in the play. The audience is asked to change their position in the room and take on small roles and tasks. The audience is asked to answer questions.

- At one point in the play, some audience members are asked to make loud noises with objects.

- At one point in the play, the audience is asked to shout something out loud. It gets very loud in the room for about a minute.

- The audience sits on bath mats on the floor. Sometimes the audience is asked to stand.

- The actors move quickly around the room and walk through the audience. Sometimes they stand elevated on a windowsill or a platform.

- The actors show big emotions. For example, they are excited, desperate or happy. Sometimes they speak very quickly and frantically.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 8 and up, Grades 3\u20134.
Duration: approx. 70 minutes
Prices: Children\/young adults \u20ac5.50, adults \u20ac8.00
Seating capacity: 50

Mobile Performances: Prices: 10.00 \u20ac per student<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/www.youtube.com\/watch?v=rP3y8ehn3as\n<\/div><\/figure>\n","post_title":"Die Bademattenrepublik","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"die-bademattenrepublik","to_ping":"","pinged":"","post_modified":"2024-07-22 14:21:16","post_modified_gmt":"2024-07-22 12:21:16","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/die-bademattenrepublik\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":5347,"post_author":"2","post_date":"2022-06-29 18:23:29","post_date_gmt":"2022-06-29 16:23:29","post_content":"\n\n\n
<\/div>\n\n\n\n\n\n
\"\"
Photo: Alex Wunsch<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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\u201cWelcome to the machine room. We examine feelings here \u2014 that is, we examine them.\u201d
Four people welcome you to their workplace at the beginning of their shift. They let you participate in their tests and experiments, you become a witness to their efforts to measure, compare and describe feelings. Does wanderlust come from far away? Is disappointment greater than homesickness? How much is too much?

A dance, musical and performative approach to what concerns us all, what determines our personal but also social lives so much \u2014 and what nevertheless gets so little space. For all people from the age of 5. Colourful, wild and exciting: UNB\u00c4NDIG is a celebration of great feelings, the encouragement to befriend them, because: \u201cSometimes they come. Most of the time they leave. That\u2019s okay.\u201d

The production was supported by the programme \u201cKunst trotz Abstand\u201d by the Ministry of Science, Research and the Arts.<\/p>\n\n\n\n

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Notes on accessibility<\/strong><\/h2>
\n

\"Unb\u00e4ndig\" takes place on stage in German sign language. The play is accessible for hearing and deaf children and families. (Deaf includes different identities and lived realities such as deaf, hard of hearing, Ci wearers and later-deaf).

\"Unb\u00e4ndig\" contains integrated interpreting into German sign language. \"Integrated interpreting\" means that the interpreter does not stand at the edge of the stage, but is visible to on stage with the other actors. She translates a large part of the spoken and sung text by other actors. The interpreter also plays a role in the play. She stands on stage in a way that the audience can easily follow the translation and the plot of the play. Individual words and sentences are signed by the other actors. The interpreter and the actors are all hearing.

You can find more information about attending performances with German Sign Language on stage here<\/a><\/strong>.

Concept and interpretation: Hannah H\u00e4berle, Christian Pflugfelder (Consulting)<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Unb\u00e4ndig\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is loud, shrill music and the performance contains live instruments. The instruments are an accordion, a cello, an oboe and drums. There are pulsating sounds.

- There is loud, shrill music and the performance contains live instruments. The instruments are an accordion, a cello, an oboe and drums. There are pulsating sounds.

- There are quick changes between light and darkness. There are also small, colourful columns of light that flash constantly.

- There is fog.

- The actors occasionally wear costumes in which their faces are unrecognisable.

- Sometimes the actors and objects appear suddenly. For example, there are balls that fall out of pipes onto the stage. They do not<\/strong> fall into the audience space.

- The audience is addressed and is allowed to make contact with the actors at specific points.

- Big emotions are shown, which can be transferred onto the audience. Frequent reactions are loud laughter, cheering and screaming.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 5 and up, Kindergarten, Elementary School
Duration: 60 minutes
Price: Children\/Teenagers \u20ac5,50, Adults \u20ac8,00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

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\nhttps:\/\/youtube.com\/shorts\/BHsYaQGOvg8?feature=share\n<\/div><\/figure>\n\n\n\n
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\nhttps:\/\/youtu.be\/AZ-FO_qqTkU\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Unb\u00e4ndig","post_excerpt":"Four people greet you at the beginning of your shift at their workplace. They share their experiments with you, you witness their efforts to measure, compare and describe feelings. Does wanderlust come from far away? Is disappointment greater than homesickness? How much is too much?","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"unbaendig","to_ping":"","pinged":"","post_modified":"2024-07-22 14:17:15","post_modified_gmt":"2024-07-22 12:17:15","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/unbaendig\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":11231,"post_author":"8","post_date":"2023-04-27 10:29:19","post_date_gmt":"2023-04-27 08:29:19","post_content":"\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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Do you dare do it? - Ang\u00e9lica, Lola, Maxi, Estelle, Stefan and Jule ask themselves. The six of them challenge themselves and each other on the JES stage: Maxi and Ang\u00e9lica test how far they can go. Estelle sings: \u201cMy life is too much of a risk, that's why I'll stay here like this forever\u201d - but is sure that there must be another way. Stefan tries to fly, Jule tries to let go and maybe Lola will talk about her scars.

All six of them face their challenges, desires and fears, try again and try differently and want to know: Where are boundaries, how can they be found, maintained, set or broken?

\u201cAus der Kurve fliegen\u201d encourages people to trust each other and celebrate life together despite, but also because of, its uncertainties. With booming bass music, elements of breakdance and contemporary dance, \"Aus der Kurve fliegen\" invites you to dive in, overcome your fears and unearth your longings.

JES director Grete Pagan was nominated for the FAUST 2023 theatre prize <\/strong>in the \"Theatre for Young Audiences\" category with her urban dance theatre piece \"Aus der Kurve fliegen\".

\"Aus der Kurve fliegen\" takes place with German sign language on stage. More information here: \"Notes on accessibility\".<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/h2>
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With German sign language on stage<\/strong>

\u201eAus der Kurve fliegen\u201c takes place on stage in German sign language. The play is accessible for hearing and deaf children and families. (Deaf includes different identities and lived realities such as deaf, hard of hearing, Ci wearers and later-deaf).

This performance contains integrated interpreting into German sign language. \"Integrated interpreting\" means that the interpreter does not stand at the edge of the stage but is visible to on stage with the other actors. She translates a large part of the spoken and sung text by other actors. The interpreter also plays a role in the play. She stands on stage in a way that the audience can easily follow the translation and the plot of the play. Individual words and sentences are signed by the other actors. The interpreter and the actors are all hearing.

You can find more information about attending performances with German Sign Language on stage here<\/a><\/strong>.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
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Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Aus der Kurve fliegen\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- Use of loud music with lots of bass and loud noises as well as instruments (electric bass, electric guitar, ukulele).

- Low lighting and rapid light changes.

- A fluttering curtain is attached to the back of the stage, behind which the actors disappear and reappear.

- The actors let themselves fall, playfully fight each other, perform dangerous stunts and climb several metres up a rope.

- At times, the actors do different things at the same time. Sometimes the actors perform text at the same time or over each other.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 10 and up, grades 5 an up
Duration: 60 minutes
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

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\nhttps:\/\/www.youtube.com\/watch?v=txb6V4rWhrU\n<\/div><\/figure>\n","post_title":"Aus der Kurve fliegen","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"__trashed-7__trashed","to_ping":"","pinged":"","post_modified":"2024-07-22 14:22:02","post_modified_gmt":"2024-07-22 12:22:02","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=11231","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12706,"post_author":"13","post_date":"2023-07-24 11:12:43","post_date_gmt":"2023-07-24 09:12:43","post_content":"\n\n\n

Rowohl Theatre Publishers, Duncan Macmillan<\/p>\n\n\n\n

<\/div>\n\n\n\n

PREMIERE: February 3, 2024<\/p>\n\n\n\n

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\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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1. Lemon ice cream, 2. water fights, 3. staying up later than usual and watching TV, 4. Die Farbe Gelb: the colour yellow... With everything that is beautiful about the world.

The protagonist of this solo piece, which can only be told together with the audience, begins making a list of all things nice in the world for his mother in the hope that this will end her depression and life will go on. In a way, it does. But not everything automatically becomes good. There is always a strange sadness lurking, there are crashes, embarrassing situations and injuries. The list has grown and grown over the years, approaching a million: 999,997. The alphabet, 999,9998. Inappropriate songs in emotional moments, 999,999. Completing a task....

A courageous, life-affirming and thought-provoking play about absent parents, faithful companions and big and small life decisions. The play deals with themes of depression as well as the suicide of the protagonist's mother.

If you or someone close to you is in a crisis, sees no hope and is perhaps thinking about no longer wanting to live, you can find help from the following places:

Arbeitskreis Leben Stuttgart e.V.: 0711 600620  www.ak-leben.de<\/strong><\/a>

Anonymous online counseling by young people for young people:
www.youth-life-line.de<\/strong><\/a>, www.u25-freiburg.de<\/strong><\/a> and  www.nethelp4u.de<\/strong><\/a>

Crisis and emergency service Stuttgart: 0180 511 0 444
Telephone counseling: 0800 111 0 111 or 0800 111 0 222
Police and rescue service: 110 and 112<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"All das Sch\u00f6ne\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- During the performance, the audience sits in the same room as the actor. The room is separated from a larger room by a curtain made of paper strips.

- The actor plays and speaks in front of, next to and behind the audience. At times, he sits close to the audience.

- The audience sits on benches without backrests during the performance. (You can ask for a chair with a backrest if you need one).

- There is music with a noticeable bass and a quiet, high, continuous tone.

- There is a loud leaf blower. There is wind from the leaf blower. The paper strips are whirled up at that moment.

- There is a movable spotlight that can briefly dazzle the audience.

- The audience and the actor can always see each other.

- The  actor makes direct eye contact with some members of the audience. The actor addresses the audience directly at times. Individual audience members are invited to take on roles or tasks in the play. (You can decline the invitation by shaking your head or denying it. This is not specifically stated in the play).

- The piece can trigger great emotions. The actor also shows strong emotions at times, such as great joy, infatuation, anger and a feeling of confinement.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

Content Note<\/strong><\/h2>
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The play deals with topics such as depression, the suicide of a family member and the death of a pet. It also deals with child neglect and separation.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 14 and up, grades 8 and up
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Rehearsal Stage (Seating capacity 60)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/nMucg71Oqc4\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"All das Sch\u00f6ne","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"__trashed-23","to_ping":"","pinged":"","post_modified":"2024-07-22 14:26:05","post_modified_gmt":"2024-07-22 12:26:05","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12706","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12832,"post_author":"13","post_date":"2023-07-24 11:13:29","post_date_gmt":"2023-07-24 09:13:29","post_content":"\n\n\n

PREMIERE: 24.02.2024<\/p>\n\n\n\n

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Content<\/strong><\/h2>
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For this performance, JES will be loud, colourful, emotional - and embarrassing. Because shame is the theme of the first musical in JES history. With everything that goes with it: emotional songs, a pop band, a large cast, dance choreography and a love story.

Even if it's not talked about much, shame is a defining issue in many people's everyday lives. To find out more about it, we send four young characters to an art museum. Their task, set by the school, is to enter into a dialogue with a work of art. By attempting this (more or less seriously), they not only encounter very different perspectives on ways of life and boundaries of shame. Above all, they are confronted with themselves and then also with the shamefully hidden secrets of their classmates.

In cooperation with the Popakademie Mannheim, which has put together a pop band consisting its students, and the PH Ludwigsburg, whose students are in charge of developing this educational programme.

Supported by Fonds Jupiter Fund of the German Federal Cultural Foundation<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessability<\/strong><\/h2>
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With audio description and tactile tours<\/strong>

With audio description, the stage set, costumes and the visible course of the action are made accessible to people with visual impairments via live description. The explanations and descriptions are spoken live during the performance. The commentaries are received via transmitters with headphones. The audio description will be in german.

The tactile tour takes place in the stage area approximately one hour before the performance begins. Here you can feel parts of the stage set, props and costume pieces. There is a tactile model in which the stage set is modelled. In addition, particularly visual scenes of the production are described.

Tickets are always available for people who require audio description. Even if the performance is sold out in the webshop, you can still reserve tickets by e-mail: ticket@jes-stuttgart.de<\/strong><\/a>.

For better planning, please register for the audio description and\/or the tactile tour. By mail to ticket@jes-stuttgart.de<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"SHAME \u2013 The Musical\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is live music. A band plays on stage. There are sudden changes in the music.

- There are bright, colourful lights. There are strobe lights. This means there are very fast, bright flashes of light. There are moments when it is partially or completely dark.

- The actors enter and leave the stage through the set. They go to the gallery. The gallery is above the stage and looks like a balcony. The actors disappear and appear through doors at the back of the stage.

- One of the actors enters and leaves the stage through a folding door in the set.

- At one point, an actress walks towards the audience.

- An actress steps out of a painting.

- There are strong feelings of shame and escalating emotions on stage.

- There is fog.

- The audience should be able to sit quietly during the performance in order to follow the play well.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 12 and up, grades 6 and up
Duration: 60 minutes
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Hall (Seating Capacity: 165)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/4qzZA654eWU?si=dDciBCnO--rie33p\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n\n\n\n
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\nhttps:\/\/soundcloud.com\/user-127403425\/hortrailer-shame-the-musical?si=adf36700173c4b78a39161051a25dc0a&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing\n<\/div><\/figure>\n","post_title":"SHAME \u2013 The Musical","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"shame-the-musical","to_ping":"","pinged":"","post_modified":"2024-07-22 14:23:06","post_modified_gmt":"2024-07-22 12:23:06","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12832","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":16413,"post_author":"5","post_date":"2024-01-12 14:00:16","post_date_gmt":"2024-01-12 13:00:16","post_content":"\n\n\n
<\/div>\n\n\n\n

Erhaltet noch vor der Premiere Einblicke in unsere Neuproduktionen. Besucht kostenlos die Hauptprobe, die in der Regel zwei Tage vor der Premiere stattfindet. <\/p>\n\n\n\n

Der Besuch der Hauptprobe ist kostenfrei.<\/p>\n\n\n\n

<\/div>\n\n\n\n

SHAME - The Musical<\/a> PREMIERE: 24. Februar 2024<\/p>\n\n\n\n

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Es wird laut im JES, bunt, gef\u00fchlvoll \u2013 und peinlich. Denn Scham ist das Thema des ersten Musicals der JES-Geschichte. Mit allem, was dazu geh\u00f6rt: gef\u00fchlvollen Songs, einer Pop-Band, einer gro\u00dfen Besetzung und Tanzchoreografien.

Auch wenn wenig dr\u00fcber gesprochen wird, ist Scham ein pr\u00e4gendes Thema im Alltag vieler (junger) Menschen. Wie beeinflusst das gesellschaftliche Konstrukt von Scham unsere Pers\u00f6nlichkeitsentwicklung? Welche Auswirkungen hat Scham auf den Umgang mit K\u00f6rper und Sexualit\u00e4t?

Um das herauszufinden, schicken wir vier junge Figuren in ein KI*-gesteuertes Museum. Ihre von der Schule hinterlegte Aufgabe ist, mit einem Kunstwerk in Dialog zu treten. Indem sie dies (mehr oder weniger ernsthaft) versuchen, begegnen sie nicht nur sehr unterschiedlichen Sichtweisen auf Lebensformen und Schamgrenzen. Sie werden vor allem mit sich selbst konfrontiert und dann auch noch mit den schamhaft verborgenen Geheimnissen ihrer Mitsch\u00fcler*innen. Schwierig genug, aber noch einigerma\u00dfen zu bew\u00e4ltigen, solange es im gesch\u00fctzten Rahmen ausgetestet und ausgelebt wird. Aber dann droht die Ver\u00f6ffentlichung der eigentlich privaten Erkenntnisse durch eine interaktive Video-Installation.

In Kooperation mit der Popakademie Mannheim, die aus ihren Studierenden eine Pop-Band zusammengestellt hat, und der PH Ludwigsburg, deren Studierende das Vermittlungsprogramm entwickeln.

Gef\u00f6rdert werden St\u00fcckauftrag, Komposition und Inszenierung durch den Fonds Jupiter der Kulturstiftung des Bundes.

*KI: K\u00fcnstliche Intelligenz<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
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Zug\u00e4nglichkeit f\u00fcr Menschen mit Sehbehinderung<\/h2>
\n

F\u00fcr Menschen mit Sehbehinderung bieten wir bei \"SHAME - The Musical\" regelm\u00e4\u00dfig Vorstellungstermine mit Tastf\u00fchrung und Audiosdeskription <\/strong>an.

Etwa eine Stunde vor Vorstellungsbeginn findet die Tastf\u00fchrung<\/strong> im B\u00fchnenraum statt. Hier k\u00f6nnen Teile des B\u00fchnenbildes, Requisiten und Kost\u00fcmteile ertastet werden. Die Schauspieler*innen stellen sich vor und beschreiben sich. Au\u00dferdem werden besonders visuelle Szenen der Inszenierung beschrieben.

Bei der Audiodeskription<\/strong> werden u.a. das B\u00fchnenbild, die Kost\u00fcme und der sichtbare Handlungsverlauf f\u00fcr Menschen mit Sehbehinderung per Live-Beschreibung zug\u00e4nglich. Die Erl\u00e4uterungen und Beschreibungen werden w\u00e4hrend der Vorstellung live gesprochen. Die Kommentare werden \u00fcber Sender mit Kopfh\u00f6rern empfangen.

Vorstellungstermine mit Audiodeskription:
Freitag, 01.03.24 \u2013 11:00 Uhr
Samstag, 02.03.24 \u2013 19:00 Uhr<\/strong>

F\u00fcr Menschen, die Audiodeskription ben\u00f6tigen, werden immer Karten bereit gehalten. Auch wenn die Vorstellung im Webshop ausverkauft ist, k\u00f6nnt ihr Karten per E-Mail reservieren: ticket@jes-stuttgart.de<\/strong><\/a>

Zur besseren Planung bitten wir um Anmeldung f\u00fcr die Audiodeskription und\/oder die Tastf\u00fchrung<\/strong>. Per Mail an ticket@jes-stuttgart.de<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n","post_title":"Probelauf: SHAME - The Musical","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"probelauf-shame-the-musical","to_ping":"","pinged":"","post_modified":"2024-02-19 11:35:25","post_modified_gmt":"2024-02-19 10:35:25","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=16413","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":18684,"post_author":"3","post_date":"2024-04-04 17:29:10","post_date_gmt":"2024-04-04 15:29:10","post_content":"\n\n\n
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\"\"
Foto:Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto:Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto:Andreas Etter<\/figcaption><\/figure>\n\n\n<\/div>\n\n\n\n
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Traust du dich das? \u2013 fragen sich Ang\u00e9lica, Lola, Maxi, Estelle, Stefan und Jule. Die sechs fordern sich auf der JES-B\u00fchne selbst und gegenseitig heraus: Maxi und Ang\u00e9lica testen, wie weit sie gehen k\u00f6nnen. Estelle singt: \u201eMein Leben ist ein zu gro\u00dfes Risiko, deswegen bleibe ich hier f\u00fcr immer so\u201c \u2013 ist sich aber sicher, dass das doch auch irgendwie anders gehen muss. Stefan versucht zu fliegen, Jule sich fallen zu lassen und Lola erz\u00e4hlt vielleicht von ihren Narben.
Alle sechs stellen sich ihren Herausforderungen, W\u00fcnschen und \u00c4ngsten, versuchen nochmal und nochmal anders und wollen wissen: Wo sind Grenzen, wie k\u00f6nnen sie gefunden, gewahrt, gesetzt oder gesprengt werden?

\u201eAus der Kurve fliegen\u201c macht Mut, sich zu vertrauen und gemeinsam das Leben trotz, aber auch wegen seiner Unsicherheiten zu feiern. Mit wummernden B\u00e4ssen, Elementen aus Breaking und zeitgen\u00f6ssischem Tanz l\u00e4dt \u201eAus der Kurve fliegen\u201c zum Eintauchen ein, zum \u00c4ngste \u00fcberwinden und Sehns\u00fcchte ausgraben.<\/p>\n\n\n\n

JES-Intendantin Grete Pagan ist f\u00fcr den Theaterpreis FAUST 2023 in der Kategorie \u201eTheater f\u00fcr junges Publikum\u201c mit dem Urbanen Tanztheater \u201eAus der Kurve fliegen\u201c nominiert<\/p>\n\n\n\n

<\/div>\n\n\n\n

Zug\u00e4nglichkeit<\/strong><\/h2>
\n

Mit Deutscher Geb\u00e4rdensprache auf der B\u00fchne<\/strong><\/p>\n\n\n\n

Die Vorstellung von \u201eAus der Kurve fliegen\u201c findet mit Deutscher Geb\u00e4rdensprache auf der B\u00fchne statt. Das St\u00fcck ist zug\u00e4nglich f\u00fcr h\u00f6rende und Taube Kinder und Familien. (Taub schlie\u00dft verschiedene Identit\u00e4ten und Lebensrealit\u00e4ten wie geh\u00f6rlos, schwerh\u00f6rig, CI-tragend sowie sp\u00e4tertaubt ein.)<\/p>\n\n\n\n

In diesem St\u00fcck gibt es eine integrierte Verdolmetschung in Deutsche Geb\u00e4rdensprache. \u201eIntegrierte Verdolmetschung\u201c bedeutet, dass die Dolmetscherin nicht am B\u00fchnenrand steht, sondern mit den anderen Spielerinnen auf der B\u00fchne. Sie \u00fcbersetzt einen Gro\u00dfteil gesprochenen und gesungenen Textes der anderen Spielerinnen. Sie au\u00dferdem selbst eine Rolle im St\u00fcck. Sie steht dabei immer so auf der B\u00fchne, dass die Zuschauenden der \u00dcbersetzung und der Handlung im St\u00fcck gut folgen k\u00f6nnen. Einzelne W\u00f6rter und S\u00e4tze werden au\u00dferdem von den anderen Spielerinnen selbst geb\u00e4rdet. Die Spielerinnen und die Dolmetscherin sind alle h\u00f6rend.<\/p>\n\n\n\n

Wir haben immer Tickets f\u00fcr Taube Menschen. Auch wenn bei der Vorstellung \u201eausverkauft\u201c steht, kannst du uns schreiben und Tickets bestellen.
<\/p>\n\n\n\n

Bei Fragen zur Zug\u00e4nglichkeit meldet euch gerne bei:
Iolanda Carrozzo<\/strong><\/a> 
+49 (0)711 218 480 15
iolanda.carrozzo@jes-stuttgart.de<\/strong><\/a><\/p>\n<\/div><\/div>\n\n\n\n

Infos zu sensorischen Reizen<\/strong><\/h2>
\n

Sinneseindr\u00fccke wie helles Licht, laute Ger\u00e4usche oder pl\u00f6tzliche Ereignisse k\u00f6nnen f\u00fcr manche Menschen aufregend oder \u00fcberfordernd sein. Deswegen findest du hier sensorische Reize, die in \u201eAus der Kurve fliegen\u201c stellenweise vorkommen.<\/p>\n\n\n\n

Vielleicht sind sie gut zu wissen f\u00fcr dich oder jemanden, der mit dir die Vorstellung besucht.<\/p>\n\n\n\n

\u2013 Einsatz von lauter Musik mit viel Bass und lauten Ger\u00e4uschen sowie Instrumenten (E-Bass, E-Gitarre, Ukulele).<\/p>\n\n\n\n

\u2013 Schwaches Licht sowie schnelle Lichtwechsel.<\/p>\n\n\n\n

\u2013 An der B\u00fchnenr\u00fcckseite ist ein flatternder Vorhang angebracht, hinter dem die Spieler*innen verschwinden und wieder auftauchen.<\/p>\n\n\n\n

\u2013 Die Spieler*innen lassen sich fallen, k\u00e4mpfen spielerisch miteinander, machen gef\u00e4hrliche Stunts und klettern ein Seil mehrere Meter nach oben.<\/p>\n\n\n\n

\u2013 Stellenweise machen die Spieler*innen verschiedene Dinge gleichzeitig. Manchmal sprechen die Spieler*innen Texte gleichzeitig oder durcheinander.<\/p>\n\n\n\n

Wenn du Bedenken oder Fragen hast, melde dich unter ticket@jes-stuttgart.de<\/strong><\/a>.<\/strong> Wir beraten dich gerne und \u00fcberlegen gemeinsam, wie wir weiterhelfen k\u00f6nnen.<\/p>\n<\/div><\/div>\n\n\n\n

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Ab 10 Jahren
Dauer 60 Minuten
Preise: Kinder\/Jugendliche 7,00 \u20ac, Erwachsene 14,00 \u20ac
Spielort: Theatersaal<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/txb6V4rWhrU\n<\/div><\/figure>\n","post_title":"Aus der Kurve fliegen - Host performance","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"aus-der-kurve-fliegen-host-performance","to_ping":"","pinged":"","post_modified":"2024-04-25 14:10:50","post_modified_gmt":"2024-04-25 12:10:50","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=18684","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12698,"post_author":"13","post_date":"2023-07-24 11:12:05","post_date_gmt":"2023-07-24 09:12:05","post_content":"\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
\n

The world is filled to the brim with people and animals, small comedies and great tragedies: from the grey of a concrete cube, a lively, colourful city gradually unfolds with gardens and a library, building sites and blue lights, real and fantastic everyday heroes, a goalkeeper who writes, an autograph hunter, a mayor and an astonished fairy. In keeping with the hustle and bustle, there is a confusing mix of different languages in the air, Portuguese and German, both spoken and signed.

Everything somehow happens at the same time, is interwoven, wants to be discovered, processed and spun further until, in interaction with the others, a completely unique hidden object world is created. And out of the interpersonal encounters and the coexistence of different attitudes and ways of life, confidence grows in the midst of the confusion.

Many thanks to Hannah H\u00e4berle<\/a> and Ralf Wiebel for the DGS interpretation during the rehearsals.

*Deaf* includes different identities and life realities such as deaf, hard of hearing, CI-wearing and later deaf.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/h2>
\n

With German Sign Language on stage<\/strong><\/strong><\/h2>
\n

\"Unsere neue gro\u00dfe Welt\" takes place on stage in German sign language. The play is accessible for hearing and deaf children and families. (Deaf includes different identities and lived realities such as deaf, hard of hearing, Ci wearers and later-deaf).

In \"Unsere neue gro\u00dfe Welt\", a deaf* actor and two hearing actors are on stage. The deaf* actor speaks German sign language. The two hearing actors speak German and Portuguese. The hearing actors also sign individual words and parts of sentences. This makes it possible to understand what they are saying in context.

You can find more information about attending performances with German Sign Language on stage here<\/a><\/strong>.<\/em><\/p>\n<\/div><\/div>\n\n\n\n

<\/p>\n\n\n\n

Your first theatre visit<\/strong><\/h2>
\n

Are you visiting us for the first time? Is this your first visit to the theatre with your toddler? Or with the daycare center? Here you will find information about your visit to the theatre and about accessibility to the performance \"Unsere neue gro\u00dfe Welt\".

It is important to us to create a relaxed environment and atmosphere. During \"Unsere neue gro\u00dfe Welt\" you can leave the theatre at any time. So if you feel overwhelmed or you need to get something, you can leave the theatre at any time. You can also return at any time.

Want to know more about a visit to JES? You can find our FAQ page here<\/a><\/strong>.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Unsere neue gro\u00dfe Welt\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is soft, recorded music. At one point, music comes from a small music box on the stage.

- There are video recordings on stage.

- There is a large, grey cube on the stage. The actors unfold the cube and dismantle the walls. Each wall of the cube looks different.

- There are many large and small objects. For example, a rubbish bin, small figurines and a human-sized carrot. The objects are carried, pushed and placed on the stage by the actors. Some objects appear suddenly.

- The actors often disappear behind the cube and then reappear. They often have new costumes when they reappear.

- At the beginning of the play, the audience is asked to take off their shoes.

- At the end of the play, the audience is invited onto the stage. They are allowed to take a closer look at all the objects and play with them briefly.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 2 and up, Daycare
Duration: 40 minutes
Prices: Children\/young adults \u20ac3.00, adults \u20ac5.00
Venue: Upper Foyer (Seating Capacity: 50)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/www.youtube.com\/watch?v=hi12w1J3eKA\n<\/div><\/figure>\n","post_title":"Unsere neue gro\u00dfe Welt","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"unsere-neue-grose-welt","to_ping":"","pinged":"","post_modified":"2024-07-22 14:14:00","post_modified_gmt":"2024-07-22 12:14:00","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12698","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":23951,"post_author":"13","post_date":"2024-07-18 10:04:53","post_date_gmt":"2024-07-18 08:04:53","post_content":"\n\n\n
<\/div>\n\n\n\n

Premiere: 09.11.2024<\/p>\n\n\n\n

<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

In the Happy Land, nothing is as it used to be: people are unhappy, they are sad, they are in a bad mood and only care about themselves. Is it because the bird of hope that gives everyone comfort and confidence with its song has disappeared? Jabu, the prince, sets off to find the bird despite his fears and doubts. Fortunately, he gets help from Alva, the lighthouse keeper's daughter, who at least knows how to steer a ship. Together, the two set off on their adventure - accompanied by an invigorating melody.

Together with musicians H\u00eaja Netirk and Carlos Rico, JES develops a light and sensual musical narrative about big questions: How do we want to live together? Do people lose their humanity when they no longer feel confident? Which melody gives you hope?

Performance rights B\u00fchnenverlag Weitendorf, Hamburg<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/strong><\/h2>
\n

In the audio description<\/strong> the stage set, the costumes and the visible course of the action are described for people with visual impairments. The descriptions are spoken live during the performance and can be heard by the audience via transmitters with headphones.

For people with visual impairments, we regularly offer screenings with tactile guidance and audio description <\/strong>an.

The tactile tour<\/strong> takes place in the stage area approximately one hour before the performance begins. Here you can feel parts of the stage set, props and costume pieces. The actors introduce themselves and describe themselves. In addition, particularly visual scenes of the production are described.

A number of tickets is available for people who require audio description. Even if the performance is sold out in the webshop, you can still reserve tickets by e-mail: ticket@jes-stuttgart.de<\/strong><\/a>

For better planning, please register for the audio description and\/or tactile tour. <\/strong>By mail to ticket@jes-stuttgart.de<\/strong><\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 8 and up, grades 3-6
Venue: theatre hall (capacity 180 seats)
Duration: 80 minutes
With audio description and tactile guidance<\/p>\n","post_title":"Der Hoffnungsvogel","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"der-hoffnungsvogel","to_ping":"","pinged":"","post_modified":"2025-01-31 16:27:14","post_modified_gmt":"2025-01-31 15:27:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=23951","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}]},"_links":{"self":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/person\/5278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/person"}],"about":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/types\/person"}],"wp:attachment":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/media?parent=5278"}],"wp:term":[{"taxonomy":"position","embeddable":true,"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/position?post=5278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}