{"id":5284,"date":"2022-07-07T16:10:29","date_gmt":"2022-07-07T14:10:29","guid":{"rendered":"https:\/\/www.jes-stuttgart.de\/person\/gerd-ritter\/"},"modified":"2022-08-18T15:46:48","modified_gmt":"2022-08-18T13:46:48","slug":"gerd-ritter","status":"publish","type":"person","link":"https:\/\/www.jes-stuttgart.de\/en\/person\/gerd-ritter\/","title":{"rendered":"Gerd Ritter"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

Education<\/p>\n\n\n\n

I was born in 1966. Before I completed my training as an actor at the Spielstatt Ulm (1989 to 1993), I gained my first theatre experience at the theatre in the Altstadthof in my hometown of Nuremberg.<\/p>\n\n\n\n

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Elsewhere<\/p>\n\n\n\n

Afterwards I worke at Schnawwl, the children\u2019s and youth theatre at the Nationaltheater Mannheim (1993 to 1996), and at Junges Theater Z\u00fcrich (1996\/97). From 1998 to 2004 I worked at the Children\u2019s and Youth Theatre of the Landestheater T\u00fcbingen.<\/p>\n\n\n\n

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JES! and me<\/p>\n\n\n\n

I became part of Junges Ensemble Stuttgart in 2004.<\/p>\n","protected":false},"template":"","position":[178,164,160],"class_list":["post-5284","person","type-person","status-publish","hentry","position-ensemble-en","position-acting","position-jes-employees"],"acf":{"person_sort":"Ritter","relation_posts":[{"ID":5347,"post_author":"2","post_date":"2022-06-29 18:23:29","post_date_gmt":"2022-06-29 16:23:29","post_content":"\n\n\n

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Photo: Alex Wunsch<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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\u201cWelcome to the machine room. We examine feelings here \u2014 that is, we examine them.\u201d
Four people welcome you to their workplace at the beginning of their shift. They let you participate in their tests and experiments, you become a witness to their efforts to measure, compare and describe feelings. Does wanderlust come from far away? Is disappointment greater than homesickness? How much is too much?

A dance, musical and performative approach to what concerns us all, what determines our personal but also social lives so much \u2014 and what nevertheless gets so little space. For all people from the age of 5. Colourful, wild and exciting: UNB\u00c4NDIG is a celebration of great feelings, the encouragement to befriend them, because: \u201cSometimes they come. Most of the time they leave. That\u2019s okay.\u201d

The production was supported by the programme \u201cKunst trotz Abstand\u201d by the Ministry of Science, Research and the Arts.<\/p>\n\n\n\n

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Notes on accessibility<\/strong><\/h2>
\n

\"Unb\u00e4ndig\" takes place on stage in German sign language. The play is accessible for hearing and deaf children and families. (Deaf includes different identities and lived realities such as deaf, hard of hearing, Ci wearers and later-deaf).

\"Unb\u00e4ndig\" contains integrated interpreting into German sign language. \"Integrated interpreting\" means that the interpreter does not stand at the edge of the stage, but is visible to on stage with the other actors. She translates a large part of the spoken and sung text by other actors. The interpreter also plays a role in the play. She stands on stage in a way that the audience can easily follow the translation and the plot of the play. Individual words and sentences are signed by the other actors. The interpreter and the actors are all hearing.

You can find more information about attending performances with German Sign Language on stage here<\/a><\/strong>.

Concept and interpretation: Hannah H\u00e4berle, Christian Pflugfelder (Consulting)<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Unb\u00e4ndig\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is loud, shrill music and the performance contains live instruments. The instruments are an accordion, a cello, an oboe and drums. There are pulsating sounds.

- There is loud, shrill music and the performance contains live instruments. The instruments are an accordion, a cello, an oboe and drums. There are pulsating sounds.

- There are quick changes between light and darkness. There are also small, colourful columns of light that flash constantly.

- There is fog.

- The actors occasionally wear costumes in which their faces are unrecognisable.

- Sometimes the actors and objects appear suddenly. For example, there are balls that fall out of pipes onto the stage. They do not<\/strong> fall into the audience space.

- The audience is addressed and is allowed to make contact with the actors at specific points.

- Big emotions are shown, which can be transferred onto the audience. Frequent reactions are loud laughter, cheering and screaming.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 5 and up, Kindergarten, Elementary School
Duration: 60 minutes
Price: Children\/Teenagers \u20ac5,50, Adults \u20ac8,00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

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\nhttps:\/\/youtube.com\/shorts\/BHsYaQGOvg8?feature=share\n<\/div><\/figure>\n\n\n\n
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\nhttps:\/\/youtu.be\/AZ-FO_qqTkU\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Unb\u00e4ndig","post_excerpt":"Four people greet you at the beginning of your shift at their workplace. They share their experiments with you, you witness their efforts to measure, compare and describe feelings. Does wanderlust come from far away? Is disappointment greater than homesickness? How much is too much?","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"unbaendig","to_ping":"","pinged":"","post_modified":"2024-07-22 14:17:15","post_modified_gmt":"2024-07-22 12:17:15","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/unbaendig\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":17105,"post_author":"2","post_date":"2022-06-29 17:33:41","post_date_gmt":"2022-06-29 15:33:41","post_content":"\n\n\n
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\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
\n

They agreed on one thing from the beginning: they would definitely find something better than death. But what did the donkey, the dog, the cat and the rooster actually find after they chased the robbers out of their hut? Just a protective roof over their heads? Or a new home? Or community? How do you live together when you are so different and have different needs?

Because music almost always helps, the four \"city music animals\" take Donkey by their word and grab microphones and instruments. The stories are their own, but what kind of music is appropriate? And does it rather take a good choreography, a fresh band name or simply lots of practice to actually make a name for oneself?

The JES Ensemble tells the Brothers Grimm fairy tale from a special perspective, with lots of live music.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/h2>
\n

In the audio description<\/strong> the stage set, the costumes and the visible course of the action are described for people with visual impairments. The descriptions are spoken live during the performance and can be heard by the audience via transmitters with headphones.

For people with visual impairments, we regularly offer screenings with tactile guidance and audio description <\/strong>an.

The tactile tour<\/strong> takes place in the stage area approximately one hour before the performance begins. Here you can feel parts of the stage set, props and costume pieces. The actors introduce themselves and describe themselves. In addition, particularly visual scenes of the production are described.

A number of tickets is available for people who require audio description. Even if the performance is sold out in the webshop, you can still reserve tickets by e-mail: ticket@jes-stuttgart.de<\/strong><\/a>

For better planning, please register for the audio description and\/or tactile tour. <\/strong>By mail to ticket@jes-stuttgart.d<\/strong>e<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Die Bremer Stadtmusiktiere\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- At the beginning of the performance, the actors suddenly appear, shouting loudly.

- The actors stand on raised platforms and on a suspended ladder.
- Music with amplified instruments (guitar, bass, drums, keyboard and microphone) and everyday objects such as pots and tin cans.

- Short flickering of neon tubes as well as weak light, darkness and rapid light changes.

- At some points, the actors wear masks and helmets that cover their faces for a brief moment.

- Use of fog and shadow theater towards the end of the performance.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We will be happy to advise you and work out together how we can help you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 6 and up, Daycare, grades 1\u20134
Duration: 70 minutes
Prices: Children\/young people \u20ac5.50, adults \u20ac8.00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

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\nhttps:\/\/soundcloud.com\/user-127403425\/die-bremer-stadtmusiktiere-hortrailer?si=0aa6cd74dbed4be38b28341dbbaaa2ff&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing\n<\/div><\/figure>\n\n\n\n
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\nhttps:\/\/www.youtube.com\/watch?v=VuubzS7BH0A\n<\/div><\/figure>\n","post_title":"Die Bremer Stadtmusiktiere","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"die-bremer-stadtmusiktiere-2","to_ping":"","pinged":"","post_modified":"2024-07-22 14:18:31","post_modified_gmt":"2024-07-22 12:18:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/die-bremer-stadtmusiktiere\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12718,"post_author":"13","post_date":"2023-07-24 11:13:11","post_date_gmt":"2023-07-24 09:13:11","post_content":"\n\n\n
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PREMIERE: May 11, 2024<\/p>\n\n\n\n

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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
\n

Jojo has been sentenced by juvenile court. The punishment: painting walls in an old age home. Jojo ends up in Leo's room in a bad mood, who doesn't utter a word \u2013 until it turns out that Jojo isn't actually guilty. Leo begins to talk about himself and admits that he is only keeping quiet so that the nurses will leave him alone. And it turns out: he used to be a boxing legend! Jojo tells Leo about friends who are not really friends at all and about the major insecurities regarding his future. Expectations begin to crumble on both sides and conversations about being excluded, about trust and the courage to take responsibility for one another develop. A friendship develops that challenges Leo and Jojo to jump over their shadows.

\u201eDas Herz eines Boxers\u201c by Lutz H\u00fcbner, Hartmann & Stauffacher Verlag, Cologne.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Das Herz eines Boxers\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is bright and colourful light, rapid light changes, weak light and complete darkness. There is a moment when several spotlights with red light change rapidly. This creates a flickering effect.

- Loud music is played. At one point, sombre electronic music is played.

- There is an oversized rocking chair on the stage on which the actors sit. Sometimes they rock back and forth or jump down.

- The actors show big emotions such as despair, anger and joy.

- At one point, an actor falls from a small stepladder onto the floor.

- At one point, an actor takes a sip of tea. The person spits the tea straight back out in a fountain.

- At one point, an actor suddenly hits a picture on a pillar. The middle of the picture falls down and lands on the floor with a loud crash.

- From the second half of the play onwards, an actor has a painted black eye.

- In one scene, a knife falls out of an actor's pocket. Later, the person holds it in their hand and looks at it for a long time.

- In one scene, an actor enters the stage in a full-body clown costume. The person is wearing a face mask. The face is unrecognisable for a few minutes.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

Content Note<\/strong><\/h2>
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The play deals with sensitive topics such as ageism and racism. There are moments in which violence is described. Offensive language is also used in places. In one scene in the play, thoughts of suicide are hinted at.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 12 and up, grades 7 an up
Dauer: ca. 80 Minuten
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Upper Foyer (Seating capacity 60)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/ujvqjA0KTgQ\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Das Herz eines Boxers","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"das-herz-eines-boxers","to_ping":"","pinged":"","post_modified":"2024-07-22 14:25:04","post_modified_gmt":"2024-07-22 12:25:04","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12718","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12702,"post_author":"13","post_date":"2023-07-24 11:12:19","post_date_gmt":"2023-07-24 09:12:19","post_content":"\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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Hero has been waiting for a long time. A really long time. For an adventure, for an exciting journey full of challenges, dangers and dragons! Then he finally gets a call that changes everything. Hero is suddenly in a land that has fallen out of balance: Exclamation Face has stolen Questionhead's hat. Since then, no one has been able to ask questions anymore and everything is in chaos. Together with Sidekick, Hero sets out to find the hat - but not everything works out the way Hero had always imagined an adventure would...

With \"Land behind the Curtain\", JES invites you to immerse yourself: Into an imaginative world full of surprises and funny twists, but also full of dangers and doubts that have to be overcome. We ask ourselves the big questions of all fantasy tales:

What is worth fighting for? Does it even make sense to fight? Is there no other way? And does one person always have to save the world alone, or does it not take at least two, or even many more?<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Land behind the Curtain\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- Loud music and individual sounds as well as quivering noises.

- Use of colorful, moving lights, bright light and a signal light.

- Low light and darkness as well as rapid light changes.

- Use of fog.

- Stage elements are shifted and suddenly appear and disappear.

- The actors play several characters and often change their costumes.

- The actors show great emotion.

If you would like more information about the piece, you can take a look at our Visual Story Board<\/strong> . Here you can find out what to expect in the individual scenes. You will receive information about the most important events and scenes in the play as well as the sensory stimuli it contains. The Visual Story Board, a kind of picture story, is written in German simple language.

Download Visual Story Board PDF<\/a><\/strong>

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 11 and up, grades 5\u20138
Duration: approx. 80 minutes (without a break)
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Hall (Seating Capacity: 165)<\/p>\n\n\n\n

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\nhttps:\/\/youtu.be\/T3f7EMx50_s\n<\/div><\/figure>\n","post_title":"Land behind the Curtain","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"land-behind-the-curtain","to_ping":"","pinged":"","post_modified":"2024-12-09 12:49:00","post_modified_gmt":"2024-12-09 11:49:00","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12702","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":23962,"post_author":"13","post_date":"2024-07-18 10:04:34","post_date_gmt":"2024-07-18 08:04:34","post_content":"\n\n\n
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PREMIERE: 25.01.2025<\/p>\n\n\n\n

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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n

Content<\/strong><\/h2>
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Life is not fair. Some people are allowed to stay up late, others can already reach the shelf with the sweets. It's usually the majority who decide which game to play. If just a few group members misbehave, is nobody allowed to have ice cream? And of course: Who is allowed to play with which toy?

The list could go on and on, as could the list of attempts to make everyone equal. How do you get someone to be fair and give up something when so many others give up nothing?

To develop the play, author and director Milan Gather and the JES ensemble first go on a research trip to schools and daycare centres to find out: When do we perceive something as unfair? How do we deal with unequal conditions? And how willing are we ourselves to compromise and show solidarity?<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 5 and up, daycare centre and primary school
Duration: approx. 50 minutes
Prices: Children\/young people \u20ac7.00, adults \u20ac14.00
Venue: Theatre hall (capacity 180 seats)<\/p>\n","post_title":"un\/fair","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"un-fair","to_ping":"","pinged":"","post_modified":"2025-01-31 16:36:56","post_modified_gmt":"2025-01-31 15:36:56","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=23962","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12832,"post_author":"13","post_date":"2023-07-24 11:13:29","post_date_gmt":"2023-07-24 09:13:29","post_content":"\n\n\n

PREMIERE: 24.02.2024<\/p>\n\n\n\n

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\"\"<\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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For this performance, JES will be loud, colourful, emotional - and embarrassing. Because shame is the theme of the first musical in JES history. With everything that goes with it: emotional songs, a pop band, a large cast, dance choreography and a love story.

Even if it's not talked about much, shame is a defining issue in many people's everyday lives. To find out more about it, we send four young characters to an art museum. Their task, set by the school, is to enter into a dialogue with a work of art. By attempting this (more or less seriously), they not only encounter very different perspectives on ways of life and boundaries of shame. Above all, they are confronted with themselves and then also with the shamefully hidden secrets of their classmates.

In cooperation with the Popakademie Mannheim, which has put together a pop band consisting its students, and the PH Ludwigsburg, whose students are in charge of developing this educational programme.

Supported by Fonds Jupiter Fund of the German Federal Cultural Foundation<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessability<\/strong><\/h2>
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With audio description and tactile tours<\/strong>

With audio description, the stage set, costumes and the visible course of the action are made accessible to people with visual impairments via live description. The explanations and descriptions are spoken live during the performance. The commentaries are received via transmitters with headphones. The audio description will be in german.

The tactile tour takes place in the stage area approximately one hour before the performance begins. Here you can feel parts of the stage set, props and costume pieces. There is a tactile model in which the stage set is modelled. In addition, particularly visual scenes of the production are described.

Tickets are always available for people who require audio description. Even if the performance is sold out in the webshop, you can still reserve tickets by e-mail: ticket@jes-stuttgart.de<\/strong><\/a>.

For better planning, please register for the audio description and\/or the tactile tour. By mail to ticket@jes-stuttgart.de<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"SHAME \u2013 The Musical\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is live music. A band plays on stage. There are sudden changes in the music.

- There are bright, colourful lights. There are strobe lights. This means there are very fast, bright flashes of light. There are moments when it is partially or completely dark.

- The actors enter and leave the stage through the set. They go to the gallery. The gallery is above the stage and looks like a balcony. The actors disappear and appear through doors at the back of the stage.

- One of the actors enters and leaves the stage through a folding door in the set.

- At one point, an actress walks towards the audience.

- An actress steps out of a painting.

- There are strong feelings of shame and escalating emotions on stage.

- There is fog.

- The audience should be able to sit quietly during the performance in order to follow the play well.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 12 and up, grades 6 and up
Duration: 60 minutes
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Hall (Seating Capacity: 165)<\/p>\n\n\n\n

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\nhttps:\/\/youtu.be\/4qzZA654eWU?si=dDciBCnO--rie33p\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n\n\n\n
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