{"id":5285,"date":"2022-07-07T16:26:37","date_gmt":"2022-07-07T14:26:37","guid":{"rendered":"https:\/\/www.jes-stuttgart.de\/person\/maximilian-schaible\/"},"modified":"2024-10-23T14:51:45","modified_gmt":"2024-10-23T12:51:45","slug":"maximilian-schaible","status":"publish","type":"person","link":"https:\/\/www.jes-stuttgart.de\/en\/person\/maximilian-schaible\/","title":{"rendered":"Maximilian Schaible (he\/him)"},"content":{"rendered":"\n

<\/p>\n\n\n\n

Ensemble, JES staff member, actor<\/a><\/p>\n\n\n\n

Education<\/p>\n\n\n\n

I was born on August 5th<\/sup>, 1998, in K\u00f6nigsfeld in the Black Forest and spent my childhood and youth there. After graduating from high school, I began a basic theatre education course at the \u2018Theater Tempus fugit\u2019 in L\u00f6rrach. During my training, I was in charge of various theatre groups, organised my own projects and performed a lot of forum theatre at schools. After my training, I began studying acting at the Zurich University of the Arts at the end of 2018. I attended courses on various acting techniques, gained a lot of experience in collective work and performance and completed my studies in the summer of 2022.<\/p>\n\n\n\n

Elsewhere<\/p>\n\n\n\n

I spent the 2021\/22 season in Chemnitz, where I appeared in several productions at the municipal theatre as a member of the acting studio. I worked there with Matthias Huber and Nicolas Charaux, among others.<\/p>\n\n\n\n

JES! and me<\/p>\n\n\n\n

I have been a member of the JES ensemble since September 2022.<\/p>\n\n\n\n

<\/p>\n","protected":false},"template":"","position":[178,164,160],"class_list":["post-5285","person","type-person","status-publish","hentry","position-ensemble-en","position-acting","position-jes-employees"],"acf":{"person_sort":"Schaible","relation_posts":[{"ID":5335,"post_author":"2","post_date":"2022-06-29 17:00:58","post_date_gmt":"2022-06-29 15:00:58","post_content":"\n\n\n

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Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n<\/div>\n\n\n\n
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Content<\/strong><\/h2>
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Science has worked wonders: genetic research, early diagnosis and strict hygiene laws prevent the outbreak of any disease. In the wake of medical progress, common sense has led to a political system that protects its citizens from physical suffering. The price for safety: control and complete surveillance.

Until recently, the young biologist Mia Holl was an unquestioning part of the system and defended it against her rebellious brother Moritz. But then he was convicted of murdering a woman after a DNA test and killed himself in prison. Mia is thrown off track, doubts her brother's guilt, blames herself, neglects sports and nutritional reports and is targeted by the judicial system. A smoked cigarette is judged as abuse of toxic substances and is seen as endangerment of general welfare. The discussions in court and in the media escalate and Mia becomes the figurehead for the resistance.<\/mark><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Corpus Delicti\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There are scenes with bright light, dim light and darkness. There are sudden changes of light.

- The performance contains loud music, noises and video recordings with sound, some of which are played suddenly.

- There are several screens to the right and left above the stage that show one or more videos at the same time. Sometimes a video is played several times on different screens. In addition, large videos are played on a white surface in the centre of the stage.

- The shots in the videos sometimes change quickly. It looks as if they are flashing.

- There is fog.

- The actors enter and leave the stage via a sliding wall at the back of the room. Their shadows can be seen before they enter the stage. There are several entrances and exits.

- An actress smokes on stage, accompanied by typical cigarette smell.

- The audience should be able to sit quietly throughout the performance so that they can follow the play well. The benches are made of wood.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

Content note<\/strong><\/h2>
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Explicit mentions of sexual assault and suicide. Video Clip with blurred torture scene.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 15 and up, grades 10 and up
Duration: 95 minutes, no break
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/AkYbl5ehWEs\n<\/div><\/figure>\n","post_title":"Corpus Delicti","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"corpus-delicti","to_ping":"","pinged":"","post_modified":"2024-07-22 14:26:43","post_modified_gmt":"2024-07-22 12:26:43","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/corpus-delicti\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":17105,"post_author":"2","post_date":"2022-06-29 17:33:41","post_date_gmt":"2022-06-29 15:33:41","post_content":"\n\n\n
<\/div>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
\n

They agreed on one thing from the beginning: they would definitely find something better than death. But what did the donkey, the dog, the cat and the rooster actually find after they chased the robbers out of their hut? Just a protective roof over their heads? Or a new home? Or community? How do you live together when you are so different and have different needs?

Because music almost always helps, the four \"city music animals\" take Donkey by their word and grab microphones and instruments. The stories are their own, but what kind of music is appropriate? And does it rather take a good choreography, a fresh band name or simply lots of practice to actually make a name for oneself?

The JES Ensemble tells the Brothers Grimm fairy tale from a special perspective, with lots of live music.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/h2>
\n

In the audio description<\/strong> the stage set, the costumes and the visible course of the action are described for people with visual impairments. The descriptions are spoken live during the performance and can be heard by the audience via transmitters with headphones.

For people with visual impairments, we regularly offer screenings with tactile guidance and audio description <\/strong>an.

The tactile tour<\/strong> takes place in the stage area approximately one hour before the performance begins. Here you can feel parts of the stage set, props and costume pieces. The actors introduce themselves and describe themselves. In addition, particularly visual scenes of the production are described.

A number of tickets is available for people who require audio description. Even if the performance is sold out in the webshop, you can still reserve tickets by e-mail: ticket@jes-stuttgart.de<\/strong><\/a>

For better planning, please register for the audio description and\/or tactile tour. <\/strong>By mail to ticket@jes-stuttgart.d<\/strong>e<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Die Bremer Stadtmusiktiere\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- At the beginning of the performance, the actors suddenly appear, shouting loudly.

- The actors stand on raised platforms and on a suspended ladder.
- Music with amplified instruments (guitar, bass, drums, keyboard and microphone) and everyday objects such as pots and tin cans.

- Short flickering of neon tubes as well as weak light, darkness and rapid light changes.

- At some points, the actors wear masks and helmets that cover their faces for a brief moment.

- Use of fog and shadow theater towards the end of the performance.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We will be happy to advise you and work out together how we can help you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 6 and up, Daycare, grades 1\u20134
Duration: 70 minutes
Prices: Children\/young people \u20ac5.50, adults \u20ac8.00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/soundcloud.com\/user-127403425\/die-bremer-stadtmusiktiere-hortrailer?si=0aa6cd74dbed4be38b28341dbbaaa2ff&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing\n<\/div><\/figure>\n\n\n\n
<\/div>\n\n\n\n
\nhttps:\/\/www.youtube.com\/watch?v=VuubzS7BH0A\n<\/div><\/figure>\n","post_title":"Die Bremer Stadtmusiktiere","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"die-bremer-stadtmusiktiere-2","to_ping":"","pinged":"","post_modified":"2024-07-22 14:18:31","post_modified_gmt":"2024-07-22 12:18:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/die-bremer-stadtmusiktiere\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":5343,"post_author":"2","post_date":"2022-06-29 17:46:00","post_date_gmt":"2022-06-29 15:46:00","post_content":"\n
<\/div>\n\n\n\n\n\n
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\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
\n

Five strangers meet in a laundrette. Where they are coming from or what they are looking for remains uncertain at first. The only vague promise hangs as a neon sign above the entrance that reads \"Wash your troubles away.\"

Alternating between waiting and running, with and against each other, above and straight through, this dance theatre piece by choreographer Beatrix Simk\u00f3 examines moments of being overwhelmed and the unity of the community. The ensemble uses the laundrette as a playground for encounters and negotiations. They climb on washing machines, step over benches and move through the space on rollerskates. They want to know why the world sometimes feels so heavy and whether there is a world behind the washing machine drum.

A performance with few words about being alone, staying together and enduring uncertainty - mixed with a touch of magic and a big secret.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Nach dem Ende von allem\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is bright and colourful light and dim light and darkness.

- There is a lot of electronic music with low sounds. Sometimes the music is loud and very fast.

- The actors climb over the stage set and hide behind it.

- The actors often make different movements at the same time.

- One actor enters and leaves the stage through the audience entrance.

- An actor skates onto the stage.

- The actors enter and leave the stage behind the set and through a washing machine drum

- There is a section where the players move very quickly and run across the stage.

- At one point there are strong emotions. For example, the actors are desperate, excited and overwhelmed

- The audience should be able to sit quietly throughout to be able to follow what is happening on stage. The benches are made of wood.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 8 and up, Grades 3 and up
Duration: approx. 45 minutes
Prices: Children\/young adults \u20ac5.50, adults \u20ac8.00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

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<\/div>\n\n\n\n
\nhttps:\/\/www.youtube.com\/watch?v=7V35CxIIwXM\n<\/div><\/figure>\n","post_title":"Nach dem Ende von allem","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"mentsvar-zuflucht-ua","to_ping":"","pinged":"","post_modified":"2024-07-22 14:21:31","post_modified_gmt":"2024-07-22 12:21:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/mentsvar-zuflucht-ua\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12714,"post_author":"13","post_date":"2023-07-24 11:12:30","post_date_gmt":"2023-07-24 09:12:30","post_content":"\n\n\n

Translated from English by Thomas Bodmer.<\/p>\n\n\n\n

<\/div>\n\n\n\n\n\n
\"\"
Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
\n

I like standing here, this is my favourite place, the turtle thinks to itself and sniffs at a flower. But what happens when a new friend shows up, but has a bad feeling about the place and would rather stand somewhere else? Do you then leave the place you have come to love? Do you insist that the other person come to me, no matter the cost? Or do we meet in the middle, unfamiliar to both of us?
With just a few words, the Canadian-American animator, illustrator and writer Jon Klassen has created a whole little universe of feelings around friendship in his new picture book \"Out of the Blue\" \/ \"The Rock from the Sky\", full of fears and reservations, suspicions and wishes.

His picture book \"The Rock from the Sky\" is about searching for the right place, also in life, about friendship and destiny: No sooner has the armadillo lured the tortoise away from its favourite spot than a rock falls from the sky right where it was standing. There is not much talk about it, just as there is little dialogue at all, not even with the snake that joins them. But there are plenty of stories between the lines, full of longing, uncertainty and hope.

Patricija Katica Broni\u0107 has developed a playful realisation of the picture book for the stage as her first directorial work at JES.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli \/ <\/strong>
Storyboard<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Aus heiterem Himmel\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- The audience sits around the performance area. The main performance area is a long wooden footbridge that runs diagonally across the room. There are seat cushions, seating pads and a few wooden benches to sit on. You can choose where you want to sit.

- The audience can see and observe each other.

- The actors sit in the audience multiple times. They make eye contact with the audience. Sometimes they act behind the audience, using the entire room.

- In one scene, a single wooden flower suddenly appears from the bridge. In a later scene, more wooden flowers and plants are unfolded from the bridge.

- There are sound and music recordings, sometimes with a deep, loud bass. In one scene, an actress sings softly. Sometimes nature and animal sounds, such as wind and birdsong, can be heard.

- There are rapid changes of light, flickering and pulsating light as well as coloured light. A disco ball hangs from the ceiling, sometimes creating small spotlights in the room.

- At the end of the piece, it suddenly goes completely dark for a brief moment. This is how the play ends. The light goes back on and the audience is allowed to clap. The actors take a bow.

The following moments in the play can be frightening . These moments can be a little scary:

1) At one end of the bridge, a large, round stage piece hangs from the stage ceiling. It falls down unexpectedly in the first third of the play. The fall is accompanied by a change of light and sound. A loud, crashing noise is played. The actors are startled.

2) A programmed spotlight slowly descends from the ceiling, the light moves through the room and changes colour. The audience can be briefly dazzled. Tense music is played. An actress reacts with fear, screams and hides in the audience.

3) Two actors jump from the bridge into the audience at the same time. Whoever is sitting in that exact spot could be frightened. The action is signalled in advance by the actors' gestures. Speak to our evening staff if you do not want to sit in this spot.

4) At the end of the play, the programmed spotlight appears a second time. It is suddenly and unexpectedly covered by a green cloth that falls from the ceiling.

If you would like more information about the piece, you can take a look at our Visual Story Board<\/strong>. Here you can find out what to expect in the individual scenes. You will receive information on the most important events and scenes in the play as well as the sensory stimuli contained therein. The Visual Story Board, a kind of picture story, is written in simple language in German.

Click here to access the Visual Story Board<\/a><\/strong>.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/h2>
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Your first theatre visit<\/strong>

Are you visiting us for the first time? Is this your first visit to the theatre with your toddler? Or with the daycare center? Here you will find information about your visit to the theatre and about accessibility to the performance \"Aus heiterem Himmel\".

It is important to us to create a relaxed environment and atmosphere. During \"Aus heiterem Himmel\" you can leave the theatre at any time. So if you feel overwhelmed or you need to get something, you can leave the theatre at any time. You can also return at any time.

Want to know more about a visit to JES? You can find our FAQ<\/a><\/strong>s here.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 4 and up, daycare, grades 1-2.
Duration: 45 minutes
Prices: Children\/young adults \u20ac5.50, adults \u20ac8.00
Venue: Upper Foyer (Seating Capacity: 60)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/nDpKyQb3b2s\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Aus heiterem Himmel","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"aus-heiterem-himmel","to_ping":"","pinged":"","post_modified":"2024-07-22 14:16:24","post_modified_gmt":"2024-07-22 12:16:24","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12714","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12706,"post_author":"13","post_date":"2023-07-24 11:12:43","post_date_gmt":"2023-07-24 09:12:43","post_content":"\n\n\n

Rowohl Theatre Publishers, Duncan Macmillan<\/p>\n\n\n\n

<\/div>\n\n\n\n

PREMIERE: February 3, 2024<\/p>\n\n\n\n

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\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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1. Lemon ice cream, 2. water fights, 3. staying up later than usual and watching TV, 4. Die Farbe Gelb: the colour yellow... With everything that is beautiful about the world.

The protagonist of this solo piece, which can only be told together with the audience, begins making a list of all things nice in the world for his mother in the hope that this will end her depression and life will go on. In a way, it does. But not everything automatically becomes good. There is always a strange sadness lurking, there are crashes, embarrassing situations and injuries. The list has grown and grown over the years, approaching a million: 999,997. The alphabet, 999,9998. Inappropriate songs in emotional moments, 999,999. Completing a task....

A courageous, life-affirming and thought-provoking play about absent parents, faithful companions and big and small life decisions. The play deals with themes of depression as well as the suicide of the protagonist's mother.

If you or someone close to you is in a crisis, sees no hope and is perhaps thinking about no longer wanting to live, you can find help from the following places:

Arbeitskreis Leben Stuttgart e.V.: 0711 600620  www.ak-leben.de<\/strong><\/a>

Anonymous online counseling by young people for young people:
www.youth-life-line.de<\/strong><\/a>, www.u25-freiburg.de<\/strong><\/a> and  www.nethelp4u.de<\/strong><\/a>

Crisis and emergency service Stuttgart: 0180 511 0 444
Telephone counseling: 0800 111 0 111 or 0800 111 0 222
Police and rescue service: 110 and 112<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"All das Sch\u00f6ne\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- During the performance, the audience sits in the same room as the actor. The room is separated from a larger room by a curtain made of paper strips.

- The actor plays and speaks in front of, next to and behind the audience. At times, he sits close to the audience.

- The audience sits on benches without backrests during the performance. (You can ask for a chair with a backrest if you need one).

- There is music with a noticeable bass and a quiet, high, continuous tone.

- There is a loud leaf blower. There is wind from the leaf blower. The paper strips are whirled up at that moment.

- There is a movable spotlight that can briefly dazzle the audience.

- The audience and the actor can always see each other.

- The  actor makes direct eye contact with some members of the audience. The actor addresses the audience directly at times. Individual audience members are invited to take on roles or tasks in the play. (You can decline the invitation by shaking your head or denying it. This is not specifically stated in the play).

- The piece can trigger great emotions. The actor also shows strong emotions at times, such as great joy, infatuation, anger and a feeling of confinement.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

Content Note<\/strong><\/h2>
\n

The play deals with topics such as depression, the suicide of a family member and the death of a pet. It also deals with child neglect and separation.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 14 and up, grades 8 and up
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Rehearsal Stage (Seating capacity 60)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/nMucg71Oqc4\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"All das Sch\u00f6ne","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"__trashed-23","to_ping":"","pinged":"","post_modified":"2024-07-22 14:26:05","post_modified_gmt":"2024-07-22 12:26:05","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12706","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12698,"post_author":"13","post_date":"2023-07-24 11:12:05","post_date_gmt":"2023-07-24 09:12:05","post_content":"\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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The world is filled to the brim with people and animals, small comedies and great tragedies: from the grey of a concrete cube, a lively, colourful city gradually unfolds with gardens and a library, building sites and blue lights, real and fantastic everyday heroes, a goalkeeper who writes, an autograph hunter, a mayor and an astonished fairy. In keeping with the hustle and bustle, there is a confusing mix of different languages in the air, Portuguese and German, both spoken and signed.

Everything somehow happens at the same time, is interwoven, wants to be discovered, processed and spun further until, in interaction with the others, a completely unique hidden object world is created. And out of the interpersonal encounters and the coexistence of different attitudes and ways of life, confidence grows in the midst of the confusion.

Many thanks to Hannah H\u00e4berle<\/a> and Ralf Wiebel for the DGS interpretation during the rehearsals.

*Deaf* includes different identities and life realities such as deaf, hard of hearing, CI-wearing and later deaf.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/h2>
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With German Sign Language on stage<\/strong><\/strong><\/h2>
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\"Unsere neue gro\u00dfe Welt\" takes place on stage in German sign language. The play is accessible for hearing and deaf children and families. (Deaf includes different identities and lived realities such as deaf, hard of hearing, Ci wearers and later-deaf).

In \"Unsere neue gro\u00dfe Welt\", a deaf* actor and two hearing actors are on stage. The deaf* actor speaks German sign language. The two hearing actors speak German and Portuguese. The hearing actors also sign individual words and parts of sentences. This makes it possible to understand what they are saying in context.

You can find more information about attending performances with German Sign Language on stage here<\/a><\/strong>.<\/em><\/p>\n<\/div><\/div>\n\n\n\n

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Your first theatre visit<\/strong><\/h2>
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Are you visiting us for the first time? Is this your first visit to the theatre with your toddler? Or with the daycare center? Here you will find information about your visit to the theatre and about accessibility to the performance \"Unsere neue gro\u00dfe Welt\".

It is important to us to create a relaxed environment and atmosphere. During \"Unsere neue gro\u00dfe Welt\" you can leave the theatre at any time. So if you feel overwhelmed or you need to get something, you can leave the theatre at any time. You can also return at any time.

Want to know more about a visit to JES? You can find our FAQ page here<\/a><\/strong>.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
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Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Unsere neue gro\u00dfe Welt\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is soft, recorded music. At one point, music comes from a small music box on the stage.

- There are video recordings on stage.

- There is a large, grey cube on the stage. The actors unfold the cube and dismantle the walls. Each wall of the cube looks different.

- There are many large and small objects. For example, a rubbish bin, small figurines and a human-sized carrot. The objects are carried, pushed and placed on the stage by the actors. Some objects appear suddenly.

- The actors often disappear behind the cube and then reappear. They often have new costumes when they reappear.

- At the beginning of the play, the audience is asked to take off their shoes.

- At the end of the play, the audience is invited onto the stage. They are allowed to take a closer look at all the objects and play with them briefly.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 2 and up, Daycare
Duration: 40 minutes
Prices: Children\/young adults \u20ac3.00, adults \u20ac5.00
Venue: Upper Foyer (Seating Capacity: 50)<\/p>\n\n\n\n

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\nhttps:\/\/www.youtube.com\/watch?v=hi12w1J3eKA\n<\/div><\/figure>\n","post_title":"Unsere neue gro\u00dfe Welt","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"unsere-neue-grose-welt","to_ping":"","pinged":"","post_modified":"2024-07-22 14:14:00","post_modified_gmt":"2024-07-22 12:14:00","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12698","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":13494,"post_author":"13","post_date":"2023-07-24 11:26:36","post_date_gmt":"2023-07-24 09:26:36","post_content":"\n\n\n
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Wie stehe ich auf der B\u00fchne? Was strahle ich aus?
Wie kann ich an meiner Pr\u00e4senz arbeiten, wie an meiner Stimme?

Jeden Mittwochabend (au\u00dfer in den Schulferien) wird unser Studio f\u00fcr 90 Minuten zum Trainingscenter: Unter Leitung von unserem Ensemblemitglied Maximilian Schaible und wechselnden G\u00e4sten aus dem JES und seinem Umfeld k\u00f6nnt ihr Basics des Schauspiels (kennen) lernen: Impuls-Training, unterschiedliche Improvisationsarbeiten, einfache szenische Grundregeln, dazu viel Arbeit mit K\u00f6rper und Stimme.

Was genau jeweils ansteht, erfahrt ihr vorab \u00fcber unseren Instagram-Kanal @jesstuttgart<\/strong><\/a>.<\/p>\n\n\n\n

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Ab 14 Jahren
Start: 11.10.2023
Mittwochs um 18:00 \u2013 19:30 Uhr
Teilnahme kostenlos, ohne Anmeldung

Mit: Maxi<\/strong><\/a> & G\u00e4ste<\/p>\n\n\n\n

<\/div>\n","post_title":"Offenes Schauspieltraining","post_excerpt":"","post_status":"draft","comment_status":"open","ping_status":"open","post_password":"","post_name":"offenes-schauspieltraining","to_ping":"","pinged":"","post_modified":"2024-09-26 13:35:14","post_modified_gmt":"2024-09-26 11:35:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=13494","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":16413,"post_author":"5","post_date":"2024-01-12 14:00:16","post_date_gmt":"2024-01-12 13:00:16","post_content":"\n\n\n
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Erhaltet noch vor der Premiere Einblicke in unsere Neuproduktionen. Besucht kostenlos die Hauptprobe, die in der Regel zwei Tage vor der Premiere stattfindet. <\/p>\n\n\n\n

Der Besuch der Hauptprobe ist kostenfrei.<\/p>\n\n\n\n

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SHAME - The Musical<\/a> PREMIERE: 24. Februar 2024<\/p>\n\n\n\n

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Es wird laut im JES, bunt, gef\u00fchlvoll \u2013 und peinlich. Denn Scham ist das Thema des ersten Musicals der JES-Geschichte. Mit allem, was dazu geh\u00f6rt: gef\u00fchlvollen Songs, einer Pop-Band, einer gro\u00dfen Besetzung und Tanzchoreografien.

Auch wenn wenig dr\u00fcber gesprochen wird, ist Scham ein pr\u00e4gendes Thema im Alltag vieler (junger) Menschen. Wie beeinflusst das gesellschaftliche Konstrukt von Scham unsere Pers\u00f6nlichkeitsentwicklung? Welche Auswirkungen hat Scham auf den Umgang mit K\u00f6rper und Sexualit\u00e4t?

Um das herauszufinden, schicken wir vier junge Figuren in ein KI*-gesteuertes Museum. Ihre von der Schule hinterlegte Aufgabe ist, mit einem Kunstwerk in Dialog zu treten. Indem sie dies (mehr oder weniger ernsthaft) versuchen, begegnen sie nicht nur sehr unterschiedlichen Sichtweisen auf Lebensformen und Schamgrenzen. Sie werden vor allem mit sich selbst konfrontiert und dann auch noch mit den schamhaft verborgenen Geheimnissen ihrer Mitsch\u00fcler*innen. Schwierig genug, aber noch einigerma\u00dfen zu bew\u00e4ltigen, solange es im gesch\u00fctzten Rahmen ausgetestet und ausgelebt wird. Aber dann droht die Ver\u00f6ffentlichung der eigentlich privaten Erkenntnisse durch eine interaktive Video-Installation.

In Kooperation mit der Popakademie Mannheim, die aus ihren Studierenden eine Pop-Band zusammengestellt hat, und der PH Ludwigsburg, deren Studierende das Vermittlungsprogramm entwickeln.

Gef\u00f6rdert werden St\u00fcckauftrag, Komposition und Inszenierung durch den Fonds Jupiter der Kulturstiftung des Bundes.

*KI: K\u00fcnstliche Intelligenz<\/p>\n\n\n\n

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Zug\u00e4nglichkeit f\u00fcr Menschen mit Sehbehinderung<\/h2>
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F\u00fcr Menschen mit Sehbehinderung bieten wir bei \"SHAME - The Musical\" regelm\u00e4\u00dfig Vorstellungstermine mit Tastf\u00fchrung und Audiosdeskription <\/strong>an.

Etwa eine Stunde vor Vorstellungsbeginn findet die Tastf\u00fchrung<\/strong> im B\u00fchnenraum statt. Hier k\u00f6nnen Teile des B\u00fchnenbildes, Requisiten und Kost\u00fcmteile ertastet werden. Die Schauspieler*innen stellen sich vor und beschreiben sich. Au\u00dferdem werden besonders visuelle Szenen der Inszenierung beschrieben.

Bei der Audiodeskription<\/strong> werden u.a. das B\u00fchnenbild, die Kost\u00fcme und der sichtbare Handlungsverlauf f\u00fcr Menschen mit Sehbehinderung per Live-Beschreibung zug\u00e4nglich. Die Erl\u00e4uterungen und Beschreibungen werden w\u00e4hrend der Vorstellung live gesprochen. Die Kommentare werden \u00fcber Sender mit Kopfh\u00f6rern empfangen.

Vorstellungstermine mit Audiodeskription:
Freitag, 01.03.24 \u2013 11:00 Uhr
Samstag, 02.03.24 \u2013 19:00 Uhr<\/strong>

F\u00fcr Menschen, die Audiodeskription ben\u00f6tigen, werden immer Karten bereit gehalten. Auch wenn die Vorstellung im Webshop ausverkauft ist, k\u00f6nnt ihr Karten per E-Mail reservieren: ticket@jes-stuttgart.de<\/strong><\/a>

Zur besseren Planung bitten wir um Anmeldung f\u00fcr die Audiodeskription und\/oder die Tastf\u00fchrung<\/strong>. Per Mail an ticket@jes-stuttgart.de<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n","post_title":"Probelauf: SHAME - The Musical","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"probelauf-shame-the-musical","to_ping":"","pinged":"","post_modified":"2024-02-19 11:35:25","post_modified_gmt":"2024-02-19 10:35:25","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=16413","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":23951,"post_author":"13","post_date":"2024-07-18 10:04:53","post_date_gmt":"2024-07-18 08:04:53","post_content":"\n\n\n
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Premiere: 09.11.2024<\/p>\n\n\n\n

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Content<\/strong><\/h2>
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In the Happy Land, nothing is as it used to be: people are unhappy, they are sad, they are in a bad mood and only care about themselves. Is it because the bird of hope that gives everyone comfort and confidence with its song has disappeared? Jabu, the prince, sets off to find the bird despite his fears and doubts. Fortunately, he gets help from Alva, the lighthouse keeper's daughter, who at least knows how to steer a ship. Together, the two set off on their adventure - accompanied by an invigorating melody.

Together with musicians H\u00eaja Netirk and Carlos Rico, JES develops a light and sensual musical narrative about big questions: How do we want to live together? Do people lose their humanity when they no longer feel confident? Which melody gives you hope?

Performance rights B\u00fchnenverlag Weitendorf, Hamburg<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/strong><\/h2>
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In the audio description<\/strong> the stage set, the costumes and the visible course of the action are described for people with visual impairments. The descriptions are spoken live during the performance and can be heard by the audience via transmitters with headphones.

For people with visual impairments, we regularly offer screenings with tactile guidance and audio description <\/strong>an.

The tactile tour<\/strong> takes place in the stage area approximately one hour before the performance begins. Here you can feel parts of the stage set, props and costume pieces. The actors introduce themselves and describe themselves. In addition, particularly visual scenes of the production are described.

A number of tickets is available for people who require audio description. Even if the performance is sold out in the webshop, you can still reserve tickets by e-mail: ticket@jes-stuttgart.de<\/strong><\/a>

For better planning, please register for the audio description and\/or tactile tour. <\/strong>By mail to ticket@jes-stuttgart.de<\/strong><\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 8 and up, grades 3-6
Venue: theatre hall (capacity 180 seats)
Duration: 80 minutes
With audio description and tactile guidance<\/p>\n","post_title":"Der Hoffnungsvogel","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"der-hoffnungsvogel","to_ping":"","pinged":"","post_modified":"2025-01-31 16:27:14","post_modified_gmt":"2025-01-31 15:27:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=23951","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":23960,"post_author":"13","post_date":"2024-07-18 14:04:08","post_date_gmt":"2024-07-18 12:04:08","post_content":"\n\n\n

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PREMIERE: 23.05.2025<\/p>\n\n\n\n

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Content<\/strong><\/h2>
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Kim de l'Horizon's multi-award-winning debut novel is the starting point for this theatre piece. \u2018Blutbuch\u2019 is a collection of memories of things that seemed important to our ancestors, an honest struggle with a binary present and a tender dream of a place where everything could be different. This JES production invites you into a garden. The kind of garden we dream of: a place where we actually meet, where we can listen to each other honestly, argue relentlessly and rewrite stories.

The novel serves as a source of inspiration, a collection of texts and a centre for our own search about imprinting, anger, queerness and family.

schaefersphilippen\u2122, Theater und Medien GbR, K\u00f6ln.<\/p>\n<\/div><\/div>\n\n\n\n

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15+, grades 10 and up
Prices: Children\/young people \u20ac7.00, adults \u20ac14.00
Venue: Rehearsal stage (capacity 60 seats)<\/p>\n\n\n\n

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