{"id":5288,"date":"2022-07-07T16:24:59","date_gmt":"2022-07-07T14:24:59","guid":{"rendered":"https:\/\/www.jes-stuttgart.de\/person\/estelle-schmidlin\/"},"modified":"2024-10-29T12:27:01","modified_gmt":"2024-10-29T11:27:01","slug":"estelle-schmidlin","status":"publish","type":"person","link":"https:\/\/www.jes-stuttgart.de\/en\/person\/estelle-schmidlin\/","title":{"rendered":"Estelle Schmidlin (she\/her)"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

Education<\/p>\n\n\n\n

I was born in Switzerland in 1996 and gained my first stage experience as a singer in the band EVEN YOU there. I toured with the band for four years. After a year of musical theatre training in Lucerne, I moved to Munich to study acting at August Everding Theatre Academy.<\/p>\n\n\n\n

Elsewhere
In the 2021\/22 season, I performed in the play \u2018Stolz und Vorurteil*(*oder so)\u2019 at the Staatstheater N\u00fcrnberg for a year and was on stage in Munich with \u2018RAGE\u2019.<\/p>\n\n\n\n

JES! and me<\/p>\n\n\n\n

I have been a fixed ensemble member at Junges Ensemble Stuttgart since September 2022.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"template":"","position":[178,164],"class_list":["post-5288","person","type-person","status-publish","hentry","position-ensemble-en","position-acting"],"acf":{"person_sort":"Schmidlin","relation_posts":[{"ID":5349,"post_author":"2","post_date":"2022-06-29 18:32:43","post_date_gmt":"2022-06-29 16:32:43","post_content":"\n\n\n

<\/div>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
\n

\"I only know my country by smell. It smells like my mother's food. My father says you remember the smell of your country everywhere, but you only recognise it when you're far away.\"

\"Warum das Kind in der Polenta kocht\" is the story of a young girl growing up between two worlds: the colourfully transfigured homeland of circus and caravan and the harsh reality of being a constant stranger on the road.

An actress and a young girl on stage at JES confront the story of Agalja Veteranyi. Together with director Ye\u015fim Schaub, they search for the multi-layered, <\/em>sometimes contradictory multilayered feeling of being a stranger via the opposing views of the characters, which are repeatedly interrupted by precise imagery, and deal with it impressively.

How is it possible to share the experience of homelessness despite different histories, ages and backgrounds? Especially in times of ongoing wars and refugee movements, Aglaja's search for a place she can finally settle intersects inseparably with the reality that surrounds us.

\u00a9 1999 by DVA Verlag, in the Penguin Random House Verlagsgruppe.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Warum das Kind in der Polenta kocht\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- A few minutes after the performance begins, the light flickers and several points of light move through the room. The light briefly shines into the auditorium. The effect lasts approx. 15 seconds.

- Use of music and dripping noises.

- Weak light, darkness, rapid light changes and flickering light tubes. Attention: Stroboscope-like effects will be used for a brief moment. Feel free to contact us!

- Feathers and water fall\/drip from the ceiling onto the stage.

- A raw onion is eaten, which produces a strong, typical odor.

- Use of a wind machine to the right of the stage set, causing a curtain to move slightly back and forth.

- On stage, artificial hair hangs around a scaffold, which the players climb up, hang down and disappear into. Sometimes they can only be seen with individual body parts.

- The players show big emotions.

- The players speak to the audience and occasionally play to them.

- In one scene, a player scratches her thigh audibly and quickly for about 10 seconds.

- A player washes her hair with a white, milky liquid.

- In one scene, the two players spit into a bathtub. Later, they show the audience the saliva stains.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>.<\/strong> We will be happy to advise you and work out together how we can help.<\/p>\n<\/div><\/div>\n\n\n\n

Content Notes<\/strong><\/h2>
\n

This play deals with themes of homelessness and abandonment by parents. Stories from life in a children's home are retold.
In one scene in the play, thoughts of self-harm and suicide are alluded to for a moment.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 12 and up, grades 6\u20139
Duration: approx. 65 minutes
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Upper Foyer (Seating capacity 60)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/www.youtube.com\/watch?v=hiKgT1esp3g\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Warum das Kind in der Polenta kocht","post_excerpt":"\u201cWarum das Kind in der Polenta kocht\u201d is the story of a young girl growing up between two worlds: the colourfully transfigured home of the circus and caravans and the harsh reality of being a constant stranger on the road.","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"warum-das-kind-in-der-polenta-kocht-2","to_ping":"","pinged":"","post_modified":"2024-07-22 14:24:27","post_modified_gmt":"2024-07-22 12:24:27","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/warum-das-kind-in-der-polenta-kocht\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":5337,"post_author":"2","post_date":"2022-06-29 17:14:59","post_date_gmt":"2022-06-29 15:14:59","post_content":"\n\n\n
<\/div>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
\n

Raising your voice, making it heard What happens when this basic right is suddenly lost? Two actors have founded a state to defy a monstrous danger and invite children to become its first citizens.

Together they dive into an adventure of intergalactic proportions, playfully testing social coexistence and determining who decides, and thus take on the small issue of saving the world.

Playfully and embedded in an exciting story, the children experience the encouraging feeling that they are a serious part of society.That it is worthwhile to raise one's own voice - and to fight for this fundamental right.

This play can also be booked on-site for classrooms. The performance venue is the school gymnasium. Information in German can be found HERE<\/a>.<\/mark><\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Die Bademattenrepublik\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- The performance contains loud music and pulsating, technical noises, some of which occur suddenly.

- Distorted voices are played as sound recordings.

- There is a flashing signal light that briefly generates loud noises.

- The audience is on stage with the actors and is actively involved in the play. The audience is asked to change their position in the room and take on small roles and tasks. The audience is asked to answer questions.

- At one point in the play, some audience members are asked to make loud noises with objects.

- At one point in the play, the audience is asked to shout something out loud. It gets very loud in the room for about a minute.

- The audience sits on bath mats on the floor. Sometimes the audience is asked to stand.

- The actors move quickly around the room and walk through the audience. Sometimes they stand elevated on a windowsill or a platform.

- The actors show big emotions. For example, they are excited, desperate or happy. Sometimes they speak very quickly and frantically.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 8 and up, Grades 3\u20134.
Duration: approx. 70 minutes
Prices: Children\/young adults \u20ac5.50, adults \u20ac8.00
Seating capacity: 50

Mobile Performances: Prices: 10.00 \u20ac per student<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/www.youtube.com\/watch?v=rP3y8ehn3as\n<\/div><\/figure>\n","post_title":"Die Bademattenrepublik","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"die-bademattenrepublik","to_ping":"","pinged":"","post_modified":"2024-07-22 14:21:16","post_modified_gmt":"2024-07-22 12:21:16","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/die-bademattenrepublik\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":17105,"post_author":"2","post_date":"2022-06-29 17:33:41","post_date_gmt":"2022-06-29 15:33:41","post_content":"\n\n\n
<\/div>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

They agreed on one thing from the beginning: they would definitely find something better than death. But what did the donkey, the dog, the cat and the rooster actually find after they chased the robbers out of their hut? Just a protective roof over their heads? Or a new home? Or community? How do you live together when you are so different and have different needs?

Because music almost always helps, the four \"city music animals\" take Donkey by their word and grab microphones and instruments. The stories are their own, but what kind of music is appropriate? And does it rather take a good choreography, a fresh band name or simply lots of practice to actually make a name for oneself?

The JES Ensemble tells the Brothers Grimm fairy tale from a special perspective, with lots of live music.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/h2>
\n

In the audio description<\/strong> the stage set, the costumes and the visible course of the action are described for people with visual impairments. The descriptions are spoken live during the performance and can be heard by the audience via transmitters with headphones.

For people with visual impairments, we regularly offer screenings with tactile guidance and audio description <\/strong>an.

The tactile tour<\/strong> takes place in the stage area approximately one hour before the performance begins. Here you can feel parts of the stage set, props and costume pieces. The actors introduce themselves and describe themselves. In addition, particularly visual scenes of the production are described.

A number of tickets is available for people who require audio description. Even if the performance is sold out in the webshop, you can still reserve tickets by e-mail: ticket@jes-stuttgart.de<\/strong><\/a>

For better planning, please register for the audio description and\/or tactile tour. <\/strong>By mail to ticket@jes-stuttgart.d<\/strong>e<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Die Bremer Stadtmusiktiere\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- At the beginning of the performance, the actors suddenly appear, shouting loudly.

- The actors stand on raised platforms and on a suspended ladder.
- Music with amplified instruments (guitar, bass, drums, keyboard and microphone) and everyday objects such as pots and tin cans.

- Short flickering of neon tubes as well as weak light, darkness and rapid light changes.

- At some points, the actors wear masks and helmets that cover their faces for a brief moment.

- Use of fog and shadow theater towards the end of the performance.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We will be happy to advise you and work out together how we can help you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 6 and up, Daycare, grades 1\u20134
Duration: 70 minutes
Prices: Children\/young people \u20ac5.50, adults \u20ac8.00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/soundcloud.com\/user-127403425\/die-bremer-stadtmusiktiere-hortrailer?si=0aa6cd74dbed4be38b28341dbbaaa2ff&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing\n<\/div><\/figure>\n\n\n\n
<\/div>\n\n\n\n
\nhttps:\/\/www.youtube.com\/watch?v=VuubzS7BH0A\n<\/div><\/figure>\n","post_title":"Die Bremer Stadtmusiktiere","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"die-bremer-stadtmusiktiere-2","to_ping":"","pinged":"","post_modified":"2024-07-22 14:18:31","post_modified_gmt":"2024-07-22 12:18:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/die-bremer-stadtmusiktiere\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12714,"post_author":"13","post_date":"2023-07-24 11:12:30","post_date_gmt":"2023-07-24 09:12:30","post_content":"\n\n\n

Translated from English by Thomas Bodmer.<\/p>\n\n\n\n

<\/div>\n\n\n\n\n\n
\"\"
Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

I like standing here, this is my favourite place, the turtle thinks to itself and sniffs at a flower. But what happens when a new friend shows up, but has a bad feeling about the place and would rather stand somewhere else? Do you then leave the place you have come to love? Do you insist that the other person come to me, no matter the cost? Or do we meet in the middle, unfamiliar to both of us?
With just a few words, the Canadian-American animator, illustrator and writer Jon Klassen has created a whole little universe of feelings around friendship in his new picture book \"Out of the Blue\" \/ \"The Rock from the Sky\", full of fears and reservations, suspicions and wishes.

His picture book \"The Rock from the Sky\" is about searching for the right place, also in life, about friendship and destiny: No sooner has the armadillo lured the tortoise away from its favourite spot than a rock falls from the sky right where it was standing. There is not much talk about it, just as there is little dialogue at all, not even with the snake that joins them. But there are plenty of stories between the lines, full of longing, uncertainty and hope.

Patricija Katica Broni\u0107 has developed a playful realisation of the picture book for the stage as her first directorial work at JES.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli \/ <\/strong>
Storyboard<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Aus heiterem Himmel\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- The audience sits around the performance area. The main performance area is a long wooden footbridge that runs diagonally across the room. There are seat cushions, seating pads and a few wooden benches to sit on. You can choose where you want to sit.

- The audience can see and observe each other.

- The actors sit in the audience multiple times. They make eye contact with the audience. Sometimes they act behind the audience, using the entire room.

- In one scene, a single wooden flower suddenly appears from the bridge. In a later scene, more wooden flowers and plants are unfolded from the bridge.

- There are sound and music recordings, sometimes with a deep, loud bass. In one scene, an actress sings softly. Sometimes nature and animal sounds, such as wind and birdsong, can be heard.

- There are rapid changes of light, flickering and pulsating light as well as coloured light. A disco ball hangs from the ceiling, sometimes creating small spotlights in the room.

- At the end of the piece, it suddenly goes completely dark for a brief moment. This is how the play ends. The light goes back on and the audience is allowed to clap. The actors take a bow.

The following moments in the play can be frightening . These moments can be a little scary:

1) At one end of the bridge, a large, round stage piece hangs from the stage ceiling. It falls down unexpectedly in the first third of the play. The fall is accompanied by a change of light and sound. A loud, crashing noise is played. The actors are startled.

2) A programmed spotlight slowly descends from the ceiling, the light moves through the room and changes colour. The audience can be briefly dazzled. Tense music is played. An actress reacts with fear, screams and hides in the audience.

3) Two actors jump from the bridge into the audience at the same time. Whoever is sitting in that exact spot could be frightened. The action is signalled in advance by the actors' gestures. Speak to our evening staff if you do not want to sit in this spot.

4) At the end of the play, the programmed spotlight appears a second time. It is suddenly and unexpectedly covered by a green cloth that falls from the ceiling.

If you would like more information about the piece, you can take a look at our Visual Story Board<\/strong>. Here you can find out what to expect in the individual scenes. You will receive information on the most important events and scenes in the play as well as the sensory stimuli contained therein. The Visual Story Board, a kind of picture story, is written in simple language in German.

Click here to access the Visual Story Board<\/a><\/strong>.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/h2>
\n

Your first theatre visit<\/strong>

Are you visiting us for the first time? Is this your first visit to the theatre with your toddler? Or with the daycare center? Here you will find information about your visit to the theatre and about accessibility to the performance \"Aus heiterem Himmel\".

It is important to us to create a relaxed environment and atmosphere. During \"Aus heiterem Himmel\" you can leave the theatre at any time. So if you feel overwhelmed or you need to get something, you can leave the theatre at any time. You can also return at any time.

Want to know more about a visit to JES? You can find our FAQ<\/a><\/strong>s here.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 4 and up, daycare, grades 1-2.
Duration: 45 minutes
Prices: Children\/young adults \u20ac5.50, adults \u20ac8.00
Venue: Upper Foyer (Seating Capacity: 60)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/nDpKyQb3b2s\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Aus heiterem Himmel","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"aus-heiterem-himmel","to_ping":"","pinged":"","post_modified":"2024-07-22 14:16:24","post_modified_gmt":"2024-07-22 12:16:24","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12714","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12702,"post_author":"13","post_date":"2023-07-24 11:12:19","post_date_gmt":"2023-07-24 09:12:19","post_content":"\n\n\n
<\/div>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

Hero has been waiting for a long time. A really long time. For an adventure, for an exciting journey full of challenges, dangers and dragons! Then he finally gets a call that changes everything. Hero is suddenly in a land that has fallen out of balance: Exclamation Face has stolen Questionhead's hat. Since then, no one has been able to ask questions anymore and everything is in chaos. Together with Sidekick, Hero sets out to find the hat - but not everything works out the way Hero had always imagined an adventure would...

With \"Land behind the Curtain\", JES invites you to immerse yourself: Into an imaginative world full of surprises and funny twists, but also full of dangers and doubts that have to be overcome. We ask ourselves the big questions of all fantasy tales:

What is worth fighting for? Does it even make sense to fight? Is there no other way? And does one person always have to save the world alone, or does it not take at least two, or even many more?<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Land behind the Curtain\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- Loud music and individual sounds as well as quivering noises.

- Use of colorful, moving lights, bright light and a signal light.

- Low light and darkness as well as rapid light changes.

- Use of fog.

- Stage elements are shifted and suddenly appear and disappear.

- The actors play several characters and often change their costumes.

- The actors show great emotion.

If you would like more information about the piece, you can take a look at our Visual Story Board<\/strong> . Here you can find out what to expect in the individual scenes. You will receive information about the most important events and scenes in the play as well as the sensory stimuli it contains. The Visual Story Board, a kind of picture story, is written in German simple language.

Download Visual Story Board PDF<\/a><\/strong>

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 11 and up, grades 5\u20138
Duration: approx. 80 minutes (without a break)
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Hall (Seating Capacity: 165)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/T3f7EMx50_s\n<\/div><\/figure>\n","post_title":"Land behind the Curtain","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"land-behind-the-curtain","to_ping":"","pinged":"","post_modified":"2024-12-09 12:49:00","post_modified_gmt":"2024-12-09 11:49:00","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12702","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":5335,"post_author":"2","post_date":"2022-06-29 17:00:58","post_date_gmt":"2022-06-29 15:00:58","post_content":"\n\n\n
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\"\"
Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Jonas Knaabe<\/figcaption><\/figure>\n\n\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

Science has worked wonders: genetic research, early diagnosis and strict hygiene laws prevent the outbreak of any disease. In the wake of medical progress, common sense has led to a political system that protects its citizens from physical suffering. The price for safety: control and complete surveillance.

Until recently, the young biologist Mia Holl was an unquestioning part of the system and defended it against her rebellious brother Moritz. But then he was convicted of murdering a woman after a DNA test and killed himself in prison. Mia is thrown off track, doubts her brother's guilt, blames herself, neglects sports and nutritional reports and is targeted by the judicial system. A smoked cigarette is judged as abuse of toxic substances and is seen as endangerment of general welfare. The discussions in court and in the media escalate and Mia becomes the figurehead for the resistance.<\/mark><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
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Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Corpus Delicti\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There are scenes with bright light, dim light and darkness. There are sudden changes of light.

- The performance contains loud music, noises and video recordings with sound, some of which are played suddenly.

- There are several screens to the right and left above the stage that show one or more videos at the same time. Sometimes a video is played several times on different screens. In addition, large videos are played on a white surface in the centre of the stage.

- The shots in the videos sometimes change quickly. It looks as if they are flashing.

- There is fog.

- The actors enter and leave the stage via a sliding wall at the back of the room. Their shadows can be seen before they enter the stage. There are several entrances and exits.

- An actress smokes on stage, accompanied by typical cigarette smell.

- The audience should be able to sit quietly throughout the performance so that they can follow the play well. The benches are made of wood.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

Content note<\/strong><\/h2>
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Explicit mentions of sexual assault and suicide. Video Clip with blurred torture scene.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 15 and up, grades 10 and up
Duration: 95 minutes, no break
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

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\nhttps:\/\/youtu.be\/AkYbl5ehWEs\n<\/div><\/figure>\n","post_title":"Corpus Delicti","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"corpus-delicti","to_ping":"","pinged":"","post_modified":"2024-07-22 14:26:43","post_modified_gmt":"2024-07-22 12:26:43","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/corpus-delicti\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":23962,"post_author":"13","post_date":"2024-07-18 10:04:34","post_date_gmt":"2024-07-18 08:04:34","post_content":"\n\n\n
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PREMIERE: 25.01.2025<\/p>\n\n\n\n

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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Sebastian Brummer<\/figcaption><\/figure>\n\n\n\n\n\n

Content<\/strong><\/h2>
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Life is not fair. Some people are allowed to stay up late, others can already reach the shelf with the sweets. It's usually the majority who decide which game to play. If just a few group members misbehave, is nobody allowed to have ice cream? And of course: Who is allowed to play with which toy?

The list could go on and on, as could the list of attempts to make everyone equal. How do you get someone to be fair and give up something when so many others give up nothing?

To develop the play, author and director Milan Gather and the JES ensemble first go on a research trip to schools and daycare centres to find out: When do we perceive something as unfair? How do we deal with unequal conditions? And how willing are we ourselves to compromise and show solidarity?<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 5 and up, daycare centre and primary school
Duration: approx. 50 minutes
Prices: Children\/young people \u20ac7.00, adults \u20ac14.00
Venue: Theatre hall (capacity 180 seats)<\/p>\n","post_title":"un\/fair","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"un-fair","to_ping":"","pinged":"","post_modified":"2025-01-31 16:36:56","post_modified_gmt":"2025-01-31 15:36:56","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=23962","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}]},"_links":{"self":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/person\/5288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/person"}],"about":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/types\/person"}],"wp:attachment":[{"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/media?parent=5288"}],"wp:term":[{"taxonomy":"position","embeddable":true,"href":"https:\/\/www.jes-stuttgart.de\/en\/wp-json\/wp\/v2\/position?post=5288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}