{"id":5310,"date":"2022-07-07T16:13:15","date_gmt":"2022-07-07T14:13:15","guid":{"rendered":"https:\/\/www.jes-stuttgart.de\/person\/frederic-lilje\/"},"modified":"2024-10-24T11:32:49","modified_gmt":"2024-10-24T09:32:49","slug":"frederic-lilje","status":"publish","type":"person","link":"https:\/\/www.jes-stuttgart.de\/en\/person\/frederic-lilje\/","title":{"rendered":"Frederic Lilje (he\/him)"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

Education<\/p>\n\n\n\n

I completed my bachelor\u2019s degree at Zurich University of the Arts. In summer 2019, I completed my master\u2019s degree in performance studies at the University of Hamburg.<\/p>\n\n\n\n

Elsewhere<\/p>\n\n\n\n

After my first permanent job at JES, I was drawn to the independent scene and to the stage again and again as a performer. My projects intersect at the interface between performative experiments, especially for young audiences, and mediation work between theatre and real life. These projects have taken me to Gessnerallee Zurich, Kampnagel in Hamburg, Schlachthaustheater Bern, Schauspielhaus Hamburg and Junges Theater Konstanz, among others.<\/p>\n\n\n\n

JES and me<\/p>\n\n\n\n

After completing my bachelor’s degree, I was permanently employed as a theatre educator at the JES from 2012-2015. In the 2022\/23 season, I returned to JES as theatre educator, dramaturge and deputy artistic director.<\/p>\n\n\n\n

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CONTACT<\/p>\n\n\n\n

fredericlilje@jes-stuttgart.de<\/a><\/p>\n","protected":false},"template":"","position":[187,184,164,160,27],"class_list":["post-5310","person","type-person","status-publish","hentry","position-deputy-artistic-direction","position-dramaturgy","position-acting","position-jes-employees","position-schauspiel"],"acf":{"person_sort":"Lilje","relation_posts":[{"ID":5347,"post_author":"2","post_date":"2022-06-29 18:23:29","post_date_gmt":"2022-06-29 16:23:29","post_content":"\n\n\n

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Photo: Alex Wunsch<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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\u201cWelcome to the machine room. We examine feelings here \u2014 that is, we examine them.\u201d
Four people welcome you to their workplace at the beginning of their shift. They let you participate in their tests and experiments, you become a witness to their efforts to measure, compare and describe feelings. Does wanderlust come from far away? Is disappointment greater than homesickness? How much is too much?

A dance, musical and performative approach to what concerns us all, what determines our personal but also social lives so much \u2014 and what nevertheless gets so little space. For all people from the age of 5. Colourful, wild and exciting: UNB\u00c4NDIG is a celebration of great feelings, the encouragement to befriend them, because: \u201cSometimes they come. Most of the time they leave. That\u2019s okay.\u201d

The production was supported by the programme \u201cKunst trotz Abstand\u201d by the Ministry of Science, Research and the Arts.<\/p>\n\n\n\n

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Notes on accessibility<\/strong><\/h2>
\n

\"Unb\u00e4ndig\" takes place on stage in German sign language. The play is accessible for hearing and deaf children and families. (Deaf includes different identities and lived realities such as deaf, hard of hearing, Ci wearers and later-deaf).

\"Unb\u00e4ndig\" contains integrated interpreting into German sign language. \"Integrated interpreting\" means that the interpreter does not stand at the edge of the stage, but is visible to on stage with the other actors. She translates a large part of the spoken and sung text by other actors. The interpreter also plays a role in the play. She stands on stage in a way that the audience can easily follow the translation and the plot of the play. Individual words and sentences are signed by the other actors. The interpreter and the actors are all hearing.

You can find more information about attending performances with German Sign Language on stage here<\/a><\/strong>.

Concept and interpretation: Hannah H\u00e4berle, Christian Pflugfelder (Consulting)<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Unb\u00e4ndig\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is loud, shrill music and the performance contains live instruments. The instruments are an accordion, a cello, an oboe and drums. There are pulsating sounds.

- There is loud, shrill music and the performance contains live instruments. The instruments are an accordion, a cello, an oboe and drums. There are pulsating sounds.

- There are quick changes between light and darkness. There are also small, colourful columns of light that flash constantly.

- There is fog.

- The actors occasionally wear costumes in which their faces are unrecognisable.

- Sometimes the actors and objects appear suddenly. For example, there are balls that fall out of pipes onto the stage. They do not<\/strong> fall into the audience space.

- The audience is addressed and is allowed to make contact with the actors at specific points.

- Big emotions are shown, which can be transferred onto the audience. Frequent reactions are loud laughter, cheering and screaming.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 5 and up, Kindergarten, Elementary School
Duration: 60 minutes
Price: Children\/Teenagers \u20ac5,50, Adults \u20ac8,00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

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\nhttps:\/\/youtube.com\/shorts\/BHsYaQGOvg8?feature=share\n<\/div><\/figure>\n\n\n\n
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\nhttps:\/\/youtu.be\/AZ-FO_qqTkU\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Unb\u00e4ndig","post_excerpt":"Four people greet you at the beginning of your shift at their workplace. They share their experiments with you, you witness their efforts to measure, compare and describe feelings. Does wanderlust come from far away? Is disappointment greater than homesickness? How much is too much?","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"unbaendig","to_ping":"","pinged":"","post_modified":"2024-07-22 14:17:15","post_modified_gmt":"2024-07-22 12:17:15","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/unbaendig\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":34839,"post_author":"13","post_date":"2025-01-13 12:38:56","post_date_gmt":"2025-01-13 11:38:56","post_content":"\n

Performative Installation [in German and English spoken language]<\/p>\n\n\n\n\n\n

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\"\"
Photo: Alicia Hoffmann<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Alicia Hoffmann<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Alicia Hoffmann<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Alicia Hoffmann<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Alicia Hoffmann<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Alicia Hoffmann<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Alicia Hoffmann<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Alicia Hoffmann<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Alicia Hoffmann<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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The OFFICE FOR APPROPRIATE RESPONSES is a space for negotiating failed, delayed and missed responses. The young employees, aged between 9 and 16, work on and archive your case studies together with you.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessibility<\/strong><\/strong><\/h2>
\n

\u2022    There are several wheelchair spaces available.<\/p>\n\n\n\n

\u2022    There is also an accessible toilet in front of the JES studios (entrance C, 1st floor), which can be reached via lift.<\/p>\n\n\n\n

\u2022    The nearest disabled parking spaces are located on Eberhardstra\u00dfe, Breite Stra\u00dfe and Christophstra\u00dfe.<\/p>\n\n\n\n

\u2022    We are happy to pick you up at the nearest bus or train stop.<\/p>\n\n\n\n

\u2022    Your assistance dog is welcome.<\/p>\n\n\n\n

\u2022    There is free seating during the performance. Please let us know if you would benefit from early boarding.<\/p>\n\n\n\n

Detailed information on accessibility and inclusion at JES can be found here<\/strong><\/a>!<\/p>\n<\/div><\/div>\n\n\n\n

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\nhttps:\/\/youtu.be\/YLaVCHOp-YA\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n\n\n\n

Ab 8 Jahren
Dauer: ca. 45 Minuten
kostenfrei, mit Anmeldung
Spielort: Torstra\u00dfe 15<\/p>\n","post_title":"B\u00dcRO F\u00dcR ANGEMESSENE REAKTIONEN","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"buro-fur-angemessene-reaktionen","to_ping":"","pinged":"","post_modified":"2026-04-10 16:35:06","post_modified_gmt":"2026-04-10 14:35:06","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=34839","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":5337,"post_author":"2","post_date":"2022-06-29 17:14:59","post_date_gmt":"2022-06-29 15:14:59","post_content":"\n\n\n

<\/div>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
<\/div>\n\n\n\n

Content<\/strong><\/h2>
\n

Raising your voice, making it heard What happens when this basic right is suddenly lost? Two actors have founded a state to defy a monstrous danger and invite children to become its first citizens.

Together they dive into an adventure of intergalactic proportions, playfully testing social coexistence and determining who decides, and thus take on the small issue of saving the world.

Playfully and embedded in an exciting story, the children experience the encouraging feeling that they are a serious part of society.That it is worthwhile to raise one's own voice - and to fight for this fundamental right.

This play can also be booked on-site for classrooms. The performance venue is the school gymnasium. Information in German can be found HERE<\/a>.<\/mark><\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Die Bademattenrepublik\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- The performance contains loud music and pulsating, technical noises, some of which occur suddenly.

- Distorted voices are played as sound recordings.

- There is a flashing signal light that briefly generates loud noises.

- The audience is on stage with the actors and is actively involved in the play. The audience is asked to change their position in the room and take on small roles and tasks. The audience is asked to answer questions.

- At one point in the play, some audience members are asked to make loud noises with objects.

- At one point in the play, the audience is asked to shout something out loud. It gets very loud in the room for about a minute.

- The audience sits on bath mats on the floor. Sometimes the audience is asked to stand.

- The actors move quickly around the room and walk through the audience. Sometimes they stand elevated on a windowsill or a platform.

- The actors show big emotions. For example, they are excited, desperate or happy. Sometimes they speak very quickly and frantically.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 8 and up, Grades 3\u20134.
Duration: approx. 70 minutes
Prices: Children\/young adults \u20ac5.50, adults \u20ac8.00
Seating capacity: 50

Mobile Performances: Prices: 10.00 \u20ac per student<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/www.youtube.com\/watch?v=rP3y8ehn3as\n<\/div><\/figure>\n","post_title":"Die Bademattenrepublik","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"die-bademattenrepublik","to_ping":"","pinged":"","post_modified":"2024-07-22 14:21:16","post_modified_gmt":"2024-07-22 12:21:16","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/die-bademattenrepublik\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":5349,"post_author":"2","post_date":"2022-06-29 18:32:43","post_date_gmt":"2022-06-29 16:32:43","post_content":"\n\n\n
<\/div>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
\n

\"I only know my country by smell. It smells like my mother's food. My father says you remember the smell of your country everywhere, but you only recognise it when you're far away.\"

\"Warum das Kind in der Polenta kocht\" is the story of a young girl growing up between two worlds: the colourfully transfigured homeland of circus and caravan and the harsh reality of being a constant stranger on the road.

An actress and a young girl on stage at JES confront the story of Agalja Veteranyi. Together with director Ye\u015fim Schaub, they search for the multi-layered, <\/em>sometimes contradictory multilayered feeling of being a stranger via the opposing views of the characters, which are repeatedly interrupted by precise imagery, and deal with it impressively.

How is it possible to share the experience of homelessness despite different histories, ages and backgrounds? Especially in times of ongoing wars and refugee movements, Aglaja's search for a place she can finally settle intersects inseparably with the reality that surrounds us.

\u00a9 1999 by DVA Verlag, in the Penguin Random House Verlagsgruppe.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Warum das Kind in der Polenta kocht\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- A few minutes after the performance begins, the light flickers and several points of light move through the room. The light briefly shines into the auditorium. The effect lasts approx. 15 seconds.

- Use of music and dripping noises.

- Weak light, darkness, rapid light changes and flickering light tubes. Attention: Stroboscope-like effects will be used for a brief moment. Feel free to contact us!

- Feathers and water fall\/drip from the ceiling onto the stage.

- A raw onion is eaten, which produces a strong, typical odor.

- Use of a wind machine to the right of the stage set, causing a curtain to move slightly back and forth.

- On stage, artificial hair hangs around a scaffold, which the players climb up, hang down and disappear into. Sometimes they can only be seen with individual body parts.

- The players show big emotions.

- The players speak to the audience and occasionally play to them.

- In one scene, a player scratches her thigh audibly and quickly for about 10 seconds.

- A player washes her hair with a white, milky liquid.

- In one scene, the two players spit into a bathtub. Later, they show the audience the saliva stains.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>.<\/strong> We will be happy to advise you and work out together how we can help.<\/p>\n<\/div><\/div>\n\n\n\n

Content Notes<\/strong><\/h2>
\n

This play deals with themes of homelessness and abandonment by parents. Stories from life in a children's home are retold.
In one scene in the play, thoughts of self-harm and suicide are alluded to for a moment.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 12 and up, grades 6\u20139
Duration: approx. 65 minutes
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Upper Foyer (Seating capacity 60)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/www.youtube.com\/watch?v=hiKgT1esp3g\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Warum das Kind in der Polenta kocht","post_excerpt":"\u201cWarum das Kind in der Polenta kocht\u201d is the story of a young girl growing up between two worlds: the colourfully transfigured home of the circus and caravans and the harsh reality of being a constant stranger on the road.","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"warum-das-kind-in-der-polenta-kocht-2","to_ping":"","pinged":"","post_modified":"2024-07-22 14:24:27","post_modified_gmt":"2024-07-22 12:24:27","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/warum-das-kind-in-der-polenta-kocht\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":5343,"post_author":"2","post_date":"2022-06-29 17:46:00","post_date_gmt":"2022-06-29 15:46:00","post_content":"\n
<\/div>\n\n\n\n\n\n
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\"\"
Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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Five strangers meet in a laundrette. Where they are coming from or what they are looking for remains uncertain at first. The only vague promise hangs as a neon sign above the entrance that reads \"Wash your troubles away.\"

Alternating between waiting and running, with and against each other, above and straight through, this dance theatre piece by choreographer Beatrix Simk\u00f3 examines moments of being overwhelmed and the unity of the community. The ensemble uses the laundrette as a playground for encounters and negotiations. They climb on washing machines, step over benches and move through the space on rollerskates. They want to know why the world sometimes feels so heavy and whether there is a world behind the washing machine drum.

A performance with few words about being alone, staying together and enduring uncertainty - mixed with a touch of magic and a big secret.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Nach dem Ende von allem\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is bright and colourful light and dim light and darkness.

- There is a lot of electronic music with low sounds. Sometimes the music is loud and very fast.

- The actors climb over the stage set and hide behind it.

- The actors often make different movements at the same time.

- One actor enters and leaves the stage through the audience entrance.

- An actor skates onto the stage.

- The actors enter and leave the stage behind the set and through a washing machine drum

- There is a section where the players move very quickly and run across the stage.

- At one point there are strong emotions. For example, the actors are desperate, excited and overwhelmed

- The audience should be able to sit quietly throughout to be able to follow what is happening on stage. The benches are made of wood.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 8 and up, Grades 3 and up
Duration: approx. 45 minutes
Prices: Children\/young adults \u20ac5.50, adults \u20ac8.00
Venue: Hall (Seating Capacity: 180)<\/p>\n\n\n\n

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\nhttps:\/\/www.youtube.com\/watch?v=7V35CxIIwXM\n<\/div><\/figure>\n","post_title":"Nach dem Ende von allem","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"mentsvar-zuflucht-ua","to_ping":"","pinged":"","post_modified":"2024-07-22 14:21:31","post_modified_gmt":"2024-07-22 12:21:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/mentsvar-zuflucht-ua\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12706,"post_author":"13","post_date":"2023-07-24 11:12:43","post_date_gmt":"2023-07-24 09:12:43","post_content":"\n\n\n

Rowohl Theatre Publishers, Duncan Macmillan<\/p>\n\n\n\n

<\/div>\n\n\n\n

PREMIERE: February 3, 2024<\/p>\n\n\n\n

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\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Foto Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
\"\"
Photo: Julia Sang Nguyen<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
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1. Lemon ice cream, 2. water fights, 3. staying up later than usual and watching TV, 4. Die Farbe Gelb: the colour yellow... With everything that is beautiful about the world.

The protagonist of this solo piece, which can only be told together with the audience, begins making a list of all things nice in the world for his mother in the hope that this will end her depression and life will go on. In a way, it does. But not everything automatically becomes good. There is always a strange sadness lurking, there are crashes, embarrassing situations and injuries. The list has grown and grown over the years, approaching a million: 999,997. The alphabet, 999,9998. Inappropriate songs in emotional moments, 999,999. Completing a task....

A courageous, life-affirming and thought-provoking play about absent parents, faithful companions and big and small life decisions. The play deals with themes of depression as well as the suicide of the protagonist's mother.

If you or someone close to you is in a crisis, sees no hope and is perhaps thinking about no longer wanting to live, you can find help from the following places:

Arbeitskreis Leben Stuttgart e.V.: 0711 600620  www.ak-leben.de<\/strong><\/a>

Anonymous online counseling by young people for young people:
www.youth-life-line.de<\/strong><\/a>, www.u25-freiburg.de<\/strong><\/a> and  www.nethelp4u.de<\/strong><\/a>

Crisis and emergency service Stuttgart: 0180 511 0 444
Telephone counseling: 0800 111 0 111 or 0800 111 0 222
Police and rescue service: 110 and 112<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"All das Sch\u00f6ne\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- During the performance, the audience sits in the same room as the actor. The room is separated from a larger room by a curtain made of paper strips.

- The actor plays and speaks in front of, next to and behind the audience. At times, he sits close to the audience.

- The audience sits on benches without backrests during the performance. (You can ask for a chair with a backrest if you need one).

- There is music with a noticeable bass and a quiet, high, continuous tone.

- There is a loud leaf blower. There is wind from the leaf blower. The paper strips are whirled up at that moment.

- There is a movable spotlight that can briefly dazzle the audience.

- The audience and the actor can always see each other.

- The  actor makes direct eye contact with some members of the audience. The actor addresses the audience directly at times. Individual audience members are invited to take on roles or tasks in the play. (You can decline the invitation by shaking your head or denying it. This is not specifically stated in the play).

- The piece can trigger great emotions. The actor also shows strong emotions at times, such as great joy, infatuation, anger and a feeling of confinement.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

Content Note<\/strong><\/h2>
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The play deals with topics such as depression, the suicide of a family member and the death of a pet. It also deals with child neglect and separation.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 14 and up, grades 8 and up
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Rehearsal Stage (Seating capacity 60)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/nMucg71Oqc4\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"All das Sch\u00f6ne","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"__trashed-23","to_ping":"","pinged":"","post_modified":"2024-07-22 14:26:05","post_modified_gmt":"2024-07-22 12:26:05","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12706","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":17061,"post_author":"5","post_date":"2024-02-06 11:31:51","post_date_gmt":"2024-02-06 10:31:51","post_content":"\n\n\n
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In dieser Fortbildung f\u00fcr Theatermacher*innen <\/em>und P\u00e4dagog*innen stellen wir \u00dcbungen, Konzepte und Strategien vor, wie Theater zum performativen Aushandlungsraum wird. Wichtiger denn je scheint es mit Kindern und Jugendlichen in einen Dialog, in eine Auseinandersetzung mit der Welt, gesellschaftlichen Entwicklungen und Fragestellungen zu kommen. \u00dcber die Prinzipien der Behauptung, der Intervention und der Fremdheitserfahrung kommen wir in ein praktisches Ausprobieren, um Themen spielerisch erlebbar zu machen.

Die performativen Strategien k\u00f6nnen nutzbar gemacht werden f\u00fcr die Erarbeitung eines Theaterprojekts, die thematische Suche im Unterricht und politische\/gesellschaftliche Aushandlungsr\u00e4ume. In der Fortbildung probieren wir gemeinsam praktische \u00dcbungen aus und tauschen uns \u00fcber den theoretischen Hintergrund von Performance, Intervention und Theater au\u00dferhalb des B\u00fchnenraumes aus.<\/p>\n\n\n\n

29. April 2024, 18:00-21:00 Uhr<\/p>\n\n\n\n

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Teilnahmegeb\u00fchr: 20,00 Euro (50% Erm\u00e4\u00dfigung f\u00fcr Partnerschulen\/Partnerlehrer*innen<\/p>\n","post_title":"Theater als performativer Aushandlungsraum\u00a0","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"theater-als-performativer-aushandlungsraum","to_ping":"","pinged":"","post_modified":"2024-02-12 13:03:21","post_modified_gmt":"2024-02-12 12:03:21","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=17061","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12718,"post_author":"13","post_date":"2023-07-24 11:13:11","post_date_gmt":"2023-07-24 09:13:11","post_content":"\n\n\n

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PREMIERE: May 11, 2024<\/p>\n\n\n\n

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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Photo: Andreas Etter<\/figcaption><\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
\n

Jojo has been sentenced by juvenile court. The punishment: painting walls in an old age home. Jojo ends up in Leo's room in a bad mood, who doesn't utter a word \u2013 until it turns out that Jojo isn't actually guilty. Leo begins to talk about himself and admits that he is only keeping quiet so that the nurses will leave him alone. And it turns out: he used to be a boxing legend! Jojo tells Leo about friends who are not really friends at all and about the major insecurities regarding his future. Expectations begin to crumble on both sides and conversations about being excluded, about trust and the courage to take responsibility for one another develop. A friendship develops that challenges Leo and Jojo to jump over their shadows.

\u201eDas Herz eines Boxers\u201c by Lutz H\u00fcbner, Hartmann & Stauffacher Verlag, Cologne.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"Das Herz eines Boxers\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is bright and colourful light, rapid light changes, weak light and complete darkness. There is a moment when several spotlights with red light change rapidly. This creates a flickering effect.

- Loud music is played. At one point, sombre electronic music is played.

- There is an oversized rocking chair on the stage on which the actors sit. Sometimes they rock back and forth or jump down.

- The actors show big emotions such as despair, anger and joy.

- At one point, an actor falls from a small stepladder onto the floor.

- At one point, an actor takes a sip of tea. The person spits the tea straight back out in a fountain.

- At one point, an actor suddenly hits a picture on a pillar. The middle of the picture falls down and lands on the floor with a loud crash.

- From the second half of the play onwards, an actor has a painted black eye.

- In one scene, a knife falls out of an actor's pocket. Later, the person holds it in their hand and looks at it for a long time.

- In one scene, an actor enters the stage in a full-body clown costume. The person is wearing a face mask. The face is unrecognisable for a few minutes.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/strong><\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

Content Note<\/strong><\/h2>
\n

The play deals with sensitive topics such as ageism and racism. There are moments in which violence is described. Offensive language is also used in places. In one scene in the play, thoughts of suicide are hinted at.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ages 12 and up, grades 7 an up
Dauer: ca. 80 Minuten
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Upper Foyer (Seating capacity 60)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/ujvqjA0KTgQ\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n","post_title":"Das Herz eines Boxers","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"das-herz-eines-boxers","to_ping":"","pinged":"","post_modified":"2024-07-22 14:25:04","post_modified_gmt":"2024-07-22 12:25:04","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12718","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":12832,"post_author":"13","post_date":"2023-07-24 11:13:29","post_date_gmt":"2023-07-24 09:13:29","post_content":"\n\n\n

PREMIERE: 24.02.2024<\/p>\n\n\n\n

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\"\"<\/figure>\n\n\n\n\n\n
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Content<\/strong><\/h2>
\n

For this performance, JES will be loud, colourful, emotional - and embarrassing. Because shame is the theme of the first musical in JES history. With everything that goes with it: emotional songs, a pop band, a large cast, dance choreography and a love story.

Even if it's not talked about much, shame is a defining issue in many people's everyday lives. To find out more about it, we send four young characters to an art museum. Their task, set by the school, is to enter into a dialogue with a work of art. By attempting this (more or less seriously), they not only encounter very different perspectives on ways of life and boundaries of shame. Above all, they are confronted with themselves and then also with the shamefully hidden secrets of their classmates.

In cooperation with the Popakademie Mannheim, which has put together a pop band consisting its students, and the PH Ludwigsburg, whose students are in charge of developing this educational programme.

Supported by Fonds Jupiter Fund of the German Federal Cultural Foundation<\/p>\n<\/div><\/div>\n\n\n\n

Notes on accessability<\/strong><\/h2>
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With audio description and tactile tours<\/strong>

With audio description, the stage set, costumes and the visible course of the action are made accessible to people with visual impairments via live description. The explanations and descriptions are spoken live during the performance. The commentaries are received via transmitters with headphones. The audio description will be in german.

The tactile tour takes place in the stage area approximately one hour before the performance begins. Here you can feel parts of the stage set, props and costume pieces. There is a tactile model in which the stage set is modelled. In addition, particularly visual scenes of the production are described.

Tickets are always available for people who require audio description. Even if the performance is sold out in the webshop, you can still reserve tickets by e-mail: ticket@jes-stuttgart.de<\/strong><\/a>.

For better planning, please register for the audio description and\/or the tactile tour. By mail to ticket@jes-stuttgart.de<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

Notes on sensory stimuli<\/strong><\/h2>
\n

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That's why you'll find a list of sensory stimuli in \"SHAME \u2013 The Musical\" here. They may be good to be aware of for you or someone who is attending the performance with you.

- There is live music. A band plays on stage. There are sudden changes in the music.

- There are bright, colourful lights. There are strobe lights. This means there are very fast, bright flashes of light. There are moments when it is partially or completely dark.

- The actors enter and leave the stage through the set. They go to the gallery. The gallery is above the stage and looks like a balcony. The actors disappear and appear through doors at the back of the stage.

- One of the actors enters and leaves the stage through a folding door in the set.

- At one point, an actress walks towards the audience.

- An actress steps out of a painting.

- There are strong feelings of shame and escalating emotions on stage.

- There is fog.

- The audience should be able to sit quietly during the performance in order to follow the play well.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de<\/a>. We are happy to work out how we can help together with you.<\/p>\n<\/div><\/div>\n\n\n\n

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Ages 12 and up, grades 6 and up
Duration: 60 minutes
Prices: Children\/young adults \u20ac7.00, adults \u20ac12.00
Venue: Hall (Seating Capacity: 165)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/4qzZA654eWU?si=dDciBCnO--rie33p\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n\n\n\n
<\/div>\n\n\n\n
\nhttps:\/\/soundcloud.com\/user-127403425\/hortrailer-shame-the-musical?si=adf36700173c4b78a39161051a25dc0a&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing\n<\/div><\/figure>\n","post_title":"SHAME \u2013 The Musical","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"shame-the-musical","to_ping":"","pinged":"","post_modified":"2024-07-22 14:23:06","post_modified_gmt":"2024-07-22 12:23:06","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=12832","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":23754,"post_author":"13","post_date":"2024-09-16 12:20:42","post_date_gmt":"2024-09-16 10:20:42","post_content":"\n

Club der Senior*innen<\/p>\n\n\n\n

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\"\"
Foto: Alicia Hoffmann<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Alicia Hoffmann<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Alicia Hoffmann<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Alicia Hoffmann<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Alicia Hoffmann<\/figcaption><\/figure>\n\n\n\n\n\n

Infos zum St\u00fcck<\/strong><\/h1>
\n

Sie warten: 10 Menschen begegnen sich auf unbestimmte Dauer in einem Warte-Zeit-Raum. Nicht nur eine gute Gelegenheit, die anderen kennenzulernen, sondern auch Zeit mit sich selbst zu verbringen. Bin ich geduldig beim Warten? Habe ich meine bisherige Zeit denn gut genutzt und gab es FOMO<\/em> eigentlich schon immer? Also die Angst, jetzt im Moment etwas zu verpassen\u2026<\/p>\n\n\n\n

<\/div>\n\n\n\n


Der Club der Senior*innen hat sich die Zeit genommen und sich auf die Suche nach kleinen Zeitfenstern, gro\u00dfen Zeitfressern und der ungreifbaren Ewigkeit gemacht. Und wof\u00fcr g\u00f6nnst du dir Zeit?<\/p>\n<\/div><\/div>\n\n\n\n

Infos zu sensorischen Reizen<\/h1>
\n

Sinneseindr\u00fccke wie helles Licht, laute Ger\u00e4usche oder pl\u00f6tzliche Ereignisse k\u00f6nnen f\u00fcr manche Menschen aufregend oder \u00fcberfordernd sein. Deswegen findest du hier eine Liste mit sensorischen Reizen, die in \u201eZEIT.EIT..IT...T\u201c stellenweise vorkommen. Vielleicht sind sie gut zu wissen f\u00fcr dich oder jemanden, der mit dir die Vorstellung besucht.

- Das Publikum sitzt rund um die Spielfl\u00e4che. Das Publikum kann sich gegenseitig sehen.

- Die Schauspieler*innen sitzen zwischen den Zuschauer*innen im Publikum und nehmen Blickkontakt zu diesen auf.

- Eine Person aus dem Publikum wird von einer Schauspielerin angesprochen und aufgefordert den Platz mit ihr zu tauschen.

- Gegen Ende des St\u00fcckes fallen unerwartet viele kleine, bunte B\u00e4lle von der Decke in die Mitte der Spielfl\u00e4che.

- Es gibt Toneinspielungen und Lichtwechsel.<\/p>\n<\/div><\/div>\n\n\n\n

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Ab 10 Jahren
Dauer: ca. 60 Minuten
Preise: Kinder\/Jugendliche 5,50 \u20ac, Erwachsene 8,00 \u20ac
Spielort: Studio 1

<\/em><\/strong><\/p>\n\n\n\n

<\/p>\n","post_title":"ZEIT.EIT..IT...T","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zeit-eit-it-t","to_ping":"","pinged":"","post_modified":"2024-10-21 10:27:39","post_modified_gmt":"2024-10-21 08:27:39","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=23754","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":21342,"post_author":"5","post_date":"2024-04-22 14:11:14","post_date_gmt":"2024-04-22 12:11:14","post_content":"\n

<\/div>\n\n\n\n\n\n\n\n
\"\"
Foto: Ace Riebenstahl<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Ace Riebenstahl<\/figcaption><\/figure>\n\n\n\n\n\n
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Foto: Ace Riebenstahl<\/figcaption><\/figure>\n\n\n\n\n\n
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\"Vor langer, langer Zeit lebte eine Frau, ihr Name war Boudica. Das bin ich. Ich hatte einen Mann. Er war der K\u00f6nig eines Stammes. Des Stammes der Icini. Eines Tages starb er. Er hinterlie\u00df die eine H\u00e4lfte seines Verm\u00f6gens Nero, dem Kaiser, und die andere seinen T\u00f6chtern. Meinen T\u00f6chtern. Ich glaube, an den Rest will ich mich nicht mehr erinnern.\"<\/p>\n\n\n\n

Boudica war eine K\u00f6nigin, eine Kriegerin, eine brutale M\u00f6derin. In England ist sie Symbol f\u00fcr den Kampf f\u00fcr Freiheit und Gerechtigkeit. Aber es scheint komplizierter als das. Wir fragen uns: Kann eine Person gut sein und gleichzeitig B\u00f6ses tun? Ist Rache jemals gerechtfertigt? Welches Geheimnis \u00fcber mich solltest du niemals wissen? Und wer bin ich, \u00fcber dich zu urteilen?

13 junge Erwachsene stellen sich der gro\u00dfen Frage, was gut und b\u00f6se ist und landen in der komplizierten Grauzone zwischendrin.<\/p>\n\n\n\n

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Leitung: Josie Dale-Jones<\/a>, Frederic Lilje<\/a>, Sezin Onay<\/a>
Assistenz: Ace Riebenstahl
Mit: Ezgi Ak\u015fener, Gustavo Duarte, Sean Friedrich, Charls F\u00fcrni\u00df, Jonas Gerlich, Lucia Hecht, Hannah Henle, Carolina Martens, Birte Peter, Mara Probst, Sophia Teklap<\/p>\n\n\n\n

<\/div>\n\n\n\n

ab 16 Jahren
Vorstellungen am 30. und 31. Mai, jeweils 19:00 Uhr
Spielort: Theatersaal (Kapazit\u00e4t 180 Pl\u00e4tze)<\/p>\n\n\n\n

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\nhttps:\/\/youtu.be\/grWdVtc0qa8\n<\/div>
Video: Adrian Schmidt<\/figcaption><\/figure>\n\n\n\n
<\/div>\n","post_title":"about good and bad, but probably mostly about the complicated mess in between","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"about-good-and-bad-but-probably-mostly-about-the-complicated-mess-in-between","to_ping":"","pinged":"","post_modified":"2024-10-01 09:46:16","post_modified_gmt":"2024-10-01 07:46:16","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=21342","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":23960,"post_author":"13","post_date":"2024-07-18 14:04:08","post_date_gmt":"2024-07-18 12:04:08","post_content":"\n\n\n
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PREMIERE: 23.05.2025<\/p>\n\n\n\n

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Content<\/strong><\/h2>
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Kim de l'Horizon's multi-award-winning debut novel is the starting point for this theatre piece. \u2018Blutbuch\u2019 is a collection of memories of things that seemed important to our ancestors, an honest struggle with a binary present and a tender dream of a place where everything could be different. This JES production invites you into a garden. The kind of garden we dream of: a place where we actually meet, where we can listen to each other honestly, argue relentlessly and rewrite stories.

The novel serves as a source of inspiration, a collection of texts and a centre for our own search about imprinting, anger, queerness and family.

schaefersphilippen\u2122, Theater und Medien GbR, K\u00f6ln.<\/p>\n<\/div><\/div>\n\n\n\n

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15+, grades 10 and up
Prices: Children\/young people \u20ac7.00, adults \u20ac14.00
Venue: Rehearsal stage (capacity 60 seats)<\/p>\n\n\n\n

<\/p>\n","post_title":"Blutbuch","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"blutbuch","to_ping":"","pinged":"","post_modified":"2025-02-21 11:34:46","post_modified_gmt":"2025-02-21 10:34:46","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=23960","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":28760,"post_author":"13","post_date":"2025-07-30 10:36:00","post_date_gmt":"2025-07-30 08:36:00","post_content":"\n\n\n

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PREMIERE: 31.01.2026<\/p>\n\n\n\n

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Content<\/strong><\/h2>
\n

It starts with a construction plan and a kit of 1,000 pieces. Instructions to build a machine, perhaps? Which is piece is the first? Which is the best connecting piece? What do we do if the most important piece is missing? And how does it end?\u00a0A performer forms a partnership with the children in the audience. Together, they try to decipher the blueprint and set things in motion. All the while they ask themselves: Who can contribute what knowledge, who can come up with a solution, and how do we cope when everything collapses? A play with little dialogue about self-efficacy, dealing with failure, and the question of whether and how everything could be completely different.<\/p>\n\n\n\n

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<\/a><\/p>\n\n\n\n

\u00a0<\/p>\n<\/div><\/div>\n\n\n\n

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3+, daycare
Prices: Children\/young people \u20ac5.50, adults \u20ac8.00
Venue: Upper Foyer (Seating Capacity: 60)<\/p>\n\n\n\n

<\/p>\n","post_title":"Der Lauf der Dinge","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"derlaufderdinge","to_ping":"","pinged":"","post_modified":"2025-09-26 14:49:43","post_modified_gmt":"2025-09-26 12:49:43","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.jes-stuttgart.de\/?p=28760","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":28767,"post_author":"13","post_date":"2025-07-30 10:26:05","post_date_gmt":"2025-07-30 08:26:05","post_content":"\n\n\n

<\/div>\n\n\n\n

PREMIERE: 13.06.2026<\/p>\n\n\n\n

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Content<\/strong><\/h2>
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Loneliness is a widespread feeling, even if hardly anyone likes to talk about it. Experts have found out that one in three people in industrialised countries is affected by loneliness. Neither age, money, gender nor ethnicity can protect us from loneliness. The condition is even supposedly contagious.<\/p>\n\n\n\n

This season, JES is working with Tabea Martin for the first time. Martin is an established choreographer who has created groundbreaking works for both evening performances and dance for young audiences. She explores big themes in a courageous, unconventional and extremely accessible way, like in the new dance theatre piece at JES: loneliness. In this dance theatre piece, three performers dare to confront this topic, not to be afraid to address it and free it from shame.<\/p>\n\n\n\n

A sparse use of spoken language encounters strong and expressive imagery. This makes the piece highly accessible even for audiences unfamiliar with dance.<\/p>\n\n\n\n

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12+, grades 7 and up
Prices: Children\/young people \u20ac7.00, adults \u20ac12.00
Venue: Theatre hall (capacity 180 seats)<\/p>\n\n\n\n

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