Sensory impressions such as bright light, loud noises or sudden events can be exciting or overwhelming for some people. That’s why you’ll find a list of sensory stimuli in “Grote Mensen” here.
They may be helpful for you or someone who is attending the performance with you to be aware of.

• There is fog.
• There are sudden changes of light. There is also dim light and total darkness.
• There are loud and unexpected noises.
• The actresses sometimes wear large masks that hide their faces.
• A humours depiction of an electric shock takes place.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de.
We will be happy to advise you and work out together how we can help.

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That’s why you’ll find a list of sensory stimuli in “Zukunft” here.
They may be good to be aware of for you or someone who is attending the performance with you.

• There are three video projection surfaces. One of them is in the background on the wall. The other two are used individually and are situated to the right and left of it.
• There are sudden changes of light and dim lighting.
• There is a scene in which the three characters on stage argue and shout loudly at each other.
• One of the performers plays the guitar and sings.
• There are background noises and a buzzer that loudly indicates the end of a game round.
• The audience should be able to remain seated throughout the performance.
• The audience is encouraged to interact through loud noises such as clapping and stomping to show their approval.
• The actors enter the audience.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de.
We will be happy to advise you and work out together how we can help.

We do not view content notes as spoilers for the plot of a play, but as an important source of information to help you decide whether or not to attend an event. You will find corresponding information on the content notes on each play page.

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That’s why you’ll find a list of sensory stimuli in “Die Nacht so groß wie wir” here.
They may be good to be aware of for you or someone who is attending the performance with you.

• Confetti flying through the air.
• Fog.
• Video projection.
• There is bright and colorful lighting as well as dimmed/ dim lighting. There are strobe lights, flashing lights and moving lights. There are sudden light changes.
• There are loud noises and loud music. Background music. There is a loud, sudden warning signal. There are audio recordings.
• The actors show strong emotions such as anger, sadness, despair and joy.
• Sexualised violence is discussed.
• The audience should be able to remain quietly seated throughout the performance.
• The audience can see each other.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de.
We will be happy to advise you and work out together how we can help.

We do not view content notes as spoilers for the plot of a play, but as an important source of information to help you decide whether or not to attend an event.

The play deals with a life-threatening illness, sexualized violence and the death of a parent.

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That’s why you’ll find a list of sensory stimuli in “What the body?!” here.
They may be good to be aware of for you or someone who is attending the performance with you.

• Dim light.
• There are loud noises and loud music, background music and audio recordings. There is a sudden scream and the noise a dolphin makes is imitated several times.
• The actress shows strong emotions. She talks about body image, gender identity and sexuality, self-doubt and discrimination.
• The performer is heavily made up and wears sunglasses for a short period of time.
• The audience can see each other.
• There is no clear separation between the stage and the audience. The performer moves in the same space as the audience. The audience has no fixed seats, but is free in the room.
• At the beginning of the piece, the performer asks individual people from the audience to follow her.
• The performer addresses the audience in individual scenes. However, she does not expect a response.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de.
We will be happy to advise you and work out together how we can help.

We do not view content notes as spoilers for the plot of a play, but as an important source of information to help you decide whether or not to attend an event.

The performer talks about body images, gender identity and sexuality, self-doubt and the associated challenges and discrimination. The themes are often abstracted during the performance through descriptions in rhyme, images and memories.

With audio description & tactile guidance

Bei der Audiodeskription werden unter anderem das Bühnenbild, die Kostüme und der sichtbare Handlungsverlauf für Menschen mit Sehbehinderung beschrieben. Die Beschreibungen werden während der Vorstellung live eingesprochen. Die Beschreibungen sind für das Publikum über Sender mit Kopfhörern hörbar.

Eine Stunde vor Vorstellungsbeginn findet die Tastführung statt. Hier könnt ihr Teile des Bühnenbildes, der Requisiten und der Kostümteile ertasten. Es gibt ein Tastmodell, in dem das Bühnenbild nachgebildet ist. Außerdem beschreibt euch eine Person wichtige, sichtbare Vorgänge des Stückes.

Tickets are always available for people who require audio description. Auch wenn die Vorstellung im Webshop ausverkauft ist, könnt ihr Karten per E-Mail reservieren: ticket@jes-stuttgart.de.

Zur besseren Planung bitten wir um Anmeldung für die Audiodeskription.
Für die Tastführung ist eine Anmeldung unbedingt notwendig. Schreibt uns eine Mail an ticket@jes-stuttgart.de.

Sensory impressions such as bright light, loud noises or sudden events can be exciting or overwhelming for some people. That’s why you will find sensory stimuli here in the future, which occur in places in this piece. They may be helpful for you or someone who is attending the performance with you to be aware of.

We do not view content notes as spoilers for the plot of a play, but as an important source of information to help you decide whether or not to attend an event.

The play depicts racist, sexualized and police violence.

Images and symbolism from the war and National Socialism are shown.

Depictions of eyes are shown repeatedly.

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That’s why you’ll find a list of sensory stimuli in “Ida y vuelta” here.
They may be good to be aware of for you or someone who is attending the performance with you.

• There are video projections and live video projections from Lima.
• There is moving light and dimmed light. There are also flashing lights.
• The piece contains background music and audio recordings.
• The audience will all receive a small package to accompany the performance, which smells of coffee, lime and mint.
• The audience can see each other.
• The audience is invited to come on stage.
• The performers enter the audience.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de.
We will be happy to advise you and work out together how we can help.

We do not view content notes as spoilers for the plot of a play, but as an important source of information to help you decide whether or not to attend an event. In future, you will find corresponding information on the content notes on each page.

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That’s why you’ll find a list of sensory stimuli in “Schaum ich an” here.
They may be good to be aware of for you or someone who is attending the performance with you.

• There is a flap on the floor of the stage. Sometimes something or someone comes out of the flap.
• There are soap bubbles and a foam machine. Foam floats through the air.
• The foam machine is suddenly switched on and makes motorised noises.
• Colorful light.
• Background music.
• At the end of the play, the performer joins the audience.
• After the performance there is a discussion and the audience is invited onto the stage to play with the foam. 

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de.
We will be happy to advise you and work out together how we can help.

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That’s why you’ll find a list of sensory stimuli in “Wutschweiger” here.
They may be good to be aware of for you or someone who is attending the performance with you.

• Dust.
• Soap bubbles.
• There are sudden changes of light and colorful lighting. There are also flashing lights and dim lighting.
• There is a rubbish bin on stage. A performer suddenly emerges from the bin.
• The performers on stage show strong feelings of anger, sadness and joy.
• Scenes containing violence.
• There are loud noises and loud music. There are noises that sound like church bells and the sound of waves and are repeated several times. There are also loud noises that are made with the garbage can, such as pushing the garbage can over, banging the lid and kicking the garbage can.
• During the performance, the audience should be able to remain seated and quiet.
• The performers interact with the audience during the performance: The first row is asked to clap their hands and a puppet asks the audience for the answer to two math problems.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de.
We will be happy to advise you and work out together how we can help.

We do not view content notes as spoilers for the plot of a play, but as an important source of information to help you decide whether or not to attend an event.

The play deals with the themes of poverty, hunger, alcohol abuse, child neglect, adultism, classism, loss/death and homelessness.

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That’s why you’ll find a list of sensory stimuli in “Songs for no one“ here.
They may be good to be aware of for you or someone who is attending the performance with you.

• There are video projections.
• There are coloured lights and dimmed lights. There is also complete darkness.
• Sometimes the actress hides her face.
• Loud music and audio recordings. The Performer sings live.
• The audience should remain seated throughout the performance in order to be able to follow the play well.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de.
We will be happy to advise you and work out together how we can help.

We do not view content notes as spoilers for the plot of a play, but as an important source of information to help you decide whether or not to attend an event.

The play talks about life in a dictatory system, censorship and forced hijab. 

The play speaks about fear of repression. 

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That’s why you’ll find a list of sensory stimuli in “The Enlightened” here.
They may be good to be aware of for you or someone who is attending the performance with you.

• Live video projections on stage.
• Dim light.
• The performers show strong emotions of sadness and anger.
• There is background music and audio recordings. There is a sudden, loud beeping sound.
• The audience should be able to sit quietly during the performance. The audience can see each other.
• The audience can join a WhatsApp chat during the performance, which lights up mobile phone screens in the audience.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de.
We will be happy to advise you and work out together how we can help.

We do not view content notes as spoilers for the plot of a play, but as an important source of information to help you decide whether or not to attend an event. In the future, you will find corresponding information about the content clues on each page of the piece. 

Sensory impressions such as bright light, loud noises or sudden events can be exciting or overwhelming for some people. That’s why you will find sensory stimuli here in the future, which occur in places in this piece. They may be helpful for you or someone who is attending the performance with you to be aware of.

We do not view content notes as spoilers for the plot of a play, but as an important source of information to help you decide whether or not to attend an event.

The play speaks about the colonial history in El Salvador. 

They tell of forced work and slavery. 

There are old sound and video recordings which contain the use of racist terms and reproductions of racist and colonialistic narratives. 

The performers speak about personal experiences of racist abuse and violence. 

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That’s why you’ll find a list of sensory stimuli in “Unter Drachen” here.
They may be good to be aware of for you or someone who is attending the performance with you.

• An actress on stage scares the audience.
• There is Glitter.
• There is Fog.
• The play has lighters and real snails as props, which are taken out of a glass container, put onto leafs and passed through the audience.
• Video projections.
• There are sudden changes of light, moving light and coloured light. There is also bright, dazzling light as well as dim light and total darkness.
• The actress on stage shows strong feelings of sadness and despair.
• There is background music and loud music. There are also loud noises and suden noises that sound like thunder.
• During the performance, the audience can see each other.
• The audience is invited onto the stage and sits on the stage in a large tent during the performance.
• The performer joins the audience and interacts with them.
• Sweets are distributed.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de.
We will be happy to advise you and work out together how we can help.

We do not view content notes as spoilers for the plot of a play, but as an important source of information to help you decide whether or not to attend an event.

The play deals with the themes of grief and the death of close relatives.

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That’s why you’ll find sensory stimuli here that appear in places in „FOREVER“.
They may be good to be aware of for you or someone who is attending the performance with you.

• There are balloons on the stage. Sometimes the balloons burst.
• Fog.
• Fake blood.
• There are sudden changes of light and moving light. There are colourful lights and flashing lights. There is bright, dazzling light and dim light.
• The dancers on stage show strong emotions.
• There are loud noises and loud music. Sometimes music plays in the background. There is a sudden noise that sounds like thunder.
• The audience should be able to sit quietly throughout the performance in order to follow the piece well.
• Some spectators, seated in the first row are asked or invited to participate in some parts of the show. You can refuse to take part.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de.
We will be happy to advise you and work out together how we can help.

We do not view content notes as spoilers for the plot of a play, but as an important source of information to help you decide whether or not to attend an event.

The performance deals with topics such as death, dying, grief and loss.

The performers name, tell or perform various ways of dying. The performers talk about the wish to die.

The performance contains a reenactment of a funeral.

There is a lot of artificial blood on stage, creating abstract images of violence and death.

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That’s why you’ll find a list of sensory stimuli in “Goodbye Stracciatella” here.
They may be good to be aware of for you or someone who is attending the performance with you.

• Pieces of clothing flying through the air
• There are dimmed lights.
• Complete darkness at the beginning and end of the performance.
• The dancers wear paper bags as masks on their heads. This means that sometimes their faces cannot be seen.
• The play includes music. At one point, a high-pitched voice sings a piece of classical music.
• There is an introduction before the performance in which the audience is invited to join in. The children are invited to read texts on the signs out aloud.
• There will be a post-performance discussion with the dancers.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de.
We will be happy to advise you and work out together how we can help.

Translation into German sign language

The performance of “Familie Grrr” takes place in German sign language. The play is accessible for hearing and deaf* children and families. (Deaf* includes different identities and life realities such as deaf, hard of hearing, CI-wearing and later deaf).

We always have tickets for deaf* people. Even if the performance says “sold out”, you can write to us and order tickets.

If you have any questions about accessibility, please contact us:
Iolanda Carrozzo 
+49 (0)711 218 480 15
iolanda.carrozzo@jes-stuttgart.de

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That’s why you’ll find a list of sensory stimuli in “Familie Grrr” here.
They may be good to be aware of for you or someone who is attending the performance with you.

• There is fog.
• The stage is automatically divided into two halves in the middle and unfolded.
• There are loud noises.
• The actors portray an argument and shout loudly.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de.
We will be happy to advise you and work out together how we can help.

We do not view content notes as spoilers for the plot of a play, but as an important source of information to help you decide whether or not to attend an event.

In the play the topics of separation of parents and arguments in the family are being presented and portraited.

Sensory impressions such as bright light, loud noises or sudden events can be overstimulating or overwhelming for some people. That’s why you’ll find sensory stimuli here that appear in places in “Lifted”.
They may be good to be aware of for you or someone who is attending the performance with you.

• The performers do acrobatics. They stand on top of each other, lift and hold each other, and fly through the air.
• Music plays in the background.
• The audience can see each other during the performance.
• The performance takes place in a public space, which means that it can get loud, people can walk by and watch or stop and chat.

If you have any concerns or questions, please contact us at ticket@jes-stuttgart.de.
We will be happy to advise you and work out together how we can help.

We do not view content notes as spoilers for the plot of a play, but as an important source of information to help you decide whether or not to attend an event. You will find corresponding information on the content notes on each play page.